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1-42 of 23,845 results for Anonymous, German, South Germany, 18th century
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Right Half of a Design for an Altar in Rococo Style, Anonymous, German, South Germany, 18th century German, Pen and brown ink, brush and gray and red wash
Right Half of a Design for an Altar in Rococo Style
Anonymous, German, South Germany, 18th century
ca. 1735–50
Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London
Hunters in a Landscape
Multiple artists/makers
ca. 1575–95
Saint Stephen, Hans Leinberger German, Limewood with traces of paint, South German
Saint Stephen
Hans Leinberger
ca. 1525–30
Dish with Abraham and Melchizedek, Hans of Landshut German, Free-blown glass with paint and metallic foils, South German
Dish with Abraham and Melchizedek
Hans of Landshut
1498
Cylindrical tankard, M. S. of Nuremberg, Germany, Faience (tin-glazed earthenware), silver-gilt mounts, German, Nuremberg
Cylindrical tankard
M. S. of Nuremberg, Germany
ca. 1720
Krishna and gopis, Chromolithograph on paper, Germany
Krishna and gopis
Germany
ca. 1880–1900
Design for Title-Page, Anonymous, German, 18th century (?) German, Pen and black ink, brush and brown wash, over black chalk; framing lines in pen and brown ink
Design for Title-Page
Multiple artists/makers
18th century
The Annunciation, South German (Bavarian?) Painter German, Oil and gold on linden
The Annunciation
South German (Bavarian?) Painter
1440–50
Design for a Settee, Anonymous, German, 18th century German, Graphite
Design for a Settee
Anonymous, German, 18th century
Anonymous, British, 18th century
18th century
Studies for four urns with a walking stick and hat, Anonymous, German, 18th century (?) German, Pen and black ink, traces of black chalk
Studies for four urns with a walking stick and hat
Anonymous, German, 18th century
Anonymous, French, 18th century
18th century
Design for Settee, Anonymous, German, 18th century German, Graphite and pen and black ink
Design for Settee
Anonymous, German, 18th century
Anonymous, Italian, 18th century
18th century
The Crucifixion, Anonymous, South Germany, 15th century , ca. 1470-90 German, Metalcut, hand-colored in green and red
The Crucifixion
Anonymous, South Germany, 15th century
ca. 1475–1500
Design for a Chandelier, Anonymous, German, 18th century German, Gouache on black prepared paper
Design for a Chandelier
Anonymous, German, 18th century
Anonymous, German, 19th century
18th century
Design for a Title Page, Anonymous, German, 18th century (?) German, Pen and brown and brown-red ink, brush and brown wash; laid down on mount, incised for transfer
Design for a Title Page
Anonymous, German, 18th century
Anonymous, German, 19th century
18th century (?)
Interior of Farm House, Anonymous, German, 18th century (?) German, Pen and brown ink, brush and brown and gray wash
Interior of Farm House
Anonymous, German, 18th century
Anonymous, German, 19th century
18th century (?)
Raising of Lazarus, Anonymous, German, 18th century (?) German, Black chalk
Raising of Lazarus
Anonymous, German, 18th century
Anonymous, German, 19th century
18th century (?)
A Pope Recieving a Saint, Anonymous, German, 18th century (?) German, Pen and brown ink, brush and brown and gray-brown wash over black chalk; laid
A Pope Recieving a Saint
Anonymous, German, 18th century
Anonymous, German, 19th century
18th century
Design for a Funerary Monument, Anonymous, German, 18th century (?) German, Pen and black ink, brush and gray wash, with mauve wash
Design for a Funerary Monument
Anonymous, German, 18th century
Anonymous, German, 19th century
18th century
Design for an altar, Anonymous, German, 18th century German, Graphite
Design for an altar
Multiple artists/makers
early 18th century
Ecce Homo, Anonymous, German, 17th century German, Silver, silver gilt, rosewood, German, Augsburg
Ecce Homo
Anonymous, German, 17th century
late 16th–early 17th century
Standing Scholar (Prophet?) Turned to the Right (Recto); Standing Scholar (Prophet?) Turned to the Left (Verso), Germany, Middle Rhine German, Middle Rhine, Pen and carbon black ink, traces of black chalk underdrawing, on paper prepared with sanguine wash, Germany, Middle Rhine
Standing Scholar (Prophet?) Turned to the Right (Recto); Standing Scholar (Prophet?) Turned to the Left (Verso)
Germany, Middle Rhine
ca. 1460–70
Landscape containing four silhouettes, Anonymous, German, 18th century German, Etching
Landscape containing four silhouettes
Multiple artists/makers
1793–1800
Summer, Anonymous, German, 18th century (?) German, Pen and bistre washed with India ink and orange gouache
Summer
Anonymous, German, 18th century
Anonymous, Netherlandish, 17th century
18th century (?)
Autumn, Anonymous, German, 18th century (?) German, Pen and bistre washed with India ink and orange gouache
Autumn
Anonymous, German, 18th century
Anonymous, Netherlandish, 17th century
18th century (?)
Design for a House Façade, Anonymous, German, 18th century German, Pen and brown ink, brush and gray wash, watercolor, cut-out lower edge
Design for a House Façade
Anonymous, German, 18th century
Anonymous, Dutch
18th century
Pietà, Anonymous, German, 17th century (?) German, Pen and brown ink, brush and gray wash over black chalk; laid down
Pietà
Multiple artists/makers
17th–18th century
Fan Design with Views of Mount Vesuvius and the Tomb of Virgil, Anonymous, Italian, 18th century Italian, Opaque watercolor on parchment
Fan Design with Views of Mount Vesuvius and the Tomb of Virgil
Anonymous, Italian, 18th century
1779
Fan design with Republican assignats (French revolutionary money), Anonymous, French, 18th century French, Etching, a small portion printed in red
Fan design with Republican assignats (French revolutionary money)
Anonymous, French, 18th century
ca. 1795
Réprésentation du feu terrible à nouvelle Yorck, que les Américains allumé pendant la nuit du 19. septembre 1776 (Representation of the terrible fire at New York, that the Americans lit during the night of September 19, 1776), Anonymous, French, 18th century French, Hand-colored etching and engraving
Réprésentation du feu terrible à nouvelle Yorck, que les Américains allumé pendant la nuit du 19. septembre 1776 (Representation of the terrible fire at New York, that the Americans lit during the night of September 19, 1776)
Multiple artists/makers
ca. 1778
The Destruction of the Royal Statue at New York on July 9, 1776, Anonymous, French, 18th century French, Hand-colored etching and engraving
The Destruction of the Royal Statue at New York on July 9, 1776
Multiple artists/makers
ca. 1776
Two shillings and six pence revenue stamp, Anonymous, British, 18th century British, Embossed stamp on blue-gray paper with metal staple on vellum (recto); engraved cypher (verso)
Two shillings and six pence revenue stamp
Anonymous, British, 18th century
1765–66
Pair of Rowel Spurs, Iron, copper alloy, South German
Pair of Rowel Spurs
South German
ca. 1500 and 19th century
Messenger Badge, Copper alloy, silver, enamel, South German
Messenger Badge
South German
15th century
Roundel with Christ Taking Leave of His Mother, Hans Schäufelein German, Colorless glass, vitreous paint and silver stain, South German
Roundel with Christ Taking Leave of His Mother
Hans Schäufelein
1507–15
Roundel with the Annunciation, Colorless glass, vitreous paint and silver stain, South German
Roundel with the Annunciation
South German
1480–1500
The Mater Dolorosa, Lautenbach Master German, Pot-metal glass and colorless glass, silver stain, and vitreous paint, South German
The Mater Dolorosa
Lautenbach Master
Circle of Peter Hemmel von Andlau (Strassburger Werkstattgemeinschaft)
ca. 1480
Man of Sorrows, Elephant ivory with paint and gilding, South German
Man of Sorrows
South German
ca. 1500
Saint George and the Dragon, Limewood with paint and gilding, South German
Saint George and the Dragon
South German
ca. 1460–70
Beaker, Glass, South German
Beaker
South German
13th century
Holy Family, Niclaus Weckmann German, Limewood with traces of paint and gilding, South German
Holy Family
Niclaus Weckmann
ca. 1500
Virgin of the Annunciation, Oak, polychromy & gilding, South German
Virgin of the Annunciation
South German
ca. 1450
The Three Magi, from an Adoration Group, Hans Thoman German, Wood, gesso, paint, gilding, South German
The Three Magi, from an Adoration Group
Hans Thoman
ca. 1515–20