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Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso), Leonardo da Vinci Italian, Silverpoint, partly reworked by the artist with pen and dark brown ink on pink prepared paper; lines ruled with metalpoint (recto); pen and brown ink (verso)
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)
Leonardo da Vinci
1480–85
The Censer, Martin Schongauer German, Engraving
The Censer
Martin Schongauer
Georg Schongauer
1470–1491
The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess, Marcantonio Raimondi Italian, Engraving
The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess
Marcantonio Raimondi
Raphael (Raffaello Sanzio or Santi)
ca. 1510–20
Lucretia, Raphael (Raffaello Sanzio or Santi) Italian, Pen and brown ink over black chalk, partially incised with a stylus (recto); rubbed with black chalk for transfer (verso)
Lucretia
Raphael (Raffaello Sanzio or Santi)
1508–10
Scrapbook of Drawings and Prints, Gideon Saint British, Pen and ink, engraving and etching
Scrapbook of Drawings and Prints
Gideon Saint
ca. 1760
Still Life with Flowers, a Snail and Insects, Joris Hoefnagel Netherlandish, Watercolor, gouache, and shell gold on vellum
Still Life with Flowers, a Snail and Insects
Joris Hoefnagel
1589
Embroidery Pattern with Seven Six-pointed Stars and Four Corner Pieces, Albrecht Dürer German, Woodcut
Embroidery Pattern with Seven Six-pointed Stars and Four Corner Pieces
Albrecht Dürer
Leonardo da Vinci
before 1521
The Archangel Gabriel announcing the birth of Christ, Lucas van Leyden Netherlandish, Pen and brown ink; squared in black chalk; framing lines in pen and brown ink
The Archangel Gabriel announcing the birth of Christ
Lucas van Leyden
1520s
Study of a Seated Woman Seen from Behind (Marie-Gabrielle Capet), Adélaïde Labille-Guiard French, Red, black, and white chalk on toned laid paper
Study of a Seated Woman Seen from Behind (Marie-Gabrielle Capet)
Adélaïde Labille-Guiard
Marie Gabrielle Capet
1789
Costume Study for Vaslav Nijinsky in the Role of Iksender in the Ballet "La Péri" (The Flower of Immortality), first performed in Paris, 1912, Léon Bakst Russian, born present day Belarus, Watercolor and gold and silver paints over graphite
Costume Study for Vaslav Nijinsky in the Role of Iksender in the Ballet "La Péri" (The Flower of Immortality), first performed in Paris, 1912
Léon Bakst
1922
Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal), Canaletto (Giovanni Antonio Canal) Italian, Etching; undivided plate, only state
Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal)
Canaletto (Giovanni Antonio Canal)
Joseph Smith
1741
Still-Life with a Watermelon and Pomegranates, Paul Cézanne French, Watercolor over graphite on laid paper
Still-Life with a Watermelon and Pomegranates
Paul Cézanne
1900–1906
Melencolia I, Albrecht Dürer German, Engraving
Melencolia I
Albrecht Dürer
1514
The Entrance Hall of the Regensburg Synagogue, Albrecht Altdorfer German, Etching
The Entrance Hall of the Regensburg Synagogue
Albrecht Altdorfer
1519
Landscape with a Double Spruce, Albrecht Altdorfer German, Etching
Landscape with a Double Spruce
Albrecht Altdorfer
ca. 1521–22
The Raising of Lazarus, Jacques Bellange French, Pen and brown ink, brown wash
The Raising of Lazarus
Jacques Bellange
ca. 1606–8
Portrait of Charlotte Duchesne, Philippe de Champaigne French, Black chalk, heightened with white, with touches of red chalk
Portrait of Charlotte Duchesne
Philippe de Champaigne
ca. 1628
Édouard Manet, Seated, Holding His Hat, Edgar Degas French, Graphite and black chalk
Édouard Manet, Seated, Holding His Hat
Edgar Degas
Edouard Manet
ca. 1868
Moulin Rouge: La Goulue, Henri de Toulouse-Lautrec French, Lithograph printed in four colors; three sheets of wove paper
Moulin Rouge: La Goulue
Henri de Toulouse-Lautrec
Affiches Américaines, Charles Lévy
1891
Seated Giant, Goya (Francisco de Goya y Lucientes) Spanish, Burnished aquatint, scaper, roulette, lavis (along the top of the landscape and within the landscape)
Seated Giant
Goya (Francisco de Goya y Lucientes)
by 1818 (possibly 1814–18)
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E), Goya (Francisco de Goya y Lucientes) Spanish, Brush, carbon black gray ink and was, scraper
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E)
Goya (Francisco de Goya y Lucientes)
ca. 1816–20
Lindisfarne Castle, Holy Island, Northumberland, Thomas Girtin British, Watercolor and bodycolor (gouache)
Lindisfarne Castle, Holy Island, Northumberland
Thomas Girtin
1796–97
Loggia of the Ducal Palace, Venice, John Ruskin British, Watercolor over graphite
Loggia of the Ducal Palace, Venice
John Ruskin
1849–50
Samson and the Lion, from "The Story of Samson", Anonymous, French, 16th century French, Woodcut with pochoir (stencil) and hand coloring
Samson and the Lion, from "The Story of Samson"
Multiple artists/makers
ca. 1560–80
Liverpool Shipping, Edward Alexander Wadsworth British, Woodcut on Japanese paper
Liverpool Shipping
Edward Alexander Wadsworth
1918
Jupiter and Juno: Study for the "Furti di Giove" Tapestries, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and dark brown ink, brush and brown and gray wash, highlighted with white gouache
Jupiter and Juno: Study for the "Furti di Giove" Tapestries
Perino del Vaga (Pietro Buonaccorsi)
ca. 1532–35
Self-Portrait, turned slightly to the left, Käthe Kollwitz German, Pen and different shades of gray-black ink
Self-Portrait, turned slightly to the left
Käthe Kollwitz
ca. 1893
Accident, Robert Rauschenberg American, Lithograph
Accident
Robert Rauschenberg
1963
Nocturne: Palaces, James McNeill Whistler American, Etching and drypoint; printed in dark brown ink on drum mounted medium weight ivory laid paper.
Nocturne: Palaces
James McNeill Whistler
1879–80
View of Heidelberg, Jan Brueghel the Elder Netherlandish, Pen and brown ink, brush and blue and brown wash, heightened with white; framing lines in pen and brown ink
View of Heidelberg
Jan Brueghel the Elder
ca. 1588–89
Diana and Actaeon, Bartholomeus Spranger Netherlandish, Pen and brown ink, brush and brown and gray wash, white heightening, over traces of black chalk, on paper washed blue and pink
Diana and Actaeon
Bartholomeus Spranger
ca. 1580–85
Cottage among Trees, Rembrandt (Rembrandt van Rijn) Dutch, Pen and brown ink, brush and brown wash, on paper washed with brown
Cottage among Trees
Rembrandt (Rembrandt van Rijn)
ca. 1650
Dune Landscape with Oak Tree, Jacob van Ruisdael Dutch, Black chalk, brush and gray wash, and gouache; framing lines in pen and brown ink
Dune Landscape with Oak Tree
Jacob van Ruisdael
1650–55
The Head of the Virgin in Three-Quarter View Facing Right, Leonardo da Vinci Italian, Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing lines in pen and brown ink at upper right (not by Leonardo)
The Head of the Virgin in Three-Quarter View Facing Right
Leonardo da Vinci
1510–13
Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso), Michelangelo Buonarroti Italian, Red chalk, with small accents of white chalk on the left shoulder of the figure in the main study (recto); soft black chalk, or less probably charcoal (verso)
Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)
Michelangelo Buonarroti
ca. 1510–11
Scalinata della Trinità dei Monti, Giovanni Paolo Panini Italian, Pen and black ink, brush and gray wash, watercolor, over graphite
Scalinata della Trinità dei Monti
Giovanni Paolo Panini
ca. 1756–58
The Lake of Zug, Joseph Mallord William Turner British, Watercolor and bodycolor (gouache) with reductive techniques over graphite
The Lake of Zug
Joseph Mallord William Turner
1843
Lady Lilith, Dante Gabriel Rossetti British, Watercolor and gouache (bodycolor)
Lady Lilith
Dante Gabriel Rossetti
Henry Treffry Dunn
1867
Reading the News at the Weavers' Cottage, Adriaen van Ostade Dutch, Pen and brown ink, watercolor, white heightening, over traces of graphite; framing lines by the artist (?) in pen and brown ink and gold
Reading the News at the Weavers' Cottage
Adriaen van Ostade
1673
Hercules chasing Avarice from the Temple of the Muses, Ugo da Carpi Italian, Chiaroscuro woodcut from two blocks in green
Hercules chasing Avarice from the Temple of the Muses
Ugo da Carpi
Baldassarre Tommaso Peruzzi
ca. 1520–27
Nocturne (Nocturne: The Thames at Battersea), James McNeill Whistler American, Lithotint with scraping on a prepared half-tint ground, printed in soft gray-black ink on pale blue laid chine mounted on ivory wove plate paper; second state of two (Chicago)
Nocturne (Nocturne: The Thames at Battersea)
James McNeill Whistler
1878
A Woman Seated at a Bench on the Avenue du Bois, Berthe Morisot French, Watercolor over traces of graphite
A Woman Seated at a Bench on the Avenue du Bois
Berthe Morisot
1885