A Line Shot -- The Aim
The late nineteenth-century Darktown prints by Currier & Ives depict racist stereotypes that are offensive and disturbing.The Metropolitan Museum of Art preserves such works to shed light on their historical context and to enable the study and evaluation of racism.
This print depicts a caricatured Black (African American) man with his rifle and hunting dog (at left), as well as a Black woman hanging laundry on a clothesline (at right) in the yard of a small, rustic wooden cottage with a brick chimney (left background). The thin hunter aims his rifle at three birds perched between clothing items (a white shirt, stockings, and bloomers) pinned up to dry on the clothesline. The hunter's skinny dog squeezes awkwardly between his legs.The hunter --who wears a brown hunting hat, a blue jacket and plaid pants--seems unaware of the Black woman who is bending over her large laundry basket beneath the clothesline. A white/black bulldog sits scratching beside the woman.Two birds fly above the clothesline. The title is imprinted in the bottom margin. This print is a companion to "A Line Shot -- The Recoil" (see accession number 52.632.25).
Nathaniel Currier (1813–1888), whose successful New York-based lithography firm began in 1835, produced thousands of prints in various sizes that together create a vivid panorama of mid-to-late nineteenth century American life and its history. People eagerly acquired such lithographs featuring picturesque scenery, rural and city views, ships, railroads, portraits, hunting and fishing scenes, domestic life and numerous other subjects, as an inexpensive way to decorate their homes or business establishments. As the firm expanded, Nathaniel included his younger brother Charles in the business. In 1857, James Merritt Ives (1824–1895), the firm's accountant since 1852 and Charles's brother-in-law, was made a business partner. Subsequently renamed Currier & Ives, the firm continued via their successors until 1907. The artist of this print is Thomas Worth, a prolific nineteenth-century illustrator who excelled at drawing horses and other subjects, many of which were made into lithographs published by Currier & Ives; he also drew many of the Darktown images.
This print depicts a caricatured Black (African American) man with his rifle and hunting dog (at left), as well as a Black woman hanging laundry on a clothesline (at right) in the yard of a small, rustic wooden cottage with a brick chimney (left background). The thin hunter aims his rifle at three birds perched between clothing items (a white shirt, stockings, and bloomers) pinned up to dry on the clothesline. The hunter's skinny dog squeezes awkwardly between his legs.The hunter --who wears a brown hunting hat, a blue jacket and plaid pants--seems unaware of the Black woman who is bending over her large laundry basket beneath the clothesline. A white/black bulldog sits scratching beside the woman.Two birds fly above the clothesline. The title is imprinted in the bottom margin. This print is a companion to "A Line Shot -- The Recoil" (see accession number 52.632.25).
Nathaniel Currier (1813–1888), whose successful New York-based lithography firm began in 1835, produced thousands of prints in various sizes that together create a vivid panorama of mid-to-late nineteenth century American life and its history. People eagerly acquired such lithographs featuring picturesque scenery, rural and city views, ships, railroads, portraits, hunting and fishing scenes, domestic life and numerous other subjects, as an inexpensive way to decorate their homes or business establishments. As the firm expanded, Nathaniel included his younger brother Charles in the business. In 1857, James Merritt Ives (1824–1895), the firm's accountant since 1852 and Charles's brother-in-law, was made a business partner. Subsequently renamed Currier & Ives, the firm continued via their successors until 1907. The artist of this print is Thomas Worth, a prolific nineteenth-century illustrator who excelled at drawing horses and other subjects, many of which were made into lithographs published by Currier & Ives; he also drew many of the Darktown images.
Artwork Details
- Title: A Line Shot -- The Aim
- Artist: Thomas B. Worth (American, New York 1834–1917 Staten Island, New York)
- Publisher: Currier & Ives (American, active New York, 1857–1907)
- Date: 1881
- Medium: Hand-colored lithograph
- Dimensions: Image: 8 1/4 × 13 1/8 in. (21 × 33.3 cm)
Image and text: 9 1/2 × 13 1/8 in. (24.1 × 33.3 cm)
Sheet: 10 1/8 × 14 1/8 in. (25.7 × 35.9 cm) - Classification: Prints
- Credit Line: Gift of A. S. Colgate, 1952
- Object Number: 52.632.24
- Curatorial Department: Drawings and Prints
More Artwork
A slider containing 5 items.
Press the down key to skip to the last item.
Press the down key to skip to the last item.
James McNeill Whistler
1878
James McNeill Whistler
1879–80
Multiple artists/makers
ca. 1890–1896
Anonymous, French, 19th century
Toussaint Louverture
1802
George Schlegel, New York
Henry Schile
1874
Research Resources
The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
To request images under copyright and other restrictions, please use this Image Request form.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.