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More than 10,000 results for Anonymous, Central European, 19th century

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A building with two floors and a red roof, Anonymous, Central European, 19th century Central European, Watercolor — A building with two floors and a red roof
Anonymous, Central European, 19th century
19th century

Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London — Hunters in a Landscape
Multiple artists/makers
ca. 1575–95

Bird pendant, Central Region artist(s), Jadeite, Central Region — Bird pendant
Central Region artist(s)
300–700 CE

Sketch of an Allegory of the Abolition of Slavery, Anonymous, French School, 19th Century French, Terracotta, French — Sketch of an Allegory of the Abolition of Slavery
Anonymous, French School, 19th Century
ca. 1848

Stirrup, copper alloy, Central European — Stirrup
Central European
early 15th century

Saddle, Bovine bone (body of saddle), deer antler and bone (decorative elements), limewood, rawhide, birchbark, and metal paint, Central European — Saddle
Central European
ca. 1400–1420

Altar Cruet, Silver and silver gilt, Central European — Altar Cruet
Central European
mid-14th century

Beaker with Cobalt Trailing, Clear glass, cobalt trails, Central European — Beaker with Cobalt Trailing
Central European
1275–1325

Chalice, Silver, partly gilded, glass, semiprecious stones(?), with filigree and other enameling, Central European — Chalice
Central European
mid-15th century

Critics' show, Grand Central Art Galleries — Critics' show
Grand Central Art Galleries
1946

Pendant, Central Region artist(s), Jadeite, Central Region — Pendant
Central Region artist(s)
300–700 CE

Bowl with bird motif, Central Highlands artist(s), Ceramic, hematite, Central Highlands — Bowl with bird motif
Central Highlands artist(s)
1200–900 BCE

Flying Panel Metate, Central Region artist(s), Stone, Central Region — Flying Panel Metate
Central Region artist(s)
1 - 500 CE

Amitabha, the Buddha of the Western Pure Land (Sukhavati), Distemper with gold on cloth, Central Tibet — Amitabha, the Buddha of the Western Pure Land (Sukhavati)
Central Tibet
ca. 1700

Buddha Shakyamuni, Brass with colored pigments, Central Tibet — Buddha Shakyamuni
Central Tibet
12th century

Footed Dish with Equestrian Hunting Scene, Copper alloy, Central Vietnam — Footed Dish with Equestrian Hunting Scene
Central Vietnam
ca. 8th century

Doorway from the Church of San Nicolò, San Gemini, Marble (Lunense marble from Carrara), Central Italian — Doorway from the Church of San Nicolò, San Gemini
Central Italian
carved 1000s, assembled 1100s or 1200s

Smiling figure (Sonriente), South central Veracruz artist(s), Ceramic, slip, paint, Classic Veracruz — Smiling figure (Sonriente)
South central Veracruz artist(s)
600–1000 CE

Elevation for a Wall Decoration Scheme for a Church Interior with Scenes dedicated to the Legend of the Holy Cross, Anonymous, Central European, 18th century Central European, Pen and brown ink, partially over graphite — Elevation for a Wall Decoration Scheme for a Church Interior with Scenes dedicated to the Legend of the Holy Cross
Anonymous, Central European, 18th century
ca. 1710–30

Elevation and Floorplan of a Neoclassical Confessional, Anonymous, Central European, 18th century Central European, Pen and black ink, brush and gray wash — Elevation and Floorplan of a Neoclassical Confessional
Anonymous, Central European, 18th century
ca. 1760–80

Presentation Drawing of a late Baroque Altar inside a Church, Anonymous, Central European, 18th century Central European, Pen and black and brown ink, brush and gray wash, watercolor, and metallic pigment — Presentation Drawing of a late Baroque Altar inside a Church
Anonymous, Central European, 18th century
ca. 1720–30

Studies of the Leg of a Man and a Horse's Head (recto); sketches of the back of a man's left shoulder and a chained (?) figure., Central Italian , second quarter 16th century, Pen and brown ink (the horse's head in a different pen and brown ink), brush and wash in two shades of brown (recto); red chalk and pencil (verso), Central Italian — Studies of the Leg of a Man and a Horse's Head (recto); sketches of the back of a man's left shoulder and a chained (?) figure.
Central Italian
second quarter 16th century

A Young Woman Seated in a Chair, Central Italy, Pen and brown ink on paper washed with light brown, Central Italian — A Young Woman Seated in a Chair
Central Italy
17th century

A View of the Ancient City (Parthenon?), Anonymous, German, 19th century ? German, Graphite — A View of the Ancient City (Parthenon?)
Anonymous, German, 19th century
Anonymous, Italian, 19th century
after 1800

Ornamental design for front of a chest with winged lion and bear, Anonymous, French, 19th century (?) French, Pen and black, brown, and gray ink with watercolor. — Ornamental design for front of a chest with winged lion and bear
Anonymous, French, 19th century
Anonymous, German, 19th century
19th century

Design for an Empire Daybed, Anonymous, Italian, 19th century Italian, Pen and ink with brown, red, yellow and green wash — Design for an Empire Daybed
Anonymous, Italian, 19th century
Anonymous, French, 19th century
1800–1820

Sword, Bronze, probably Central European — Sword
probably Central European
13th century BCE

Sword of the Achtkantschwert Type, Bronze, probably Central European — Sword of the Achtkantschwert Type
probably Central European
13th century BCE

The Ghost of the King Appearing to Hamlet, Horatio and Guards (Hamlet, Act 1, Scene 4), Anonymous, French, 19th century French, Brush and brown ink, gouache, and wash on blue paper. Pen and black ink framing lines added when mounted. — The Ghost of the King Appearing to Hamlet, Horatio and Guards (Hamlet, Act 1, Scene 4)
Multiple artists/makers
19th century

Friar Lawrence and Juliet Discover the Bodies of Romeo and Paris (Romeo and Juliet, Act 5, scene 3), Anonymous, French, 19th century French, Brush and brown and black ink, gouache, and wash. Pen and black ink framing lines added when mounted on blue paper. — Friar Lawrence and Juliet Discover the Bodies of Romeo and Paris (Romeo and Juliet, Act 5, scene 3)
Multiple artists/makers
19th century

Creamer, Central Glass Company American, Pressed glass, American — Creamer
Central Glass Company
1891–92

Prestige headdress, Central African artist, Fiber, animal hair, cowrie shells, Democratic Republic of Congo — Prestige headdress
Central African artist
ca. 1850–1920

Tripod brazier with date glyph, Central Highlands artist, Ceramic, slip, Mexica (Aztec) — Tripod brazier with date glyph
Central Highlands artist
1430–1521 CE

Elaborately Framed Roundel of Christ Washing the Feel of the Apostles, Anonymous, German, 19th century German, Watercolor over black crayon — Elaborately Framed Roundel of Christ Washing the Feel of the Apostles
Anonymous, German, 19th century
Anonymous, Italian, 18th century
after 1800 (?)

Cartouche due disegno differenti da Baldachino da Processioni, Anonymous, Italian, 19th century Italian — Cartouche due disegno differenti da Baldachino da Processioni
Anonymous, Italian, 19th century
Anonymous, Italian, 18th century
18th century

Two Women Wearing Coats, Anonymous, French, 19th century French, Steel engraving with hand coloring — Two Women Wearing Coats
Multiple artists/makers
1863–64

A Cancan Dancer, Anonymous, French, 19th century French, Pen and black ink, brush and black wash, heightened with white — A Cancan Dancer
Anonymous, French, 19th century
Anonymous, French, 20th century
ca. 1890–1910

Design for an Enamelled Mirror, Anonymous, French, 19th century French, Graphite and watercolor — Design for an Enamelled Mirror
Anonymous, French, 19th century
Anonymous, French, 20th century
19th century

Bell, French, 19th Century, Bronze and brass, Dutch — Bell
French, 19th Century
ca. 1901

Papierlaternen-Fabrik Riethmüller [maker's catalog], Anonymous, 19th century, Chromolithograph — Papierlaternen-Fabrik Riethmüller [maker's catalog]
Anonymous, 19th century
ca. 1880