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1-42 of 14,297 results for Bernard II van Risenburgh
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Commode, Bernard II van Risenburgh, Oak veneered with panels of Chinese Coromandel lacquer and European black-lacquered veneer; gilt-bronze mounts; brèche d'Alep marble top, French, Paris
Commode
Bernard II van Risenburgh
ca. 1740–45
Corner cabinet (encoignure) (one of a pair), Bernard II van Risenburgh, Oak veneered with ebony and Coromandel lacquer, cherry wood, and purplewood; gilt-bronze mounts; brocatelle marble top, French, Paris
Corner cabinet (encoignure) (one of a pair)
Bernard II van Risenburgh
ca. 1745–49
Writing table (table à écrire), Bernard II van Risenburgh, Oak veneered with tulipwood, kingwood, amaranth, mahogany, ebony, mother-of-pearl, stained horn; gilt-bronze mounts; modern velvet, French, Paris
Writing table (table à écrire)
Bernard II van Risenburgh
ca. 1755
Corner cabinet (encoignure) (one of a pair), Bernard II van Risenburgh, Oak veneered with ebony and Coromandel lacquer, cherry wood, and purplewood; gilt-bronze mounts; brocatelle marble top, French, Paris
Corner cabinet (encoignure) (one of a pair)
Bernard II van Risenburgh
ca. 1745–49
Folding card table (table de jeu brisée en angle), Bernard II van Risenburgh, Oak veneered with tulipwood, purplewood, kingwood, satiné wood, walnut; gilt bronze; modern silk velvet, French, Paris
Folding card table (table de jeu brisée en angle)
Bernard II van Risenburgh
ca. 1755–65
Work and writing table (table en chiffonière), Bernard II van Risenburgh, Oak and beech veneered with tulipwood and purplewood; gilt bronze, blue moiré silk, French
Work and writing table (table en chiffonière)
Bernard II van Risenburgh
ca. 1760
Bedside table (table de nuit), Bernard II van Risenburgh, Oak veneered with tulipwood and kingwood; gilt-bronze mounts; Sarrancolin marble; silk moiré drawer lining (not original), French, Paris
Bedside table (table de nuit)
Bernard II van Risenburgh
ca. 1750–56
Eating and work table (one of a pair), Bernard II van Risenburgh, Oak, vernis Martin, soft-paste porcelain, gilt bronze, French, Paris and Sèvres
Eating and work table (one of a pair)
Multiple artists/makers
Trays: ca. 1761; table: ca. 1761–63
Eating and work table (one of a pair), Bernard II van Risenburgh, Oak, vernis Martin, gilt bronze, soft-paste porcelain, French, Paris and Sèvres and British, Stoke-upon-Trent
Eating and work table (one of a pair)
Multiple artists/makers
ca. 1763, lower tray after 1851
Pair of corner shelves, Bernard II van Risenburgh, Oak marquetried with tulipwood and kingwood, French, Paris
Pair of corner shelves
Bernard II van Risenburgh
ca. 1760
Chest (chiffonier) (one of a pair), Bernard II van Risenburgh, Oak and pine substrate; tulipwood and purplewood veneer; probably holly stringing; marble tops; gilt-bronze mounts, French, Paris
Chest (chiffonier) (one of a pair)
Bernard II van Risenburgh
ca. 1765
Slant-top desk (secrétaire en pente), Bernard II van Risenburgh, Oak veneered with bois satiné and end cut wood, leather, gilt bronze, French
Slant-top desk (secrétaire en pente)
Bernard II van Risenburgh
ca. 1745–49
Small rectangular table, Bernard II van Risenburgh, Oak and pine substrate; tulipwood, purplewood, brass and silk (not original), French, Paris
Small rectangular table
Bernard II van Risenburgh
ca. 1765
Jewel coffer on stand, Bernard II van Risenburgh, Tulipwood, purplewood and kingwood, gilt bronze, French
Jewel coffer on stand
Bernard II van Risenburgh
ca. 1765
Writing table (bureau plat), Bernard II van Risenburgh, Veneered on oak with ebony; mounts of chased and gilded bronze; top inlaid with later panels of black morocco and gilt-tooled leather, French
Writing table (bureau plat)
Bernard II van Risenburgh
ca. 1745–50
Writing table (bureau plat), Bernard II van Risenburgh, Satiné wood, purplewood and kingwood, gilt bronze, leather, French, Paris
Writing table (bureau plat)
Bernard II van Risenburgh
ca. 1750
Rectangular table, Bernard II van Risenburgh, Tulipwood, purplewood and kingwood, gilt bronze, leather, brass, French, Paris
Rectangular table
Bernard II van Risenburgh
ca. 1765
Chest (chiffonier) (one of a pair), Bernard II van Risenburgh, Oak and pine substrate; tulipwood and purplewood veneer; probably holly stringing; marble tops; gilt-bronze mounts, French, Paris
Chest (chiffonier) (one of a pair)
Bernard II van Risenburgh
ca. 1765
Side table (commode en console), Bernard II van Risenburgh, Oak and pine lacquered black and veneered with Japanese black and gold lacquer; gilt-bronze mounts; Sarrancolin marble top, French, Paris
Side table (commode en console)
Bernard II van Risenburgh
ca. 1755–60
Work and writing table, Bernard II van Risenburgh, Oak, tulipwood, root-cut kingwood, gilt bronze and silvered metal, French, Paris
Work and writing table
Bernard II van Risenburgh
ca. 1755–60
Work and writing table (table en chiffonière), Bernard II van Risenburgh, Oak and pine veneered with tulipwood, kingwood, purplewood and satiné, gilt bronze, silvered metal, French
Work and writing table (table en chiffonière)
Bernard II van Risenburgh
ca. 1760
The Last Supper, Bernard van Orley Netherlandish, Wool, silk, silver-gilt thread.
The Last Supper
Bernard van Orley
Pieter de Pannemaker
ca. 1525–28
Platter, Bernard Palissy French, Lead-glazed earthenware, French, Paris
Platter
Bernard Palissy
last quarter 16th century
The Birth and Naming of Saint John the Baptist; (reverse) Trompe-l'oeil with Painting of The Man of Sorrows, Bernard van Orley Netherlandish, Oil on wood
The Birth and Naming of Saint John the Baptist; (reverse) Trompe-l'oeil with Painting of The Man of Sorrows
Bernard van Orley
ca. 1514–15
The Martyrdom of Saint John the Baptist, Bernard van Orley Netherlandish, Oil on wood
The Martyrdom of Saint John the Baptist
Bernard van Orley
ca. 1514–15
Virgin and Child with Angels, Bernard van Orley Netherlandish, Oil on wood
Virgin and Child with Angels
Bernard van Orley
ca. 1518
Commode, Bernard III van Risamburgh, Oak; Japanese black-and-gold lacquer and ebony veneer, gilt bronze; brèche d’Alep marble top, French, Paris
Commode
Bernard III van Risamburgh
ca. 1765–70
The Crucifixion, Bernard van Orley Netherlandish, Wool, silk, silver thread, silver-gilt thread (20-21 warps per inch, 7-8 per cm.), Netherlandish, Brussels
The Crucifixion
Multiple artists/makers
design ca. 1515, woven ca. 1525
Adoration of the Kings, Bernard van Orley or a member of his workshop Netherlandish, Wool, silk, silver, silver-gilt thread (20 warps per inch, 8 per cm.), Netherlandish, Brussels
Adoration of the Kings
Multiple artists/makers
1525–1535
Otto, Count of Nassau and his Wife Adelheid van Vianen, Bernard van Orley Netherlandish, Pen and brown ink, watercolor over black chalk (recto); tracing in black chalk of the figures on the recto (verso)
Otto, Count of Nassau and his Wife Adelheid van Vianen
Bernard van Orley
1530–35
The personal treasures of Bernard & Shirley Kinsey, Bernard Kinsey
The personal treasures of Bernard & Shirley Kinsey
Multiple artists/makers
2006
The Arrival at the Hunting Lodge, or April from a set of the Hunts of Maximilian, Bernard van Orley , probably Netherlandish, Wool, silk (19-21 warps per inch, 8-9 per cm.), French, Paris
The Arrival at the Hunting Lodge, or April from a set of the Hunts of Maximilian
Multiple artists/makers
designed ca. 1531, woven 1692–93
August from a set of Medallion Months, Bernard van Orley Netherlandish, Wool, silk (20 warps per inch, 8 per cm.), Netherlandish, Brussels
August from a set of Medallion Months
Bernard van Orley
ca. 1525–28
The Twelve Ages of a Man: The First Three Ages (Birth-18), or Spring, Bernard van Orley Netherlandish, Wool, silk (16-20 warps per inch, 6-8 per cm.), Netherlandish, Brussels
The Twelve Ages of a Man: The First Three Ages (Birth-18), or Spring
Bernard van Orley
ca. 1515
The Twelve Ages of a Man: The Second Three Ages (18-36), or Summer, Bernard van Orley Netherlandish, Wool, silk (16-20 warps per inch, 6-8 per cm.), Netherlandish, Brussels
The Twelve Ages of a Man: The Second Three Ages (18-36), or Summer
Bernard van Orley
ca. 1515
The Twelve Ages of a Man: The Second Three Ages (18-36), or Autumn, Bernard van Orley Netherlandish, Wool, silk (16-20 warps per inch, 6-8 per cm.), Netherlandish, Brussels
The Twelve Ages of a Man: The Second Three Ages (18-36), or Autumn
Bernard van Orley
ca. 1515
October from a set of Medallion Months, Bernard van Orley Netherlandish, Wool, silk (20 warps per inch, 8 per cm.), Netherlandish, Brussels
October from a set of Medallion Months
Bernard van Orley
ca. 1525–28
The Final Assault on the Boar, or December from a set of the Hunts of Maximilian, Bernard van Orley , probably Netherlandish, Wool, silk (19-21 warps per inch, 8-9 per cm.), French, Paris
The Final Assault on the Boar, or December from a set of the Hunts of Maximilian
Multiple artists/makers
designed ca. 1531, woven 1692–93
The Twelve Ages of a Man: The Last Three Ages (54-72), or Winter, Bernard van Orley Netherlandish, Wool, silk (16-20 warps per inch, 6-8 per cm.), Netherlandish, Brussels
The Twelve Ages of a Man: The Last Three Ages (54-72), or Winter
Bernard van Orley
ca. 1515
Saint Veronica, Bernard van Orley Netherlandish, Wool, silk, gilded silver metal-wrapped threads (18-21 warps per inch, 7-8 per cm.), Netherlandish, probably Brussels
Saint Veronica
Bernard van Orley
ca. 1525
Four Scenes from the Passion, Bernard van Orley Netherlandish, Oil on wood
Four Scenes from the Passion
Bernard van Orley
Honor from the series "The Honors", Bernard van Orley and workshop, with collaborators Netherlandish, Wool and silk (wefts); wool (warps): 6-7 warp threads per cm., Netherlandish, probably Brussels
Honor from the series "The Honors"
Bernard van Orley
designed before 1520, woven between 1525 and 1532