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Carpet with Palm Trees, Ibexes, and Birds, Cotton (warp and weft), wool (pile); asymmetrically knotted pile
late 16th–early 17th century
The Emperor's Carpet, Silk (warp and weft), wool (pile); asymmetrically knotted pile
second half 16th century
Calligraphic Plaque, Steel; forged and pierced
probably late 17th century
"The Feast of Sada", Folio 22v from the Shahnama (Book of Kings) of Shah Tahmasp, Abu'l Qasim Firdausi  Iranian, Opaque watercolor, ink, silver, and gold on paper
Author Abu'l Qasim Firdausi
Painting attributed to Sultan Muhammad
ca. 1525
"Isfandiyar's Third Course: He Slays a Dragon", Folio 434v from the Shahnama (Book of Kings) of Shah Tahmasp, Abu'l Qasim Firdausi  Iranian, Opaque watercolor, ink, silver, and gold on paper
Author Abu'l Qasim Firdausi
Painting attributed to Qasim ibn 'Ali
ca. 1530
Helmet with Talismanic Inscriptions, Steel; damascened with gold
18th–early 19th century
Fan with Poetic Verses, Wood; painted, gilded, and lacquered
dated 1301 AH/1883–1884 CE
Sprinkler, Glass; dip-molded, blown, applied solid foot, applied decoration
19th century
Man with Prayer Beads, Muhammad `Ali, Ink, transparent and opaque watercolor, and gold on paper
Painting by Muhammad `Ali
mid-17th century
A Princely Hunt, Ink, gold, and watercolor on paper
late 16th century
Carpet, Silk (warp and weft), wool (pile); asymmetrically knotted pile
16th century
Ewer, Glass; blown, folded foot, applied handle, applied spout, applied decoration
19th century
Cover, Silk; woven
17th century
"Two Old Men in Discussion Outside a Hut", Folio from the Davis Album, 'Ali Quli Jabbadar  Iranian, Ink, opaque watercolor, and gold on paper
Painting by 'Ali Quli Jabbadar
dated 1085 AH/1674–75 CE
"Diana, Goddess of the Hunt", Folio from the Davis Album, 'Ali Quli Jabbadar  Iranian, Ink, opaque watercolor, and gold on paper
Attributed to 'Ali Quli Jabbadar
early 17th century
Man in a Long-sleeved Coat, Riza-yi 'Abbasi  Iranian, Ink on paper
Riza-yi 'Abbasi
ca. 1598
Sash, Silk, metal thread
17th century
Bowl with Incised Lotus Flowers, Stonepaste; incised under transparent glaze (Gombroon ware)
second half 17th century or later
Tile Panel, Stonepaste; polychrome glazed within black wax resist outlines (cuerda seca technique)
first quarter 17th century