Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for Antonio da Sangallo, the Younger

Sort by:

Wall fountain, Simone Mosca Italian, Grey sandstone (pietra serena), Italian, Florence — Wall fountain
Simone Mosca
1527–34

Plan of St. Peter's, from "Speculum Romanae Magnificentiae", Antonio da Sangallo, the Younger Italian, Engraving — Plan of St. Peter's, from "Speculum Romanae Magnificentiae"
Multiple artists/makers
1549

St. Peter's, from "Speculum Romanae Magnificentiae", Antonio da Sangallo, the Younger Italian, Engraving — St. Peter's, from "Speculum Romanae Magnificentiae"
Multiple artists/makers
1547

Design for a Freestanding Tomb Seen in Elevation and Plan, Antonio da Sangallo, the Younger Italian, Pen and brown ink, brush and brown wash, over extensive compass-incised and stylus-ruled construction with pin-pricked measurements — Design for a Freestanding Tomb Seen in Elevation and Plan
Antonio da Sangallo, the Younger
1530–35

Design for the Basilica of St. Peter's in the Vatican, from "Speculum Romanae Magnificentiae", Antonio da Labacco Italian, Engraving — Design for the Basilica of St. Peter's in the Vatican, from "Speculum Romanae Magnificentiae"
Multiple artists/makers
1514

Design for the Basilica of St. Peter's in the Vatican, from "Speculum Romanae Magnificentiae", Antonio da Labacco Italian, Engraving — Design for the Basilica of St. Peter's in the Vatican, from "Speculum Romanae Magnificentiae"
Multiple artists/makers
16th century

Corbel, Giuliano da Sangallo Italian, Grey stone (pietra serena), Italian, Florence — Corbel
Giuliano da Sangallo
late 15th century

Recto: Front Elevation of a Roman Temple in Ruins (inspired by Giuliano da Sangallo); Verso: Elevation of the Nave of a Roman Basilica in Ruins (? the Basilica Giulia, inspired by Giuliano da Sangallo)., Sangallo family Italian, Pen and dark brown ink — Recto: Front Elevation of a Roman Temple in Ruins (inspired by Giuliano da Sangallo); Verso: Elevation of the Nave of a Roman Basilica in Ruins (? the Basilica Giulia, inspired by Giuliano da Sangallo).
Sangallo family
Marcus Pollio Vitruvius
1530–45

Recto: "Libro Primo, Chapo Quarto..." (Vitruvius, Book 1, Chapter 4); Verso: The Fortification of City Walls (Vitruvius, Book 1, Chapter 5)., Sangallo family Italian, Pen and dark brown ink — Recto: "Libro Primo, Chapo Quarto..." (Vitruvius, Book 1, Chapter 4); Verso: The Fortification of City Walls (Vitruvius, Book 1, Chapter 5).
Sangallo family
Marcus Pollio Vitruvius
1530–45

Francesco da Sangallo, Francesco da Sangallo Italian, Bronze, Italian, Florence — Francesco da Sangallo
Francesco da Sangallo
1551

Francesco da Sangallo and Elena Marsupini, his wife, Francesco da Sangallo Italian, Bronze, Italian, Florence — Francesco da Sangallo and Elena Marsupini, his wife
Francesco da Sangallo
1551

Recto: The Port City of Alexandria (? Allusion to Dinocrates's Building of Alexandria, Vitruvius, Book 2, introduction, no. 1); Verso: Fragmentary Writing ("Libro Primo...")., Sangallo family Italian, Pen and dark brown ink — Recto: The Port City of Alexandria (? Allusion to Dinocrates's Building of Alexandria, Vitruvius, Book 2, introduction, no. 1); Verso: Fragmentary Writing ("Libro Primo...").
Sangallo family
Marcus Pollio Vitruvius
1530–45

Study for the Equestrian Monument to Francesco Sforza, Antonio Pollaiuolo Italian, Pen and brown ink, light and dark brown wash; outlines of the horse and rider pricked for transfer. — Study for the Equestrian Monument to Francesco Sforza
Antonio Pollaiuolo
early to mid 1480s

Recto: Temple Types: in Antis and Prostyle (Vitruvius, Book 3, Chapter 2, nos. 2, 3); Verso: Temple Types: Peripteral (Vitruvius, Book 3, Chapter 2, no. 5)., Sangallo family Italian, Pen and dark brown ink — Recto: Temple Types: in Antis and Prostyle (Vitruvius, Book 3, Chapter 2, nos. 2, 3); Verso: Temple Types: Peripteral (Vitruvius, Book 3, Chapter 2, no. 5).
Sangallo family
Marcus Pollio Vitruvius
1530–45

Palazzo Farnese (floor plan)

Multiple artists/makers

1655

Giovanni de'Medici della Bande Nere (1498–1526), a Celebrated Condottiere, and Father of Cosimo I, Francesco da Sangallo Italian, Bronze, Italian, Florence — Giovanni de'Medici della Bande Nere (1498–1526), a Celebrated Condottiere, and Father of Cosimo I
Francesco da Sangallo
ca. 1570

Portrait medal of Paolo Giovio (obverse); Giovio Raising a Man from a Grave (reverse), Francesco da Sangallo Italian, Bronze (Copper alloy with brown patina<br/>under a layer of dark wax.) — Portrait medal of Paolo Giovio (obverse); Giovio Raising a Man from a Grave (reverse)
Francesco da Sangallo
model ca. 1552 (probably a later cast)

Palazzo Farnese (inner court)

Multiple artists/makers

1655

Madonna and Child with Angels, Antonio Rossellino Italian, Marble with gilt details on halo and dress, Italian, Florence — Madonna and Child with Angels
Antonio Rossellino
ca. 1455–60

Palazzo Farnese (Façade Via Giulia)

Multiple artists/makers

1655

Armorial Plate (tondino): The story of King Midas, Nicola da Urbino Italian, Maiolica (tin-glazed earthenware) — Armorial Plate (tondino): The story of King Midas
Nicola da Urbino
ca. 1520–25

Medal: Giovanni de'Medici delle Bande Nere, Francesco da Sangallo Italian, Lead. — Medal: Giovanni de'Medici delle Bande Nere
Francesco da Sangallo
model 1522 or ca. 1570 (cast 16th century)

Paolo Giovio, Historian and Prelate, Bishop of Nocera (d. 1552), Francesco da Sangallo Italian, Bronze, Italian, possibly Florence — Paolo Giovio, Historian and Prelate, Bishop of Nocera (d. 1552)
Francesco da Sangallo
1552

Vitruvius iterum et Frontinus à Iocundo revisi repurgatique quantum ex collatione licvit, Marcus Pollio Vitruvius Italian, Woodcut — Vitruvius iterum et Frontinus à Iocundo revisi repurgatique quantum ex collatione licvit
Multiple artists/makers
1513

"Francesca" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, mother of pearl, Italian (Cremona) — "Francesca" Violin
Antonio Stradivari
1694

"Antonius" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, Italian (Cremona) — "Antonius" Violin
Antonio Stradivari
1711

Perseus with the Head of Medusa, Antonio Canova Italian, Marble, Italian, Rome — Perseus with the Head of Medusa
Antonio Canova
Count Jan and Countess Valeria Tarnowski
1804–6

Knife (one of a set), Antonio Gentili (Antonio da Faenza) Italian, Silver, gold, Italian, Rome — Knife (one of a set)
Antonio Gentili (Antonio da Faenza)
late 16th century

Spoon (one of a set), Antonio Gentili (Antonio da Faenza) Italian, Silver, Italian, Rome — Spoon (one of a set)
Antonio Gentili (Antonio da Faenza)
late 16th century

Shield, Girolamo da Treviso Italian, Wood, linen, gesso, gold leaf, polychromy, Italian, probably Bologna — Shield
Girolamo da Treviso
ca. 1535

Palazzo Farnese

Multiple artists/makers

1655

Erasmus of Rotterdam, Hans Holbein the Younger (and Workshop(?)) German, Oil on linden panel — Erasmus of Rotterdam
Hans Holbein the Younger
ca. 1532

Head and wings of an angel and forehead of another, Antonio Rossellino Italian, Marble, Italian, Florence — Head and wings of an angel and forehead of another
Antonio Rossellino
ca. 1475–90

"Gould" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, Italian (Cremona) — "Gould" Violin
Antonio Stradivari
1693

The Farnese Table, Jacopo [Giacomo] Barozzi da Vignola Italian, Marble of different colors, semiprecious stones, Egyptian alabaster, residue of paint of different colors on the piers, Italian, Rome — The Farnese Table
Multiple artists/makers
ca. 1565–73

Adoration of the Shepherds, Francesco di Marco Marmitta da Parma Emilian, Tempera and gold on parchment — Adoration of the Shepherds
Francesco di Marco Marmitta da Parma
ca. 1500

Hermann von Wedigh III (died 1560), Hans Holbein the Younger German, Oil and gold on oak — Hermann von Wedigh III (died 1560)
Hans Holbein the Younger
1532

Tomb of Antonio Canova, Antonio Fabris Italian, Bronze, Italian, Venice — Tomb of Antonio Canova
Antonio Fabris
1827

The Last Supper, Ugolino da Siena (Ugolino di Nerio) Italian, Tempera and gold on wood — The Last Supper
Ugolino da Siena (Ugolino di Nerio)
ca. 1325–30

Fountain with Arms of Jacopo de' Pazzi, Giuliano da Maiano Italian, Marble, Italian, Florence — Fountain with Arms of Jacopo de' Pazzi
Multiple artists/makers
ca. 1470