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13 results for Alte Pinakothek
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Madonna of Giverny, Frederick William MacMonnies  American, Oil on canvas, American
Frederick William MacMonnies
1901
Figure Studies after Rubens's "The Fall of the Rebel Angels", Eugène Delacroix  French, Graphite
Eugène Delacroix
After Peter Paul Rubens
ca. 1820–22
Martyrdom of Saint Lawrence, Peter Paul Rubens  Flemish, Black chalk, pen and brown ink, brush and brown wash, heightened with white; contours traced with stylus for transfer
Workshop of Peter Paul Rubens
Attributed to Anthony van Dyck
early 17th century
Landscape (recto); Landscape (verso), Perugino (Pietro di Cristoforo Vannucci)  Italian, Brush and brown wash, highlighted with white gouache, on gray-green prepared paper (recto); pen and brown ink on unprepared off-white paper (verso)
Perugino (Pietro di Cristoforo Vannucci)
1489–90
Study for a Portrait of a Lady, Anthony van Dyck  Flemish, Black chalk heightened with white chalk on brown paper
Anthony van Dyck
early 17th century
Martyrdom of Saint Lawrence, Lucas Vorsterman I  Flemish, Engraving; second state of two (Hollstein)
Lucas Vorsterman I
After Peter Paul Rubens
Dedicatee Lawrence Beyerlinck
1621
The Land of Cockaigne, Pieter van der Heyden  Netherlandish, Engraving; first state of three
Attributed to Pieter van der Heyden
After Pieter Bruegel the Elder
after 1570?
The Angel of the Annunciation (Cartoon for an Embroidery), Raffaellino del Garbo (also known as Raffaelle de' Capponi and Raffaelle de' Carli)  Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache, over black chalk on paper washed brown; outlines of design and framing outlines pricked and with traces of rubbed black pouncing dust
Raffaellino del Garbo (also known as Raffaelle de' Capponi and Raffaelle de' Carli)
1466–1524
Sleeping Cupid, Bronze, partially oil-gilt, Italian, Venice
Italian, Venice
early 16th century