Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for Anonymous, Netherlandish, 15th century

Sort by:

The Bridegroom Offering a Crown to the Bride, from a "Canticum Canticorum" block book, second edition, Anonymous, Netherlandish, 15th century Netherlandish, Woodcut printed in brown — The Bridegroom Offering a Crown to the Bride, from a "Canticum Canticorum" block book, second edition
Anonymous, Netherlandish, 15th century
ca. 1460–65

A Rider on a Black Horse with a Pair of Balances in His Hand; and A Pale Horse with Death as Its Rider, from an Apocalypse blockbook, 2nd edition, Anonymous, Netherlandish, 15th century Netherlandish, Woodcut printed in dark brown ink — A Rider on a Black Horse with a Pair of Balances in His Hand; and A Pale Horse with Death as Its Rider, from an Apocalypse blockbook, 2nd edition
Anonymous, Netherlandish, 15th century
1440–50

The Angels of the Euphrates Killing Mankind; and The Angel Preventing Saint John from Recording the Words of the Seven Thunders, from an "Apocalypse" blockbook, second edition, Anonymous, Netherlandish, 15th century Netherlandish, Woodcut printed in brown ink — The Angels of the Euphrates Killing Mankind; and The Angel Preventing Saint John from Recording the Words of the Seven Thunders, from an "Apocalypse" blockbook, second edition
Anonymous, Netherlandish, 15th century
1440–50

Song of Praise in Heaven over the Fall of the Whore of Babylon; The Wedding of the Lamb from an Apocalypse block book, 2nd edition, Anonymous, Netherlandish, 15th century Netherlandish, Woodcut, with hand coloring, in red, orange, green, gray, and yellow — Song of Praise in Heaven over the Fall of the Whore of Babylon; The Wedding of the Lamb from an Apocalypse block book, 2nd edition
Anonymous, Netherlandish, 15th century
1440–1450

The Annihilation of the Beast; The Capture and Incarceration of the Beast from an Apocalypse blockbook, 2nd edition, Anonymous, Netherlandish, 15th century Netherlandish, Woodcut with hand coloring — The Annihilation of the Beast; The Capture and Incarceration of the Beast from an Apocalypse blockbook, 2nd edition
Anonymous, Netherlandish, 15th century
1440–1450

The Annunciation, flanked by Eve and the Serpent and Gideon's Fleece, from a "Biblia Pauperum" blockbook, third edition, Anonymous, Netherlandish, 15th century Netherlandish, Woodcut with traces of hand-coloring printed in brown ink — The Annunciation, flanked by Eve and the Serpent and Gideon's Fleece, from a "Biblia Pauperum" blockbook, third edition
Anonymous, Netherlandish, 15th century
ca. 1465

The Virgin and Child on the Crescent, Anonymous, Netherlandish, 15th century Netherlandish, Metalcut, hand-colored in green, red and yellow — The Virgin and Child on the Crescent
Anonymous, Netherlandish, 15th century
15th century

Man of Sorrows, Anonymous, Netherlandish, 15th century Netherlandish, Woodcut, hand-colored with red, green, yellow, brown and silver — Man of Sorrows
Anonymous, Netherlandish, 15th century
15th century

Moses Receiving the Law, illustration from a "Biblia Pauperum" blockbook, fourth edition, Anonymous, Netherlandish, 15th century Netherlandish, Woodcut printed in brown ink, with hand-coloring — Moses Receiving the Law, illustration from a "Biblia Pauperum" blockbook, fourth edition
Anonymous, Netherlandish, 15th century
ca. 1465

Thy Neck Is Like the Tower of David, illustration from a Canticum Canticorum blockbook, 2nd, Anonymous, Netherlandish, 15th century Netherlandish, Woodcut printed in brown — Thy Neck Is Like the Tower of David, illustration from a Canticum Canticorum blockbook, 2nd
Anonymous, Netherlandish, 15th century
ca. 1460/1465

Come My Beloved, Let Us Go Forth Into the Field, illustration from a Canticum Canticorum blockbook, 2nd edition, Anonymous, Netherlandish, 15th century Netherlandish, Woodcut printed in brown — Come My Beloved, Let Us Go Forth Into the Field, illustration from a Canticum Canticorum blockbook, 2nd edition
Anonymous, Netherlandish, 15th century
ca. 1465

The Bridegroom Showing the Bride His Land, from a Canticum Canticorum blockbook, 1st edition, Anonymous, Netherlandish, 15th century Netherlandish, Woodcut with touches of red gouache; verso with letterpress text with touches of red gouache — The Bridegroom Showing the Bride His Land, from a Canticum Canticorum blockbook, 1st edition
Anonymous, Netherlandish, 15th century
ca. 1460/1465

Album with Twelve Engravings of The Passion, a Woodcut of Christ as the Man of Sorrows, and a Metalcut of St. Jerome in Penitence, Israhel van Meckenem German, Engraving, two touched with gold; woodcut, hand-colored; metalcut, hand-colored; manuscript in dark brown ink with red, and blue initials and flourishes; bound in blind-stamped leather — Album with Twelve Engravings of The Passion, a Woodcut of Christ as the Man of Sorrows, and a Metalcut of St. Jerome in Penitence
Multiple artists/makers
late 15th century

Hunters in a Landscape, Anonymous, 16th century, Wool, silk (14 warps per inch; 5-6 per cm), British, probably London — Hunters in a Landscape
Multiple artists/makers
ca. 1575–95

Annunciation Triptych (Merode Altarpiece), Robert Campin Netherlandish, Oil on oak, Netherlandish — Annunciation Triptych (Merode Altarpiece)
Robert Campin
ca. 1427–32

Crib of the Infant Jesus, Wood, polychromy, lead, silver-gilt, painted parchment, silk embroidery with seed pearls, gold thread, translucent enamels, South Netherlandish — Crib of the Infant Jesus
South Netherlandish
15th century

Letter P with the Legend of Saint Philip, Boxwood; later (18th century) embroidered silk pouch, Netherlandish — Letter P with the Legend of Saint Philip
Netherlandish
ca. 1500–before 1506

Virgin and Child, Hans Memling Netherlandish, Oil on oak panel, Netherlandish — Virgin and Child
Hans Memling
Early sixteenth century

The Cloisters Playing Cards, Paper (four layers of pasteboard) with pen and ink, opaque paint, glazes, and applied silver and gold, South Netherlandish — The Cloisters Playing Cards
South Netherlandish
ca. 1475–80

Embroidery with the Annunciation, Silk and metallic threads on linen, Netherlandish — Embroidery with the Annunciation
Netherlandish
mid-15th century

The Lamentation, Netherlandish Netherlandish, Oil on copper alloy, Netherlandish — The Lamentation
Netherlandish
ca. 1550

Rapier in 15th Century German Style, Steel, silver, German — Rapier in 15th Century German Style
German
probably 18th–19th century

Pair of Stirrups, Iron, gold, Netherlandish — Pair of Stirrups
Netherlandish
first half 17th century

Julius Caesar (from the Heroes Tapestries), Wool warp, wool wefts, South Netherlandish — Julius Caesar (from the Heroes Tapestries)
South Netherlandish
ca. 1400–1410

The Man of Sorrows between Two Angels, Anonymous, German, 15th century German, Hand-colored woodcut — The Man of Sorrows between Two Angels
Anonymous, German, 15th century
15th century

The Fifteen Mysteries and the Virgin of the Rosary, Netherlandish (Brussels) Painter Netherlandish, Oil on wood — The Fifteen Mysteries and the Virgin of the Rosary
Netherlandish (Brussels) Painter
ca. 1515–20

Virgin and Child, Netherlandish (Antwerp?) Netherlandish, Oil on wood, Netherlandish — Virgin and Child
Netherlandish (Antwerp?)
second quarter of the 16th century

Half of a Prayer Bead with the Crucifixion, Boxwood, Netherlandish — Half of a Prayer Bead with the Crucifixion
Netherlandish
early 16th century

Diptych with the Nativity and the Mass of Saint Gregory, Boxwood, Netherlandish — Diptych with the Nativity and the Mass of Saint Gregory
Netherlandish
early 16th century

The Parable of the Beam and the Mote, Netherlandish Netherlandish, Pen and brown ink over traces of black chalk; original borderlines at left and right edges., Netherlandish, Leiden — The Parable of the Beam and the Mote
Netherlandish
ca. 1520–30

Rowel Spur in the Style of the 15th Century, Copper alloy, gold, iron, German — Rowel Spur in the Style of the 15th Century
German
15th and 19th century

Rowel Spur, in the Style of the 15th-16th Century, Iron alloy, German — Rowel Spur, in the Style of the 15th-16th Century
German
19th century

The Holy Family, Joos van Cleve Netherlandish, Oil on oak panel, Netherlandish — The Holy Family
Joos van Cleve
possibly 1527–33

Plaque with the Pentecost, Champlevé and translucent enamel on copper gilt, South Netherlandish — Plaque with the Pentecost
South Netherlandish
ca. 1150–75

Beaker with Apes, Silver, silver gilt, and painted enamel, South Netherlandish — Beaker with Apes
South Netherlandish
ca. 1425–50

Aquamanile in the Form of Aristotle and Phyllis, Bronze; Quaternary copper alloy (approx. 72% copper, approx. 17% zinc,<br/>approx. 6% lead, approx. 3% tin)., South Netherlandish — Aquamanile in the Form of Aristotle and Phyllis
South Netherlandish
late 14th or early 15th century

Half of a Prayer Bead with Jesus Carrying the Cross, Boxwood, Netherlandish — Half of a Prayer Bead with Jesus Carrying the Cross
Netherlandish
early 16th century

Plate with Pelican in her Piety, Brass, Netherlandish — Plate with Pelican in her Piety
Netherlandish
15th century

Virgin and Child, Gerard David Netherlandish, Oil on oak panel, Netherlandish — Virgin and Child
Gerard David
1490–1523

Portrait of a Man, Netherlandish Painter Netherlandish, Oil on wood — Portrait of a Man
Netherlandish Painter