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The Circumcision, Anonymous Workshop, British , London British, Wool, silk, silver and silver-gilt thread (20-21 warps per inch, 8 per cm.), British, probably London
The Circumcision
Attributed to an Anonymous Workshop, British
early 17th century
The Annunciation, Adoration of the Shepherds, and Adoration of the Kings, Anonymous Workshop, British , London British, Silk, wool, silver-gilt thread (18-22 warps per inch, 7-8 per cm.), British, probably London
The Annunciation, Adoration of the Shepherds, and Adoration of the Kings
Attributed to an Anonymous Workshop, British
early 17th century
"The Prodigal Son Driven Out by Harlots" from a set of six of The Parable of the Prodigal Son, Anonymous Workshop, British , London British, Silk, wool (22 warps per inch, 10 per cm.), British, probably London
"The Prodigal Son Driven Out by Harlots" from a set of six of The Parable of the Prodigal Son
Attributed to an Anonymous Workshop, British
early 17th century
"The Repentance of the Prodigal Son" from a set of six of The Parable of the Prodigal Son, Anonymous Workshop, British , London British, Silk, wool (22 warps per inch, 10 per cm.), British, probably London
"The Repentance of the Prodigal Son" from a set of six of The Parable of the Prodigal Son
Attributed to an Anonymous Workshop, British
early 17th century
Neptune from the "Doria Grotesques", Perino del Vaga (Pietro Buonaccorsi) Italian, Wool and silk (7-8 warps per cm.), Netherlandish, probably Brussels
Neptune from the "Doria Grotesques"
Designer Designed by Perino del Vaga (Pietro Buonaccorsi)
Woven by Anonymous Workshop
designed 1545, woven ca. 1550
Trompe de chasse "Dauphine", Cretien workshop, Paris (c.1690 – post 1737) French, Brass, French
Trompe de chasse "Dauphine"
Cretien workshop, Paris (c.1690 – post 1737)
ca. 1700
Workshop Interior, Thomas Wijck Dutch, Black chalk, gray wash
Workshop Interior
Thomas Wijck
1629–77
Theatre set with alchemist's workshop, Anonymous, German, 19th century (?) German, Colored chalk
Theatre set with alchemist's workshop
Anonymous, German, 19th century
19th century (?)
Triptych with the Nativity and the Annunciation, Master of the Orléans Triptych French, Painted enamel on copper, partly gilt, French, Limoges
Triptych with the Nativity and the Annunciation
In the style of the Master of the Orléans Triptych
late 19th–early 20th century
Poster celebrating the twentieth anniversary of Taller de Gráfica Popular, Anonymous, Mexican, Color screenprint
Poster celebrating the twentieth anniversary of Taller de Gráfica Popular
Anonymous, Mexican
Publisher F. L. Gómez Workshop
1957
Five pink flowers with foliated tendrils, Morris & Company, Linen embroidered with silk, in non-original frame, British
Five pink flowers with foliated tendrils
Morris & Company
last quarter 19th century
Mechanical casket, Heinrich Gambs, Burr-maple, ebony and ebonized fruitwood, mahogany, birch, gold-colored silk and green baize, Russian, St. Petersburg
Mechanical casket
Heinrich Gambs
1800–1810
Madonna and Child with the Dead Christ, Saints Agnes and Catherine of Alexandria, and Two Angels, Sano di Pietro (Ansano di Pietro di Mencio) Italian, Tempera on wood, gold ground
Madonna and Child with the Dead Christ, Saints Agnes and Catherine of Alexandria, and Two Angels
Sano di Pietro (Ansano di Pietro di Mencio)
ca. 1470–80
The Annunciation, the Virgin reading at right, the archangel Gabriel entering the room at center, and Joseph in his workshop at left
Anonymous
After Jacopo Tintoretto (Jacopo Robusti)
Publisher Justus Sadeler
1598–1620
The Fall of Phaeton, from Ovid's "Metamorphoses", Anonymous, Netherlandish, 17th century Netherlandish, Engraving
The Fall of Phaeton, from Ovid's "Metamorphoses"
Anonymous, Netherlandish, 17th century
After Hendrick Goltzius
ca. 1588
Lobed bowl, Silver-gilt, niello inlay, Sasanian
Lobed bowl
Sasanian
ca. 6th–7th century CE
Group of Vignettes copied from the Vatican Loggias, Anonymous, French, 18th century (?) French, Pen and ink with grey and brown wash over partial blind ruling
Group of Vignettes copied from the Vatican Loggias
Anonymous, French, 18th century
After Raphael (Raffaello Sanzio or Santi)
ca. 1770-80
Group of Textile Art Nouveau and Art Deco Designs from a Paris Workshop
Anonymous, French, 20th century
ca. 1910–29
Hot Water Urn (part of a service), Digby Scott British, Silver; ivory, British, London
Hot Water Urn (part of a service)
Digby Scott
Benjamin Smith, II
1804
Coffee Pot on Stand (part of a service), Digby Scott British, Silver; ivory, British, London
Coffee Pot on Stand (part of a service)
Digby Scott
Benjamin Smith, II
1805
Teapot (part of a service), Digby Scott British, Silver; ivory, British, London
Teapot (part of a service)
Digby Scott
Benjamin Smith, II
1805
Sugar Bowl (part of a service), Digby Scott British, Silver, British, London
Sugar Bowl (part of a service)
Digby Scott
Benjamin Smith, II
1804
Milk Jug (part of a service), Digby Scott British, Silver; gilded, British, London
Milk Jug (part of a service)
Digby Scott
Benjamin Smith, II
1804
Man with a Lute, Imperial Russian Tapestry Manufactory, Saint Petersburg, Wool, metal thread (20-25 warps per inch, 8-10 per cm.), Russian
Man with a Lute
Manufactory Imperial Russian Tapestry Manufactory, Saint Petersburg
late 18th century
The Orpheus Cup, Jan Vermeyen German, Gold: cast, embossed, and engraved; enamel: ronde-bosse and painted; rubies, Austrian, Vienna
The Orpheus Cup
Multiple artists/makers
1641–42, the jeweled elements on the lid in the form of animals, amorini holding bow and quiver, and the statuettes of Orpheus and Diana, Prague, ca.1600
Bottle with sugarcane, Hamada Shōji Japanese, Stoneware with iron-oxide decoration, Japan
Bottle with sugarcane
Hamada Shōji
ca. 1960s
Design from a group of Textile Art Nouveau and Art Deco Designs from a Paris Workshop
Anonymous, French, 20th century
ca. 1910–29
Design from a group of Textile Art Nouveau and Art Deco Designs from a Paris Workshop
Anonymous, French, 20th century
ca. 1910–29
Design from a group of Textile Art Nouveau and Art Deco Designs from a Paris Workshop
Anonymous, French, 20th century
ca. 1910–29
Design from a group of Textile Art Nouveau and Art Deco Designs from a Paris Workshop
Anonymous, French, 20th century
ca. 1910–29
Ceramic imitation of bronze roller with two kilted figures, Ceramic
Ceramic imitation of bronze roller with two kilted figures
ca. 2100–1750 BCE
Vessel, Ceramic, paint, Hacilar
Vessel
Hacilar
ca. 5600–5400 BCE
Head of a Woman, Anonymous, Bohemian, 15th century Bohemian, Watercolor on vellum
Head of a Woman
Anonymous, Bohemian, 15th century
ca. 1405–10
"Three Trees of India", Folio from a Baburnama (Autobiography of Babur), Ink, opaque watercolor, and gold on paper
"Three Trees of India", Folio from a Baburnama (Autobiography of Babur)
late 16th century
Vessel, Ceramic, paint, Hacilar
Vessel
Hacilar
ca. 5600–5400 BCE
Jar, Ceramic, paint, Hacilar
Jar
Hacilar
ca. 5600–5400 BCE
The Bridegroom Offering a Crown to the Bride, from a "Canticum Canticorum" block book, second edition, Anonymous, Netherlandish, 15th century Netherlandish, Woodcut printed in brown
The Bridegroom Offering a Crown to the Bride, from a "Canticum Canticorum" block book, second edition
Anonymous, Netherlandish, 15th century
ca. 1460–65
Pair of candlestands, Linden wood; cut and gilded gesso; Tegernsee limestone top, German, Munich
Pair of candlestands
German, Munich
ca. 1735
Ewer, Medici Porcelain Manufactory Italian, Soft-paste porcelain, Italian, Florence
On loan to The Met
Ewer
Manufactory Medici Porcelain Manufactory
ca. 1575–87
Dish, Medici Porcelain Manufactory Italian, Soft-paste porcelain, Italian, Florence
On loan to The Met
Dish
Manufactory Medici Porcelain Manufactory
ca. 1575–87
Design for a Wall Decoration with a River God and Putti carrying the Symbols of King François I, Anonymous, French, School of Fontainebleau, 16th century French, Pen and brown ink, brush and brown wash, over red chalk
Design for a Wall Decoration with a River God and Putti carrying the Symbols of King François I
Anonymous, French, School of Fontainebleau, 16th century
Close to the manner of Leonard Thiry
ca. 1530–47
Designs for a Silver Casket (recto); Porcelain Candelabrum (verso) from the Vienna Exhibition of 1873
Multiple artists/makers
1874