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Showing 1,491 results for Adam Weingartner

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The American Museum (Humbug's American Museum), Adam Weingartner American, Illustrations: lithographs — The American Museum (Humbug's American Museum)
Adam Weingartner
Nagel & Weingärtner
1851

Ceremonies of Dedication of the Worth Monument

Adam Weingartner

1857

Squatter Settlement, Between 1st and 2nd Avenues near 38th Street, New York (Valentine's Manual)

Multiple artists/makers

1858

Private Room of Sir Henry Clinton, No. 1 Broadway, New York, 1858, in which Major André Received His Last Instructions (Valentine's Manual)

Multiple artists/makers

1858

Corner of Peck Slip and Water Street, New York, 1857 (Valentine's Manual)

Multiple artists/makers

1857

The Empire City, Birdseye View of New York and Environs, John Bachmann American, Swiss, Lithograph printed in colors with hand coloring — The Empire City, Birdseye View of New York and Environs
John Bachmann
Adam Weingartner
1855

Common Council of the City of New York: Reports of the Erection of a Monument to the Memory of William Jenkins Worth, Late Major General of the United States Army

Charles W. Baker

Adam Weingartner

1857

City of Brooklyn, Long Island, Taken from Rush Street

John Bornet

Adam Weingartner

1855

Dining room from Lansdowne House, Robert Adam British, Scottish, Wood, plaster, stone, British — Dining room from Lansdowne House
Multiple artists/makers
1766–69

Tapestry Room from Croome Court, Robert Adam British, Scottish, Plaster, pine, mahogany, bronze-gilt, marble, lapis lazuli, steel; wool and silk (22-24 warps per inch, 9-10 per centimeter), British, Worcestershire with French, Paris (Gobelins) tapestry — Tapestry Room from Croome Court
Multiple artists/makers
1763–71

Manual of the Corporation of the City of New York for 1860

Multiple artists/makers

1860

Manual of the Corporation of the City of New York for 1859, David Thomas Valentine American, Illustrations: lithographs, engraving — Manual of the Corporation of the City of New York for 1859
Multiple artists/makers
1859

Creamer, James Adam or American, Silver, American — Creamer
James Adam
John Adam
ca. 1795

Creamer, James Adam or American, Silver, American — Creamer
James Adam
John Adam
1770–1810

Ceremonial scene with Abundance and Piping Pan, Adam Partnership British, Oil on canvas, British — Ceremonial scene with Abundance and Piping Pan
Adam Partnership
Robert Adam
1765–66

Manual of the Corporation of the City of New York for 1857

Multiple artists/makers

1857

Manual of the Corporation of the City of New York for 1858

Multiple artists/makers

1858

Love, Adam Fuss British, Silver dye bleach print — Love
Adam Fuss
1992

Now!, Adam Fuss British, Gelatin silver print — Now!
Adam Fuss
1988

Das Marmorieren des Buchbinders auf Schleimgrund und im Öl- und Kleisterverfahren : nebst Anleitung zum Linoleumschnitt, Schablonierverfahren und Modeldruck für Fachleute und Liebhaber, Paul Adam German — Das Marmorieren des Buchbinders auf Schleimgrund und im Öl- und Kleisterverfahren : nebst Anleitung zum Linoleumschnitt, Schablonierverfahren und Modeldruck für Fachleute und Liebhaber
Paul Adam
Wilhelm Knapp Verlag
1923

Commode (commode à vantaux), Adam Weisweiler French, Oak veneered with mahogany and thuya; gilt bronze; marble, French — Commode (commode à vantaux)
Adam Weisweiler
ca. 1785

Console table from Croome Court, Worcestershire, Robert Adam British, Scottish, Carved and painted pine with newly carved swags; marble sheets veneered on a limestone core, British — Console table from Croome Court, Worcestershire
Robert Adam
Sefferin Alken
1765

Side table, Robert Adam British, Scottish, Mahogany, British — Side table
Robert Adam
ca. 1780

Woodwork and ceiling from the Tapestry Room from Croome Court, Robert Adam British, Scottish, Plaster, wood, tapestry, British — Woodwork and ceiling from the Tapestry Room from Croome Court
Multiple artists/makers
ca. 1760–69

Drop-front desk (secrétaire à abattant or secrétaire en cabinet), Adam Weisweiler French, Oak veneered with burl thuya, amaranth, mahogany, satinwood, holly, and ebonized holly; painted metal; one soft-paste porcelain plaque; fifteen jasper medallions; gilt-bronze mounts; marble; leather (not original), French, Paris and Sèvres — Drop-front desk (secrétaire à abattant or secrétaire en cabinet)
Multiple artists/makers
ca. 1787

Mirror from Croome Court, Worcestershire, Robert Adam British, Scottish, Carved and painted pine, marble sheets veneered on a cement core, with newly carved swags, British — Mirror from Croome Court, Worcestershire
Robert Adam
Sefferin Alken
1765

Wine cooler (one of a pair), Elias Adam German, Hard-paste porcelain; silver, Chinese porcelain with German, Augsburg mounts — Wine cooler (one of a pair)
Elias Adam
ca. 1735–36

Whistle, Adam Ownhouse American, Earthenware; Redware with slip decoration, American — Whistle
Adam Ownhouse
ca. 1840–50

Armchair, Adam Hains American, Mahogany with ash, American — Armchair
Adam Hains
1792–97

Mirror, Robert Adam British, Scottish, Gilded pine, mirror glass, British — Mirror
Multiple artists/makers
1769

Table, Adam Weisweiler French, Oak, Japanese lacquer and ebony veneer, gilt bronze, verde antico marble, French — Table
Adam Weisweiler
ca. 1790

Wine cooler (one of a pair), Elias Adam German, Hard-paste porcelain; silver, Chinese porcelain with German, Augsburg mounts — Wine cooler (one of a pair)
Elias Adam
ca. 1735–36

Secretary (secrétaire à abattant), Adam Weisweiler, Oak veneered with mahogany; white marble top and shelf; gilt-bronze mounts and adjustable candleholders. — Secretary (secrétaire à abattant)
Adam Weisweiler
ca. 1780–90

Chalice, Adam Pijart, Gilded silver, French, Paris — Chalice
Adam Pijart
1625–26

Paten, Adam Pijart, Gilded silver, French, Paris — Paten
Adam Pijart
1625–26

Commode (commode à vantaux) (part of a set), Adam Weisweiler French, Oak veneered with ebony, amaranth, holly, ebonized holly, satinwood, Japanese and French lacquer panels; gilt-bronze mounts, brocatelle marble top (not original); steel springs; morocco leather (not original), French, Paris — Commode (commode à vantaux) (part of a set)
Adam Weisweiler
ca. 1790

Drop-front secretary on stand (secrètaire à abattant or secrétaire en cabinet) (one of a pair) (part of a set), Adam Weisweiler French, Oak veneered with ebony, amaranth, holly, ebonized holly, satinwood, Japanese and French lacquer panels, gilt-bronze mounts, brocatelle marble top (not original); steel springs; morocco leather (not original), French, Paris — Drop-front secretary on stand (secrètaire à abattant or secrétaire en cabinet) (one of a pair) (part of a set)
Adam Weisweiler
ca. 1790

Drop-front secretary on stand (Secrètaire à abattant or secrétaire en cabinet) (one of a pair) (part of a set), Adam Weisweiler French, Oak veneered with ebony, amaranth, holly, ebonized holly, satinwood, Japanese and French lacquer panels, gilt-bronze mounts, brocatelle marble top (not original); steel springs; morocco leather (not original), French, Paris — Drop-front secretary on stand (Secrètaire à abattant or secrétaire en cabinet) (one of a pair) (part of a set)
Adam Weisweiler
ca. 1790

Side chair (one of a set of fourteen), Robert Adam British, Scottish, Mahogany, covered in modern red morocco leather, British — Side chair (one of a set of fourteen)
Robert Adam
Thomas Chippendale
ca. 1772

Side chair (one of a set of fourteen), Robert Adam British, Scottish, Mahogany, covered in modern red morocco leather, British — Side chair (one of a set of fourteen)
Robert Adam
Thomas Chippendale
ca. 1772