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More than 10,000 results for Martin Euclid Thompson
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Martin Euclid Thompson, William Sidney Mount  American, Oil on canvas, American
William Sidney Mount
1830
Facade of the Second Branch Bank of the United States, Martin Euclid Thompson  American, Marble, American
Martin Euclid Thompson
1822–24
Martin Euclid Thompson
F. Nesbitt
19th century
Endicott & Co.
Martin Euclid Thompson
1845
Phenix Bank, New York, Anthony Imbert  American, Lithograph
Multiple artists/makers
1826–29
First Merchant's Exchange, New York (plan of main floor), Alexander Jackson Davis  American, Black and red ink, gray, orange and pink wash, over graphite
Multiple artists/makers
probably 1826
First Merchants' Exchange, New York (elevation of main façade), Alexander Jackson Davis  American, Watercolor, pen and black ink over graphite
Multiple artists/makers
probably 1826
The Branch Bank of the United States, Wall Street, New York, Erected in 1825 (from Views of the Public Buildings in the City of New York Correctly Drawn on Stone by A. J. Davis, 1827), Anthony Imbert  American, Lithograph
Multiple artists/makers
1826–28
Church of the Ascension, Canal Street, New York, Michael Williams  American, Lithograph
Multiple artists/makers
ca. 1829
Multiple artists/makers
1827
Bust of a Man in a Hat Gazing Upward, Martin Schongauer  German, Pen and carbon black ink, over pen and brown ink, on paper prepared with sanguine wash.
Martin Schongauer
ca. 1480–90
Multiple artists/makers
1845
Secretary, Martin Carlin and French, Oak veneered with tulipwood, amaranth, holly, ebonized holly, and other marquetry wood; brass; green-colored metal; gilt-bronze mounts; marble top.  Soft paste porcelain plaques from the Sèvres Manufactory.
Multiple artists/makers
ca. 1781–85
Drop-front desk (secrétaire à abattant or secrétaire en cabinet), Martin Carlin  French, Oak veneered with tulipwood, amaranth, holly, and sycamore; six Sèvres soft-paste porcelain plaques and two painted tin plaques; gilt-bronze mounts; marble shelves; moiré silk, French, Paris and Sèvres
Multiple artists/makers
ca. 1776
Mrs. Cephas Thompson (Olivia Leonard), Cephas Thompson  American, Oil on canvas, American
Cephas Thompson
ca. 1810–20
Spring, Cephas Giovanni Thompson  American, Oil on canvas, American
Cephas Giovanni Thompson
1838
Allegory, Bob Thompson  American, Oil on canvas
Bob Thompson
1960
Pitcher, Orcutt & Thompson, Red earthenware, American
Multiple artists/makers
ca. 1830–31
Sanford R. Gifford, Launt Thompson  American, Bronze, American
Launt Thompson
E. Henry & Bonnard
1871
Charles Loring Elliott, Launt Thompson  American, Marble, American
Launt Thompson
1870
Euclid Avenue, Cleveland, O., Photomechanical print
1900s–1930s
Alfred Thompson Gobert, Louis-Rémy Robert  French, Salted paper print from paper negative
Louis-Rémy Robert
1849–55
Approaching Thunder Storm, Martin Johnson Heade  American, Oil on canvas, American
Martin Johnson Heade
1859
Young Husband: First Marketing, Lilly Martin Spencer  American, Oil on canvas, American
Lilly Martin Spencer
1854
Conjure, Delita Martin  American
Delita Martin
2021
The Belated Party on Mansfield Mountain, Jerome B. Thompson  American, Oil on canvas, American
Jerome B. Thompson
1858
Jewel coffer on stand (petit coffre à bijoux), Martin Carlin  French, Oak veneered with tulipwood, amaranth, stained sycamore, holly, and ebonized holly; thirteen soft-paste porcelain plaques; gilt-bronze mounts; velvet (not original), French, Paris and Sèvres
Multiple artists/makers
ca. 1770
Apostle spoon: St. Andrew, Martin Hewitt, Silver, partly gilded, British, London
Martin Hewitt
1613–14
Combination table, Martin Carlin  French, Oak and pine veneered with tulipwood, sycamore, holly, boxwood and ebony; Carrara marble; gilt-bronze mounts; accessories of Sèvres porcelain, rock crystal, silver gilt, and lacquer, French, Paris
Martin Carlin
ca. 1775
Guitar, Christian Frederick Martin  American, Wood, maple, spruce, abalone, ebony, metal, brass, ivory, American
Christian Frederick Martin
George Wachsteter
ca. 1838
Plate with snake, Martin Fritsche  German, Glazed porcelain, German, Berlin
Martin Fritsche
Königliche Porzellan Manufaktur
ca. 1900
A catalogue of blue and white Nankin porcelain : forming the collection of Sir Henry Thompson, Sir Henry Thompson, 1st Baronet  British
Sir Henry Thompson, 1st Baronet
James McNeill Whistler
1878
Adjustable reading and writing table (pupitre à crémaillère, servant de table), Martin Carlin  French, Tulipwood; gilt bronze, brass, steel, French
Martin Carlin
ca. 1760–65
Desk (bonheur du jour), Martin Carlin  French, Oak, mahogany, tulipwood, sycamore, ebony, box and harewood, gilt-bronze mounts, soft-paste porcelain, French, Sèvres
Multiple artists/makers
ca. 1769
Design for the Patriarchs Window, Euclid Avenue Temple, Cleveland, Ohio, Louis C. Tiffany  American, Transparent and opaque watercolor and graphite on paper mounted on paper board in original mat., American
Louis C. Tiffany
Tiffany Studios
1912
Martin Van Buren, Henry Inman  American, Oil on canvas, American
Henry Inman
ca. 1837–38
Desk (bonheur du jour), Martin Carlin  French, Oak, mahogany, tulipwood, sycamore, ebony, box and harewood, gilt-bronze mounts, soft-paste porcelain, French, Paris and Sèvres
Multiple artists/makers
ca. 1770
The Northside of Euclid Avenue, Cleveland, O., Photomechanical print
1900s–1930s
Seal Matrix with Abbot William of Gross St. Martin and Saint Martin, Walrus ivory, German
German
before 1152
Saint Martin, Pot-metal glass, colorless glass, and vitreous paint, Austrian
Austrian
1340–50