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The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of four (Robison)
The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Publisher Giovanni Bouchard
ca. 1749–50
Veduta del Tempio di Giove Tonante, Giovanni Battista Piranesi Italian, Engraving
Veduta del Tempio di Giove Tonante
Giovanni Battista Piranesi
1740s–60s
View through the Herculaneum Gate, Pompeii, Giovanni Battista Piranesi Italian, Pen and brown ink over black chalk
View through the Herculaneum Gate, Pompeii
Giovanni Battista Piranesi
1778
View of the Mausoleum of the Emperor Hadrian (now called Castel S. Angelo) from the rear, from Vedute di Roma (Roman Views), Giovanni Battista Piranesi Italian, Etching, undescribed first state with address of Bouchard
View of the Mausoleum of the Emperor Hadrian (now called Castel S. Angelo) from the rear, from Vedute di Roma (Roman Views)
Giovanni Battista Piranesi
Publisher Bouchard & Gravier
ca. 1756
The Works in Architecture of Robert and James Adam, Esquires. Volume II. Containing the Five Following Numbers, viz... and vol. III, Containing the Remainder of the Designs..., Robert Adam British, Scottish, Illustrations: etching and engraving
The Works in Architecture of Robert and James Adam, Esquires. Volume II. Containing the Five Following Numbers, viz... and vol. III, Containing the Remainder of the Designs...
Multiple artists/makers
[1822]
The Drawbridge, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, scratching; first state of six (Robison)
The Drawbridge, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Publisher Giovanni Bouchard
ca. 1749–50
Parte di ampio magnifico Porto all'uso degli antichi Romani, ove si scuopre l'interno della gran Piazza pel Comercio... (Part of a spacious and magnificent Harbor for the use of the ancient Romans opening onto a large market square...), from "Opere Varie di Archiettura, prospettive, grotteschi, antichità; inventate, ed incise da Giambattista Piranesi Architetto Veneziano" (Various Works of Architecture, perspectives, grotesques, and antiquities; designed and etched by Giambattista Piranesi, Venetian Architect), Giovanni Battista Piranesi Italian, Etching, engraving, drypoint; second state of seven (Robison)
Parte di ampio magnifico Porto all'uso degli antichi Romani, ove si scuopre l'interno della gran Piazza pel Comercio... (Part of a spacious and magnificent Harbor for the use of the ancient Romans opening onto a large market square...), from "Opere Varie di Archiettura, prospettive, grotteschi, antichità; inventate, ed incise da Giambattista Piranesi Architetto Veneziano" (Various Works of Architecture, perspectives, grotesques, and antiquities; designed and etched by Giambattista Piranesi, Venetian Architect)
Giovanni Battista Piranesi
Publisher Giovanni Bouchard
ca. 1749–50
The Octagonal Room in the Small Baths at the Villa of Hadrian (Tivoli), Giovanni Battista Piranesi Italian, Red chalk over black chalk or charcoal with partly ruled construction
The Octagonal Room in the Small Baths at the Villa of Hadrian (Tivoli)
Giovanni Battista Piranesi
ca. 1777
Two Men Holding Long Staffs (recto); Proof impression of part of an etching, and scribbles in the artist's hand (verso), Giovanni Battista Piranesi Italian, Pen and brown ink
Two Men Holding Long Staffs (recto); Proof impression of part of an etching, and scribbles in the artist's hand (verso)
Giovanni Battista Piranesi
1720–78
Coat of Arms of Clement XIII (Rezzonico), Giovanni Battista Piranesi Italian, Pen and ink and gray wash
Coat of Arms of Clement XIII (Rezzonico)
Giovanni Battista Piranesi
1758–69
The Pantheon exterior (Veduta del Pantheon d'Agrippa oggi Chiesa di S. Maria ad Martyres), Giovanni Battista Piranesi Italian, etching
The Pantheon exterior (Veduta del Pantheon d'Agrippa oggi Chiesa di S. Maria ad Martyres)
Giovanni Battista Piranesi
1720–78
Vedute delle ville, e d'altri luoghi della Toscana, Giuseppe Zocchi Italian, Etching
Vedute delle ville, e d'altri luoghi della Toscana
Multiple artists/makers
1744
Interior view of St. Peter's Basilica in the Vatican, from "Vedute di Roma" (Roman Views), Giovanni Battista Piranesi Italian, Etching; third state of six (Hind)
Interior view of St. Peter's Basilica in the Vatican, from "Vedute di Roma" (Roman Views)
Giovanni Battista Piranesi
ca. 1748
St. Giovanni in Laterano, Interior, from "Vedute di Roma" (Views of Rome), Giovanni Battista Piranesi Italian, Etching
St. Giovanni in Laterano, Interior, from "Vedute di Roma" (Views of Rome)
Giovanni Battista Piranesi
ca. 1768
Bird in shell at the center of the lintel, with a frieze of trophies, surmounted by an overmantel with candelabra and flanked by chairs. (Ch. décorée d'une frise de casques et d'armures . . .), Giovanni Battista Piranesi Italian, Etching
Bird in shell at the center of the lintel, with a frieze of trophies, surmounted by an overmantel with candelabra and flanked by chairs. (Ch. décorée d'une frise de casques et d'armures . . .)
Giovanni Battista Piranesi
1769 (?)
A sedan chair, a coach, a commode, a side table and two clocks (Deux ch. à porteurs v. de côté, une commode, une console, deux pedules, un meuble indét), from Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi...(Different Ways of ornamenting chimneypieces and all other parts of houses), Giovanni Battista Piranesi Italian, Etching
A sedan chair, a coach, a commode, a side table and two clocks (Deux ch. à porteurs v. de côté, une commode, une console, deux pedules, un meuble indét), from Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi...(Different Ways of ornamenting chimneypieces and all other parts of houses)
Giovanni Battista Piranesi
ca. 1769
The Triumphal Arch, from "Grotteschi" (Grotesques), Giovanni Battista Piranesi Italian, Etching, engraving, drypoint, burnishing; first state of five (Robison)
The Triumphal Arch, from "Grotteschi" (Grotesques)
Giovanni Battista Piranesi
Publisher Giovanni Bouchard
ca. 1748
Frontispiece from "Prima Parte di Architetture, e Prospettive", Giovanni Battista Piranesi Italian, Etching
Frontispiece from "Prima Parte di Architetture, e Prospettive"
Giovanni Battista Piranesi
ca. 1750
Veduta interna dell'Atrio del Portico di Ottavia (Internal View of the Atrium of the Portico of Octavia), in: 'Vedute di Roma' (Views of Rome), Giovanni Battista Piranesi Italian, Etching
Veduta interna dell'Atrio del Portico di Ottavia (Internal View of the Atrium of the Portico of Octavia), in: 'Vedute di Roma' (Views of Rome)
Giovanni Battista Piranesi
1760
Veduta dell'Anfiteatro Flavio detto il Colosseo. From 'Vedute di Roma' (Views of Rome), Giovanni Battista Piranesi Italian, Etching
Veduta dell'Anfiteatro Flavio detto il Colosseo. From 'Vedute di Roma' (Views of Rome)
Giovanni Battista Piranesi
1776
Plan of the Mausoleum of Caecilia Metella, wife of the Triumvir Marcus Crassus..., tome 3, tavola 49 from "Le Antichità Romane" (Roman Antiquities), Giovanni Battista Piranesi Italian, Etching
Plan of the Mausoleum of Caecilia Metella, wife of the Triumvir Marcus Crassus..., tome 3, tavola 49 from "Le Antichità Romane" (Roman Antiquities)
Giovanni Battista Piranesi
Publisher Angelo Rotili
published 1756–57
Means by which the large blocks of travertine and marble were lifted during the construction of the large Tomb of Caecilia Metella, tome 3, tavola 53 from "Le Antichità Romane" (Roman Antiquities), Giovanni Battista Piranesi Italian, Etching
Means by which the large blocks of travertine and marble were lifted during the construction of the large Tomb of Caecilia Metella, tome 3, tavola 53 from "Le Antichità Romane" (Roman Antiquities)
Giovanni Battista Piranesi
Angelo Rotili
published 1756–57
Chimneypiece in the Egyptian style, from Diverse Maniere d'adornare i cammini (...) (Different Ways of ornamenting chimneypieces and all other parts of houses), Giovanni Battista Piranesi Italian, Etching
Chimneypiece in the Egyptian style, from Diverse Maniere d'adornare i cammini (...) (Different Ways of ornamenting chimneypieces and all other parts of houses)
Giovanni Battista Piranesi
ca. 1769
Egyptian decoration of the Caffè degli Inglesi: Animals on the cornice, including a bull at the center, from "Diverse Maniere d'adornare i cammini..." (Diverse Ways of ornamenting chimneypieces...), Giovanni Battista Piranesi Italian, Etching
Egyptian decoration of the Caffè degli Inglesi: Animals on the cornice, including a bull at the center, from "Diverse Maniere d'adornare i cammini..." (Diverse Ways of ornamenting chimneypieces...)
Giovanni Battista Piranesi
1769
Perspective view of the same candelabrum, from "Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. II" (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi), Giovanni Battista Piranesi Italian, Etching
Perspective view of the same candelabrum, from "Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. II" (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi)
Giovanni Battista Piranesi
1778–80
View along the Via del Corso of the Palazzo dell'Accademia, established by Louis XIV, King of France for French students of Painting, Sculpture and Architecture..., from "Vedute di Roma" (Views of Rome), part I, Giovanni Battista Piranesi Italian, Etching; third state of five (Hind)
View along the Via del Corso of the Palazzo dell'Accademia, established by Louis XIV, King of France for French students of Painting, Sculpture and Architecture..., from "Vedute di Roma" (Views of Rome), part I
Giovanni Battista Piranesi
ca. 1750–78
Dark Prison (Carcere Oscura), Joseph Mallord William Turner British, Watercolor over graphite
Dark Prison (Carcere Oscura)
Joseph Mallord William Turner
After Giovanni Battista Piranesi
1790–99
The Skeletons, from "Grotteschi" (Grotesques), Giovanni Battista Piranesi Italian, Etching with engraving, drypoint, and burnishing; second state of five (Robison)
The Skeletons, from "Grotteschi" (Grotesques)
Giovanni Battista Piranesi
Publisher Giovanni Bouchard
ca. 1748
Large vase found at the Pantanello, Hadrian's Villa, Tivoli, in 1770 (The 'Warwick Vase'), from "Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. I" (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi), Giovanni Battista Piranesi Italian, Etching
Large vase found at the Pantanello, Hadrian's Villa, Tivoli, in 1770 (The 'Warwick Vase'), from "Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. I" (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi)
Giovanni Battista Piranesi
1778–80
Various Roman Ionic capitals compared with Greek examples from Le Roy [S. Maria in Trastevere, S. Paoplo fuori le Mura, S. Clemente, etc.], tab. 20 from "Della Magnificenza e d'Architettura de'Romani" (On the Grandeur and the Architecture of the Romans by Gio. Battista Piranesi, Fellow of the Royal Society of Antiquaries of London), Giovanni Battista Piranesi Italian, Etching
Various Roman Ionic capitals compared with Greek examples from Le Roy [S. Maria in Trastevere, S. Paoplo fuori le Mura, S. Clemente, etc.], tab. 20 from "Della Magnificenza e d'Architettura de'Romani" (On the Grandeur and the Architecture of the Romans by Gio. Battista Piranesi, Fellow of the Royal Society of Antiquaries of London)
Giovanni Battista Piranesi
mid-18th century
The Pier with a Lamp, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of seven (Robison)
The Pier with a Lamp, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Publisher Giovanni Bouchard
ca. 1749–50
The Arch with a Shell Ornament, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, scratching, sulphur tint or open bite, drypoint; first state of seven (Robison)
The Arch with a Shell Ornament, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Publisher Giovanni Bouchard
ca. 1749–50
The Well, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, scratching, burnishing, lavis; first state of six (Robison)
The Well, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Publisher Giovanni Bouchard
ca. 1749–50
Prisoners on a Projecting Platform, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of four (Robison)
Prisoners on a Projecting Platform, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Publisher Giovanni Bouchard
ca. 1749–50
The Monumental Tablet, from "Grotteschi" (Grotesques), Giovanni Battista Piranesi Italian, Etching, engraving, drypoint, scratching; second state of four (Robison)
The Monumental Tablet, from "Grotteschi" (Grotesques)
Giovanni Battista Piranesi
Publisher Giovanni Bouchard
ca. 1748
Plan of a spacious and magnificent College designed after the ancient gymnasia of the Greeks and the baths of the Romans..., from "Opere Varie di Architettura, prospettive, grotteschi, antichità; inventate, ed incise da Giambattista Piranesi Architetto Veneziano" (Various Works of Architecture, perspectives, grotesques and antiquities; designed and etched by Giambattista Piranesi, Venetian Architect), Giovanni Battista Piranesi Italian, Etching, engraving, drypoint; second state of seven (Robison)
Plan of a spacious and magnificent College designed after the ancient gymnasia of the Greeks and the baths of the Romans..., from "Opere Varie di Architettura, prospettive, grotteschi, antichità; inventate, ed incise da Giambattista Piranesi Architetto Veneziano" (Various Works of Architecture, perspectives, grotesques and antiquities; designed and etched by Giambattista Piranesi, Venetian Architect)
Giovanni Battista Piranesi
Publisher Giovanni Bouchard
1750
The Tomb of Nero, from "Grotteschi" (Grotesques), Giovanni Battista Piranesi Italian, Etching, engraving, drypoint, scratching; second state of six (Robison)
The Tomb of Nero, from "Grotteschi" (Grotesques)
Giovanni Battista Piranesi
Publisher Giovanni Bouchard
ca. 1748
The Giant Wheel, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving; second state of eight (Robison)
The Giant Wheel, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Publisher Giovanni Bouchard
ca. 1749–50
The Staircase with Trophies, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving; first state of six (Robison)
The Staircase with Trophies, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Publisher Giovanni Bouchard
ca. 1749–50
The Piazza del Popolo (Veduta della Piazza del Popolo), from "Vedute di Roma", Giovanni Battista Piranesi Italian, Etching
The Piazza del Popolo (Veduta della Piazza del Popolo), from "Vedute di Roma"
Giovanni Battista Piranesi
ca. 1750
The Grand Piazza, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of six (Robison)
The Grand Piazza, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Publisher Giovanni Bouchard
ca. 1749–50
The Smoking Fire, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of seven (Robison)
The Smoking Fire, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Publisher Giovanni Bouchard
ca. 1749–50

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