Tickets
English
DonateMembership
Tickets

Search for Art

26 results for illuminated manuscript
Sort by:
Show only
Images
Date
For BCE dates, enter a negative number. E.g. For 2000 BCE, enter -2000.
–
Artist / culture
Object type / material
Match
 
Show results matching
selected filters.
Geographic location
Match
 
Show results matching
selected filters.
Department
1
Illuminated Psalter, Tempera, black ink and gold on parchment, Byzantine
Illuminated Psalter
Byzantine
late 1100s
Manuscript Leaf Showing an Illuminated Initial R with The Resurrection, Parchment, tempera, ink, metal leaf, Rhenish
Manuscript Leaf Showing an Illuminated Initial R with The Resurrection
Rhenish
late 13th century
Manuscript Leaf Showing an Illuminated Initial A and The Resurrection, Parchment, tempera, ink, metal leaf, North Italian
Manuscript Leaf Showing an Illuminated Initial A and The Resurrection
North Italian
second half of 14th–early 15th century
Manuscript Leaf Cutting showing an Illuminated Initial R with St. Protasius and St. Gervasius, Olivetan Master Lombard, Tempera, gold, and ink on parchment, Italian
Manuscript Leaf Cutting showing an Illuminated Initial R with St. Protasius and St. Gervasius
Olivetan Master
mid-15th century
Manuscript Leaf with Initial A, from a Gradual, Tempera, ink, and metal leaf on parchment, German
Manuscript Leaf with Initial A, from a Gradual
German
second quarter 15th century
Jaharis Byzantine Lectionary, Tempera, gold, and ink on parchment; leather binding, Byzantine
Jaharis Byzantine Lectionary
Byzantine
ca. 1100
Manuscript Leaf from a Book of Hours Showing an Illuminated Initial D and Christ Bearing the Cross, Parchment, tempera, ink, metal leaf, French
Manuscript Leaf from a Book of Hours Showing an Illuminated Initial D and Christ Bearing the Cross
French
1390–1400
Manuscript Leaf Cutting from a Choir Book with an Illuminated Initial B and the Archangel Michael, Tempera, gold, silver, ink on parchment, Italian
Manuscript Leaf Cutting from a Choir Book with an Illuminated Initial B and the Archangel Michael
Italian
second half of the 15th century
The Hours of Jeanne d'Evreux, Queen of France, Jean Pucelle French, Grisaille, tempera, and ink on vellum, French
The Hours of Jeanne d'Evreux, Queen of France
Jean Pucelle
ca. 1324–28
Missal, Tempera, ink, and metal leaf on parchment; leather binding, German
Missal
German
1472
Manuscript Leaf Cutting Probably from a Missal with an Illuminated Initial S and King David Receiving the Holy Bread from Ahimelech the Priest., Parchment, tempera, ink, metal leaf, French
Manuscript Leaf Cutting Probably from a Missal with an Illuminated Initial S and King David Receiving the Holy Bread from Ahimelech the Priest.
French
late 15th century
Four Gospels in Armenian, Tempera and gold on paper; stamped leather binding, Armenian
Four Gospels in Armenian
Armenian
1434/35
Four miniatures of the life of Christ from a gospel book of 1311 (Presentation, Baptism, Transfiguration, Entry into Jerusalem), T'oros the Deacon Armenian, Ink and pigments on oriental paper, Armenian
Four miniatures of the life of Christ from a gospel book of 1311 (Presentation, Baptism, Transfiguration, Entry into Jerusalem)
T'oros the Deacon
1311
Book of Hours, Gilles Hardouyn French, Tempera, ink and gold on parchment; leather binding, French
Book of Hours
Publisher Gilles Hardouyn
Germain Hardouyn
1518–21
Bible, Tempera and gold on parchment; leather binding, French
Bible
French
ca. 1250–75
Bifolium with the Decretals of Gratian, Master Honore French, Tempera and gold on parchment, brown ink; modern leather binding, French
Bifolium with the Decretals of Gratian
Style of Master Honore
ca. 1290
The Crucifixion, Master of the Codex of Saint George Italian, Tempera on wood, gold ground, Italian
The Crucifixion
Master of the Codex of Saint George
ca. 1330–35
Winter Breviary from the Diocese of Constance, Paper with pen and ink, opaque paint, glazes, and applied silver and gold, South German or Swiss
Winter Breviary from the Diocese of Constance
South German or Swiss
1476–1478
Bowl with Lioness, Earthenware, Byzantine
Bowl with Lioness
Byzantine
1100–1300
Pectoral with Christ and the Lamb of God and the Symbols of the Four Evangelists, Walrus ivory with gilded copper sheets and copper alloy pin, British or North French
Pectoral with Christ and the Lamb of God and the Symbols of the Four Evangelists
British or North French
1000–1050
The Prayer Book of Bonne of Luxembourg, Duchess of Normandy, Jean Le Noir , and Workshop French, Tempera, grisaille, ink, and gold on vellum, French
The Prayer Book of Bonne of Luxembourg, Duchess of Normandy
Attributed to Jean Le Noir
before 1349
Vessel Cover, Silver, partly gilded, and niello, Carolingian
Vessel Cover
Carolingian
ca. 830–850
Medal Obverse: Equestrian Portrait of Emperor Constantine (r. 307–337) Reverse: Allegory of Salvation, Copper alloy, French

Medal Obverse: Equestrian Portrait of Emperor Constantine (r. 307–337) Reverse: Allegory of Salvation

French
ca. 1402–13 (model); 16th century (cast)
Manuscript Illumination with Crucifixion in an Initial T, from a Missal, Tempera, ink and gold on parchment, French
Manuscript Illumination with Crucifixion in an Initial T, from a Missal
French
ca. 1400
Manuscript Illumination with the Assumption of the Virgin in an Initial A, from an Antiphonary, Cosmè Tura (Cosimo di Domenico di Bonaventura) Italian, Tempera, ink, and gold on parchment, Italian
Manuscript Illumination with the Assumption of the Virgin in an Initial A, from an Antiphonary
Attributed to Cosmè Tura (Cosimo di Domenico di Bonaventura)
1450–60
Joseph the Frenchman, Tempera, gold, and ink on parchment
On loan to The Met
Illuminated by Joseph the Frenchman
1299–1300