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More than 10,000 results for Anonymous, Austrian, Viennese, 19th century

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Eight Kunstbillets, Anonymous, Austrian, Viennese, 19th century Austrian, Gouache on card, cut and embossed paper with printed or inscribed mottoes, silk gauze, gilded paper borders, all mounted on red silk, framed — Eight Kunstbillets
Anonymous, Austrian, Viennese, 19th century
19th century

Beautifully painted movable card with symbols of love. A brazier contains an eternal flame -- and from it emerge two clasped hands.

Anonymous, Austrian, Viennese, 19th century

ca. 1815

Valentine - engraving, symbols of Hope

Anonymous, Austrian, Viennese, 19th century

before 1820

Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London — Hunters in a Landscape
Multiple artists/makers
ca. 1575–95

The Orpheus Cup, Jan Vermeyen German, Gold: cast, embossed, and engraved; enamel: ronde-bosse and painted; rubies, Austrian, Vienna — The Orpheus Cup
Multiple artists/makers
1641–42, the jeweled elements on the lid in the form of animals, amorini holding bow and quiver, and the statuettes of Orpheus and Diana, Prague, ca.1600

Adoration of the Magi from Seven Scenes from the Life of Christ, Pot-metal and colorless glass, vitreous paint and silver stain, Austrian — Adoration of the Magi from Seven Scenes from the Life of Christ
Austrian
ca. 1390

Standing Virgin and Child, Niclaus Gerhaert von Leyden North Netherlandish, Boxwood, tinted lips and eyes, Austrian — Standing Virgin and Child
Niclaus Gerhaert von Leyden
ca. 1470

Adoration of the Magi from Seven Scenes from the Life of Christ, Pot-metal and colorless glass, vitreous paint and silver stain, Austrian — Adoration of the Magi from Seven Scenes from the Life of Christ
Austrian
ca. 1390

Sketch of an Allegory of the Abolition of Slavery, Anonymous, French School, 19th Century French, Terracotta, French — Sketch of an Allegory of the Abolition of Slavery
Anonymous, French School, 19th Century
ca. 1848

Ornament Card with Butterflies (Glückwunsche zum Namenstage), Anonymous, Austrian, Viennese, 20th century Austrian, Color lithograph — Ornament Card with Butterflies (Glückwunsche zum Namenstage)
Anonymous, Austrian, Viennese, 20th century
Wiener Werkstätte
1907

Merry Christmas (Frohe Weihnachten), Anonymous, Austrian, Viennese, 20th century Austrian, Color lithograph — Merry Christmas (Frohe Weihnachten)
Anonymous, Austrian, Viennese, 20th century
Wiener Werkstätte
1910

Girl with a Bouquet of Flowers, Anonymous, Austrian, Viennese, 20th century Austrian, Color lithograph — Girl with a Bouquet of Flowers
Anonymous, Austrian, Viennese, 20th century
Wiener Werkstätte
1910

Woman, Child and Cat (Frau, Kind und Katze), Anonymous, Austrian, Viennese, 20th century Austrian, Color lithograph — Woman, Child and Cat (Frau, Kind und Katze)
Anonymous, Austrian, Viennese, 20th century
Wiener Werkstätte
1911

Girl Holding Bird on her FIngertips, Anonymous, Austrian, Viennese, 20th century Austrian, Color lithograph — Girl Holding Bird on her FIngertips
Anonymous, Austrian, Viennese, 20th century
Wiener Werkstätte
1910

Girl with Flowers and a Bird, Anonymous, Austrian, Viennese, 20th century Austrian, Color lithograph — Girl with Flowers and a Bird
Anonymous, Austrian, Viennese, 20th century
Wiener Werkstätte
1910

Easter Card, Anonymous, Austrian, Viennese, 20th century Austrian, Color lithograph — Easter Card
Anonymous, Austrian, Viennese, 20th century
Wiener Werkstätte
1911

Hunter with Dog (Jäger mit Hund), Anonymous, Austrian, Viennese, 20th century Austrian, Color lithograph — Hunter with Dog (Jäger mit Hund)
Anonymous, Austrian, Viennese, 20th century
Wiener Werkstätte
1911

Fashionable Couple, Anonymous, Austrian, Viennese, 20th century Austrian, Color lithograph — Fashionable Couple
Anonymous, Austrian, Viennese, 20th century
Wiener Werkstätte
1912

Easter Card, Anonymous, Austrian, Viennese, 20th century Austrian, Color lithograph — Easter Card
Anonymous, Austrian, Viennese, 20th century
Wiener Werkstätte
1911

Easter Card, Anonymous, Austrian, Viennese, 20th century Austrian, Color lithograph — Easter Card
Anonymous, Austrian, Viennese, 20th century
Wiener Werkstätte
1911

Plate, Bruno Geyer, Austrian, active late 19th century to early 20th century Austrian, Porcelain, American — Plate
Bruno Geyer, Austrian, active late 19th century to early 20th century
Ceramic Art Company, Trenton, New Jersey
1904–5

Celestial globe with clockwork, Gerhard Emmoser German, Case: partially gilded silver, gilded brass; movement: brass, steel, Austrian, Vienna — Celestial globe with clockwork
Gerhard Emmoser
1579

Hercules and Achelous, Master of the Martyrdom of St. Sebastian Austrian, Ivory, probably Austrian — Hercules and Achelous
Master of the Martyrdom of St. Sebastian
probably mid-17th century

Grand Piano, Ferdinand Hofmann Austrian, Cherry wood, brass, enamel, ebony, bone, Austrian — Grand Piano
Ferdinand Hofmann
ca. 1790

Ornamental design for front of a chest with winged lion and bear, Anonymous, French, 19th century (?) French, Pen and black, brown, and gray ink with watercolor. — Ornamental design for front of a chest with winged lion and bear
Anonymous, French, 19th century
Anonymous, German, 19th century
19th century

Design for an Empire Daybed, Anonymous, Italian, 19th century Italian, Pen and ink with brown, red, yellow and green wash — Design for an Empire Daybed
Anonymous, Italian, 19th century
Anonymous, French, 19th century
1800–1820

A View of the Ancient City (Parthenon?), Anonymous, German, 19th century ? German, Graphite — A View of the Ancient City (Parthenon?)
Anonymous, German, 19th century
Anonymous, Italian, 19th century
after 1800

The Ghost of the King Appearing to Hamlet, Horatio and Guards (Hamlet, Act 1, Scene 4), Anonymous, French, 19th century French, Brush and brown ink, gouache, and wash on blue paper. Pen and black ink framing lines added when mounted. — The Ghost of the King Appearing to Hamlet, Horatio and Guards (Hamlet, Act 1, Scene 4)
Multiple artists/makers
19th century

Friar Lawrence and Juliet Discover the Bodies of Romeo and Paris (Romeo and Juliet, Act 5, scene 3), Anonymous, French, 19th century French, Brush and brown and black ink, gouache, and wash. Pen and black ink framing lines added when mounted on blue paper. — Friar Lawrence and Juliet Discover the Bodies of Romeo and Paris (Romeo and Juliet, Act 5, scene 3)
Multiple artists/makers
19th century

Hercules and Achelous (in the form of a bull), Master of the Martyrdom of St. Sebastian Austrian, Ivory, Austrian — Hercules and Achelous (in the form of a bull)
Master of the Martyrdom of St. Sebastian
ca. 1670

Faith, Hope and Charity, Balthasar Ferdinand Moll Austrian, Walnut, dark-stained ivory, Austrian — Faith, Hope and Charity
Balthasar Ferdinand Moll
ca. 1739–40

Shield (Pavise), Wood, leather, gesso, polychromy, Austrian — Shield (Pavise)
Austrian
1450–1500

Secretary (sécretaire à abattant), Walnut, parcel-ebonized and mounted with gilt bronze; leather, glass, brass, Austrian — Secretary (sécretaire à abattant)
Austrian
ca. 1815–20 with later additions

Joseph and Potiphar's Wife, Balthasar Griessmann , or his circle, Ivory, Austrian — Joseph and Potiphar's Wife
Balthasar Griessmann
second half 17th century

Saint John the Evangelist, Wood and paint, Austrian — Saint John the Evangelist
Austrian
13th century

Saint George Slaying the Dragon, Michael Pacher Austrian or German, Wood, paint, gilding, Austrian — Saint George Slaying the Dragon
Michael Pacher
ca. 1480

Architectural Canopy, Pot-metal and colorless glass, vitreous paint and silver stain, Austrian — Architectural Canopy
Austrian
ca. 1390

Osculatory, Silver, silver gilt, and mother-of-pearl, Austrian — Osculatory
Austrian
ca. 1490

Triptych with Scenes from the Passion of Christ, Master Pertoldus (Berthold Schauer?), Silver, gilded silver, mother-of-pearl, bone, and cold enamel, Austrian — Triptych with Scenes from the Passion of Christ
Master Pertoldus
1494

Saint George, Pot-metal glass, colorless glass, and vitreous paint, Austrian — Saint George
Austrian
1340–50