Search the collection

Filter By

Object Type / Material
Geographic Location
Department
Date
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 1,532 results for Adam Perelle
Sort by:
Veues des Plus Beaux Lieux de France et d'Italie & Les Places, Portes, Fontaines de Paris & Veue de Rome et des Environs, Adam Perelle  French, Etching
Multiple artists/makers
1680s
Vues Diverses, Adam Perelle  French, Etching
Adam Perelle
Nicolas Langlois
n.d.
Veüe du Grand Parterre et de la Demie Lune de Richelieu, Adam Perelle  French, Etching
Adam Perelle
17th century
Face du grand corps de Logis du Château de Richelieu du côté du Parterre, Adam Perelle  French, Etching
Adam Perelle
17th century
Autre Veüe de la Cour de Fontaines et la Galerie d'Ulisse à Fontaine-bleau, Adam Perelle  French, Etching
Adam Perelle
Nicolas Langlois
1680s
View of Vaux-Le-Vicomte, Adam Perelle  French, Etching
Adam Perelle
Nicolas Langlois
1680s
Veüe generale du chateau de Versailles, Adam Perelle  French, Etching
Adam Perelle
Nicolas Langlois
1680s
Le Parterre de l'Orangerie de Chantilly, Adam Perelle  French, Etching
Adam Perelle
Nicolas Langlois
1680s
Le Bassin d'Apollon [The Fountain of Apollo, Versailles], Adam Perelle  French, Etching
Adam Perelle
Nicolas Langlois
1680s
Veue du chasteau de Versailles (View of Versailles, garden facade), Adam Perelle  French, Etching
Multiple artists/makers
1680s
Veüe generale en Perspective du Château Bassecourt, Anticours, Jardins, &c. de Richelieu, Adam Perelle  French, Etching
Adam Perelle
17th century
Veüe du Château de Richelieu du Côté du Parc, Adam Perelle  French, Etching
Adam Perelle
17th century
Le Château de Richelieu en Poictou du Côté de l'Entrée, Adam Perelle  French, Etching
Adam Perelle
17th century
A landscape with travellers at the left, Adam Perelle  French, Etching
Adam Perelle
ca 1660–80
The Garden of Versailles, Adam Perelle  French, Etching
Adam Perelle
Nicolas Langlois
1660–95
The Tuileries Garden, Adam Perelle  French, Etching
Adam Perelle
Nicolas Langlois
1680
Adam Perelle
Nicolas Langlois
1680s
Adam Perelle
Nicolas Langlois
1680
Dining room from Lansdowne House, Robert Adam  British, Scottish, Wood, plaster, stone, British
Multiple artists/makers
1766–69
Tapestry Room from Croome Court, Robert Adam  British, Scottish, Plaster, pine, mahogany, bronze-gilt, marble, lapis lazuli, steel; wool and silk (22-24 warps per inch, 9-10 per centimeter), British, Worcestershire with French, Paris (Gobelins) tapestry
Multiple artists/makers
1763–71
Creamer, James Adam or American, Silver, American
James Adam
John Adam
ca. 1795
Creamer, James Adam or American, Silver, American
James Adam
John Adam
1770–1810
Ceremonial scene with Abundance and Piping Pan, Adam Partnership  British, Oil on canvas, British
Adam Partnership
Robert Adam
1765–66
Love, Adam Fuss  British, Silver dye bleach print
Adam Fuss
1992
Now!, Adam Fuss  British, Gelatin silver print
Adam Fuss
1988
Das Marmorieren des Buchbinders auf Schleimgrund und im Öl- und Kleisterverfahren : nebst Anleitung zum Linoleumschnitt, Schablonierverfahren und Modeldruck für Fachleute und Liebhaber, Paul Adam  German
Paul Adam
Wilhelm Knapp Verlag
1923
Commode (commode à vantaux), Adam Weisweiler  French, Oak veneered with mahogany and thuya; gilt bronze; marble, French
Adam Weisweiler
ca. 1785
Console table from Croome Court, Worcestershire, Robert Adam  British, Scottish, Carved and painted pine with newly carved swags; marble sheets veneered on a limestone core, British
Robert Adam
Sefferin Alken
1765
Side table, Robert Adam  British, Scottish, Mahogany, British
Robert Adam
ca. 1780
Woodwork and ceiling from the Tapestry Room from Croome Court, Robert Adam  British, Scottish, Plaster, wood, tapestry, British
Multiple artists/makers
ca. 1760–69
Drop-front desk (secrétaire à abattant or secrétaire en cabinet), Adam Weisweiler  French, Oak veneered with burl thuya, amaranth, mahogany, satinwood, holly, and ebonized holly; painted metal; one soft-paste porcelain plaque; fifteen jasper medallions; gilt-bronze mounts; marble; leather (not original), French, Paris and Sèvres
Multiple artists/makers
ca. 1787
Mirror from Croome Court, Worcestershire, Robert Adam  British, Scottish, Carved and painted pine, marble sheets veneered on a cement core, with newly carved swags, British
Robert Adam
Sefferin Alken
1765
Wine cooler (one of a pair), Elias Adam  German, Hard-paste porcelain; silver, Chinese porcelain with German, Augsburg mounts
Elias Adam
ca. 1735–36
Whistle, Adam Ownhouse  American, Earthenware; Redware with slip decoration, American
Adam Ownhouse
ca. 1840–50
Armchair, Adam Hains  American, Mahogany with ash, American
Adam Hains
1792–97
Mirror, Robert Adam  British, Scottish, Gilded pine, mirror glass, British
Multiple artists/makers
1769
Table, Adam Weisweiler  French, Oak, Japanese lacquer and ebony veneer, gilt bronze, verde antico marble, French
Adam Weisweiler
ca. 1790
Wine cooler (one of a pair), Elias Adam  German, Hard-paste porcelain; silver, Chinese porcelain with German, Augsburg mounts
Elias Adam
ca. 1735–36
Secretary (secrétaire à abattant), Adam Weisweiler, Oak veneered with mahogany; white marble top and shelf; gilt-bronze mounts and adjustable candleholders.
Adam Weisweiler
ca. 1780–90
Chalice, Adam Pijart, Gilded silver, French, Paris
Adam Pijart
1625–26