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Pair of Minbar Doors, Wood (rosewood and mulberry); carved and inlaid with carved ivory, ebony, and other woods
ca. 1325–30
Dedicatory Inscription from a Mosque, Gabbro; carved
dated 905 AH/1500 CE
Pierced Window Screen (Jali), Red sandstone; pierced, carved
second half 16th century
Calligraphic Galleon, 'Abd al-Qadir Hisari  Turkish, Ink and gold on paper
Calligrapher 'Abd al-Qadir Hisari
dated 1180 AH/1766–67 CE
Portable Qur’an Manuscript, Ink and gold on paper; leather binding
17th century
"The Four Knights of Kai Khusrau in the Mountains", Folio from a Shahnama (Book of Kings), Abu'l Qasim Firdausi  Iranian, Ink, opaque watercolor, and gold on paper
Author Abu'l Qasim Firdausi
Calligrapher Hasan ibn Muhammad ibn `Ali ibn (?) Husaini, known as al-Mausili
Patron Commissioned by al-Hasan Qawam al-Daula wa'l-Din
dated 741 AH/1341 CE
Opening Folio of the 26th Volume of the  "Anonymous Baghdad Qur'an", Ahmad ibn al-Suhrawardi al-Bakri, Ink, opaque watercolor, and gold on paper
Calligrapher Ahmad ibn al-Suhrawardi al-Bakri
Illuminator Muhammad ibn Aibak ibn 'Abdallah
706 AH/1306–7 CE
"Rustam Pleads for Tus Before Kai Khusrau," Folio from a Shahnama (Book of Kings), Abu'l Qasim Firdausi  Iranian, Ink, opaque watercolor, and gold on paper
Author Abu'l Qasim Firdausi
Calligrapher Hasan ibn Muhammad ibn `Ali ibn (?) Husaini, known as al-Mausili
Patron Commissioned by al-Hasan Qawam al-Daula wa'l-Din
dated 741 AH/1341 CE
Assembly of Four Sufis, Ink, watercolor, and gold on paper
late 19th–early 20th century
Album of Calligraphies Including Poetry and Prophetic Traditions (Hadith), Shaikh Hamdullah ibn Mustafa Dede  Turkish, Main support: ink, watercolor, and gold on paper<br/>Margins: ink, watercolor, and gold on marbled paper<br/>Binding: leather and gold
Calligrapher Shaikh Hamdullah ibn Mustafa Dede
ca. 1500
Tile from a Mihrab, Stonepaste; modeled, painted under transparent glaze
dated 722 AH/1322–23 CE
Pierced Window Screen (Jali), Marble; pierced
early 17th century
Pierced Window Screen (Jali), Red sandstone; pierced, carved
second half 16th century
Folio from the "Qur'an of  `Umar Aqta', `Umar Aqta', Ink, opaque watercolor, and gold on paper
Calligrapher `Umar Aqta'
late 14th–early 15th century (before 1405)
Section from the "Qur'an of  `Umar Aqta', `Umar Aqta', Ink, opaque watercolor, and gold on paper
Calligrapher `Umar Aqta'
late 14th–early 15th century (before 1405)
Section from a Qur'an Manuscript, `Umar Aqta', Ink, opaque watercolor, and gold on paper
Calligrapher `Umar Aqta'
late 14th–early 15th century (before 1405)
Section from a Qur'an, Ink, opaque watercolor, and gold on paper; tooled leather binding
probably second half 13th century
Section from a Qur'an Manuscript, Main support: Ink, opaque watercolor, and gold on paper<br/>Binding: Leather; tooled
ca. 1320
Poet Turning Into Heech, Parviz Tanavoli  Iranian-Canadian, Bronze
Parviz Tanavoli
2007
Atlas of My World (Six Works), Zarina  American, born India, Portfolio of 6 woodcuts with Urdu text printed in black on Indian handmade paper
Zarina
2001
Qur'an, Ink and opaque watercolor on paper; embossed leather cover
19th century
Qur'an Juz II, Ink, gold, and opaque watercolor on paper with leather binding
17th–18th century

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