Bessie Springs Smith White (Mrs. Stanford White)

Thomas Wilmer Dewing American

On view at The Met Fifth Avenue in Gallery 764

Paris-trained Dewing is celebrated for his decorative paintings associated with the American Aesthetic Movement. This evocative half-length depiction of Bessie Springs Smith White (1862-1950)—the wife of the artist’s close friend, the architect Stanford White—belongs to a series of intimate, small-format portraits of subjects close to Dewing. From its first appearance in the spring 1887 exhibition of the Society of American Artists—the organization favored by progressive painters and sculptors—the Smith White portrait has been acclaimed as one of Dewing’s most exquisite and affecting works. The sympathetic depiction of Smith White captures her lively personality in a way that distinguishes it from other decorative portraits of the period. The painting is enhanced by its virtuosic pierced-work frame, designed by the sitter’s husband and reportedly inspired by contemporary lacework.

Bessie Springs Smith White (Mrs. Stanford White), Thomas Wilmer Dewing (American, 1851–1938), Oil on panel, American

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