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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 333 results for Bartolo Talpa

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Federigo I Gonzaga, third marquess of Mantua, Bartolo Talpa Italian, Bronze, Italian, Mantua — Federigo I Gonzaga, third marquess of Mantua
Bartolo Talpa
1400–1499

The Adoration of the Shepherds, Bartolo di Fredi Italian, Tempera on poplar, gold ground, Italian — The Adoration of the Shepherds
Bartolo di Fredi
1374

The Adoration of the Magi, Bartolo di Fredi Italian, Tempera and gold on wood — The Adoration of the Magi
Bartolo di Fredi
ca. 1390

Saint Mary Magdalen, Bartolo di Fredi Italian, Tempera on wood, gold ground — Saint Mary Magdalen
Multiple artists/makers
mid-14th century

Reliquary Bust of Saint Juliana, Giovanni di Bartolo Italian, Copper, gilding, gesso, and tempera paint, Italian — Reliquary Bust of Saint Juliana
Giovanni di Bartolo
ca. 1376

Christ and the Twelve Apostles, Taddeo di Bartolo Italian, Tempera on wood, gold ground — Christ and the Twelve Apostles
Taddeo di Bartolo
ca. 1400

Madonna and Child with Saints Jerome and Mary Magdalen, Matteo di Giovanni di Bartolo Italian, Tempera and gold on wood — Madonna and Child with Saints Jerome and Mary Magdalen
Matteo di Giovanni di Bartolo

Madonna and Child with Saints Francis and Catherine of Siena, Matteo di Giovanni di Bartolo Italian, Tempera on wood, gold ground — Madonna and Child with Saints Francis and Catherine of Siena
Matteo di Giovanni di Bartolo
about 1476–80

The Crucifixion, Andrea di Bartolo Italian, Tempera on wood, gold ground — The Crucifixion
Andrea di Bartolo

Head of an Angel in Full Face, Taddeo di Bartolo Italian, Tempera on wood (paint around head scraped away and vacant area gessoed) — Head of an Angel in Full Face
Taddeo di Bartolo
ca. 1397

Head of the Virgin, Taddeo di Bartolo Italian, Tempera on wood (paint around head scraped away and vacant area gessoed) — Head of the Virgin
Taddeo di Bartolo
ca. 1397

Head of an Angel in Left Profile

Taddeo di Bartolo

ca. 1397

The Virgin and Child with Saint John the Baptist, Pope Saint Dionysius, Filippo Neri and a Male Saint, Baccio (Lorenzo Bartolo) Ciarpi Italian, Black chalk, highlighted with blue wash — The Virgin and Child with Saint John the Baptist, Pope Saint Dionysius, Filippo Neri and a Male Saint
Baccio (Lorenzo Bartolo) Ciarpi
ca. 1620

Virgin and Child, Bartolomé Estebán Murillo Spanish, Oil on canvas — Virgin and Child
Bartolomé Estebán Murillo
1670s

The Crucifixion, Bartolomé Estebán Murillo Spanish, Oil on canvas — The Crucifixion
Bartolomé Estebán Murillo
ca. 1675

Don Andrés de Andrade y la Cal, Bartolomé Estebán Murillo Spanish, Oil on canvas — Don Andrés de Andrade y la Cal
Bartolomé Estebán Murillo
ca. 1665–72

A Knight of Alcántara or Calatrava, Bartolomé Estebán Murillo Spanish, Oil on canvas — A Knight of Alcántara or Calatrava
Bartolomé Estebán Murillo
ca. 1650–55

Standing female figure, Tala-Tonalá artist(s), Ceramic, slip, Tala-Tonalá — Standing female figure
Tala-Tonalá artist(s)
300 BCE–300 CE

Standing female figure, Tala-Tonalá artist(s), Ceramic, slip, Tala-Tonalá — Standing female figure
Tala-Tonalá artist(s)
300 BCE–300 CE

The dwarf Francisco Lezcano, called 'El Niño de Vallecas', after Velázquez, Bartolomé Vázquez Spanish, Engraving on wove paper — The dwarf Francisco Lezcano, called 'El Niño de Vallecas', after Velázquez
Multiple artists/makers
1792

The Fable of Aracne, or 'The Spinners', after Velázquez, Bartolomé Maura Spanish, Etching on wove paper — The Fable of Aracne, or 'The Spinners', after Velázquez
Bartolomé Maura
Velázquez (Diego Rodríguez de Silva y Velázquez)
1870

The Surrender at Breda or 'Las Lanzas' (The Lances), after Velázquez, Bartolomé Maura Spanish, Etching on wove paper — The Surrender at Breda or 'Las Lanzas' (The Lances), after Velázquez
Bartolomé Maura
Velázquez (Diego Rodríguez de Silva y Velázquez)
1876

The Cornation of Esther by Ahasuerus, Bartolomé Carducho Spanish, Black chalk and brown wash. Squared for transfer and numbered in black chalk — The Cornation of Esther by Ahasuerus
Bartolomé Carducho
Vicente Carducho
1560–1638

Standing Male Figure: Study for a Portrait, Bartolomé Estebán Murillo Spanish, Pen and brown ink over black chalk underdrawing on off-white paper (recto); black chalk (verso) — Standing Male Figure: Study for a Portrait
Bartolomé Estebán Murillo
1670–80

The Infant St. John the Baptist, Bartolomé Estebán Murillo Spanish, Pen and brown ink with brush and gray wash over black chalk underdrawing. Composition outlined with black chalk inner line and brush and gray wash outer line; framing lines ruled in pen and gray-brown ink, possibly by the artist himself — The Infant St. John the Baptist
Bartolomé Estebán Murillo
1618–82

The Nativity, Bartolomé Estebán Murillo Spanish, Pen and brown ink, brush and brown wash, over traces of leadpoint or soft black chalk — The Nativity
Bartolomé Estebán Murillo
ca. 1665–70

View from the Quai d'Orsay, Johan Barthold Jongkind Dutch, Oil on canvas, mounted on wood — View from the Quai d'Orsay
Johan Barthold Jongkind
1854

Honfleur, Johan Barthold Jongkind Dutch, Oil on canvas — Honfleur
Johan Barthold Jongkind
1865

Boots, Maraolo Italian, leather, Italian — Boots
Maraolo
1988

Coffeepot, Leonard, Reed & Barton American, Pewter, American — Coffeepot
Leonard, Reed & Barton
1837–40

Penitent St. Jerome (recto); Notes and Accounts (verso), Vicente Carducho Italian, Pen and brown ink (recto and verso) — Penitent St. Jerome (recto); Notes and Accounts (verso)
Vicente Carducho
Bartolomé Carducho
ca. 1600

Reed & Barton

ca. 1903

Composed Armor, Julian Arrechia Spanish, Steel, copper alloy (latten), leather, Italian — Composed Armor
Julian Arrechia
Raymond Bartel
ca. 1450–60 and later, restored and composed in the 1920s

Virgin and Child, after Murillo, Marcellin Desboutin French, Etching and drypoint — Virgin and Child, after Murillo
Marcellin Desboutin
Bartolomé Estebán Murillo
1858

St Justa, three-quarter length, turned to right, holding two pots and a palm, Auguste Blanchard père French, Engraving — St Justa, three-quarter length, turned to right, holding two pots and a palm
Auguste Blanchard père
Bartolomé Estebán Murillo
1843

The grape-picker, and elderly woman holding a basket of grapes, after Murillo, Juan Antonio Salvador Carmona Spanish, Engraving — The grape-picker, and elderly woman holding a basket of grapes, after Murillo
Juan Antonio Salvador Carmona
Bartolomé Estebán Murillo
ca. 1780–1805

Composed Armor for a Youth, Raymond Bartel French, Steel, leather, textile, Italian, German, French, and American — Composed Armor for a Youth
Raymond Bartel
Stanley J. Rowland Sr.
ca. 1560 and later

Flintlock Target Pistol of Prince William Frederick, Second Duke of Gloucester and Edinburgh (1776–1834), with Case and Accessories, Wogdon & Barton British, Pistol: wood (walnut), steel, gold, brass, horn; ramrod: wood (walnut), brass, steel; case: wood (mahogany), velvet, brass; powder flask: brass, steel, leather; bullet mold: steel; screwdriver: wood (walnut), brass, steel; cleaning rod: wood (walnut), brass, steel; bottle: glass, British, London — Flintlock Target Pistol of Prince William Frederick, Second Duke of Gloucester and Edinburgh (1776–1834), with Case and Accessories
Multiple artists/makers
1801–3

Belt, Justin-Barton American, Leather, metal, American — Belt
Justin-Barton
late 1930s–early 1940s

"Americana Prints: Tango-Weed" Textile, Ralph Barton American, Printed silk — "Americana Prints: Tango-Weed" Textile
Ralph Barton
Stehli Silks Corporation
1925 (Series I, released spring 1926)