Known for flattering dinner dresses that set off the head and shoulders with an audacious décolletage, Fath created a cantilevered outer bodice with a modest ivory satin underbodice. The extended plane of the outer bodice is like the soaring shapes of Saarinen's buildings, establishing an artifice within the canon of modernist restraint. Fath played with contrastof matte and shiny, of ivory and black, of white fur and gold bullionas a rich textural perimeter for the dress.
Signatures, Inscriptions, and Markings
Marking: [label] "(logo)/Jacques Fath, Paris"
The Metropolitan Museum of Art. "Haute Couture," December 7, 1995–March 24, 1996.
The Metropolitan Museum of Art. "Dance," December 9, 1986–September 6, 1987.