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More than 10,000 results for Bernard III van Risamburgh

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Commode, Bernard III van Risamburgh, Oak; Japanese black-and-gold lacquer and ebony veneer, gilt bronze; brèche d’Alep marble top, French, Paris — Commode
Bernard III van Risamburgh
ca. 1765–70

Eating and work table (one of a pair), Bernard II van Risenburgh, Oak, vernis Martin, soft-paste porcelain, gilt bronze, French, Paris and Sèvres — Eating and work table (one of a pair)
Multiple artists/makers
Trays: ca. 1761; table: ca. 1761–63

Eating and work table (one of a pair), Bernard II van Risenburgh, Oak, vernis Martin, gilt bronze, soft-paste porcelain, French, Paris and Sèvres and British, Stoke-upon-Trent — Eating and work table (one of a pair)
Multiple artists/makers
ca. 1763, lower tray after 1851

The Last Supper, Bernard van Orley Netherlandish, Wool, silk, silver-gilt thread. — The Last Supper
Bernard van Orley
Pieter de Pannemaker
ca. 1525–28

Platter, Bernard Palissy French, Lead-glazed earthenware, French, Paris — Platter
Bernard Palissy
last quarter 16th century

The Birth and Naming of Saint John the Baptist; (reverse) Trompe-l'oeil with Painting of The Man of Sorrows, Bernard van Orley Netherlandish, Oil on wood — The Birth and Naming of Saint John the Baptist; (reverse) Trompe-l'oeil with Painting of The Man of Sorrows
Bernard van Orley
ca. 1514–15

The Martyrdom of Saint John the Baptist, Bernard van Orley Netherlandish, Oil on wood — The Martyrdom of Saint John the Baptist
Bernard van Orley
ca. 1514–15

Virgin and Child with Angels, Bernard van Orley Netherlandish, Oil on wood — Virgin and Child with Angels
Bernard van Orley
ca. 1518

Commode, Bernard II van Risenburgh, Oak veneered with panels of Chinese Coromandel lacquer and European black-lacquered veneer; gilt-bronze mounts; brèche d'Alep marble top, French, Paris — Commode
Bernard II van Risenburgh
ca. 1740–45

Work and writing table (table en chiffonière), Bernard II van Risenburgh, Oak and beech veneered with tulipwood and purplewood; gilt bronze, blue moiré silk, French — Work and writing table (table en chiffonière)
Bernard II van Risenburgh
ca. 1760

Corner cabinet (encoignure) (one of a pair), Bernard II van Risenburgh, Oak veneered with ebony and Coromandel lacquer, cherry wood, and purplewood; gilt-bronze mounts; brocatelle marble top, French, Paris — Corner cabinet (encoignure) (one of a pair)
Bernard II van Risenburgh
ca. 1745–49

Bedside table (table de nuit), Bernard II van Risenburgh, Oak veneered with tulipwood and kingwood; gilt-bronze mounts; Sarrancolin marble; silk moiré drawer lining (not original), French, Paris — Bedside table (table de nuit)
Bernard II van Risenburgh
ca. 1750–56

Writing table (table à écrire), Bernard II van Risenburgh, Oak veneered with tulipwood, kingwood, amaranth, mahogany, ebony, mother-of-pearl, stained horn; gilt-bronze mounts; modern velvet, French, Paris — Writing table (table à écrire)
Bernard II van Risenburgh
ca. 1755

Corner cabinet (encoignure) (one of a pair), Bernard II van Risenburgh, Oak veneered with ebony and Coromandel lacquer, cherry wood, and purplewood; gilt-bronze mounts; brocatelle marble top, French, Paris — Corner cabinet (encoignure) (one of a pair)
Bernard II van Risenburgh
ca. 1745–49

Folding card table (table de jeu brisée en angle), Bernard II van Risenburgh, Oak veneered with tulipwood, purplewood, kingwood, satiné wood, walnut; gilt bronze; modern silk velvet, French, Paris — Folding card table (table de jeu brisée en angle)
Bernard II van Risenburgh
ca. 1755–65

The Crucifixion, Bernard van Orley Netherlandish, Wool, silk, silver thread, silver-gilt thread (20-21 warps per inch, 7-8 per cm.), Netherlandish, Brussels — The Crucifixion
Multiple artists/makers
design ca. 1515, woven ca. 1525

Adoration of the Kings, Bernard van Orley or a member of his workshop Netherlandish, Wool, silk, silver, silver-gilt thread (20 warps per inch, 8 per cm.), Netherlandish, Brussels — Adoration of the Kings
Multiple artists/makers
1525–1535

Otto, Count of Nassau and his Wife Adelheid van Vianen, Bernard van Orley Netherlandish, Pen and brown ink, watercolor over black chalk (recto); tracing in black chalk of the figures on the recto (verso) — Otto, Count of Nassau and his Wife Adelheid van Vianen
Bernard van Orley
1530–35

The personal treasures of Bernard & Shirley Kinsey, Bernard Kinsey — The personal treasures of Bernard & Shirley Kinsey
Multiple artists/makers
2006

August from a set of Medallion Months, Bernard van Orley Netherlandish, Wool, silk (20 warps per inch, 8 per cm.), Netherlandish, Brussels — August from a set of Medallion Months
Bernard van Orley
ca. 1525–28

Saint Veronica, Bernard van Orley Netherlandish, Wool, silk, gilded silver metal-wrapped threads (18-21 warps per inch, 7-8 per cm.), Netherlandish, probably Brussels — Saint Veronica
Bernard van Orley
ca. 1525

The Twelve Ages of a Man: The Last Three Ages (54-72), or Winter, Bernard van Orley Netherlandish, Wool, silk (16-20 warps per inch, 6-8 per cm.), Netherlandish, Brussels — The Twelve Ages of a Man: The Last Three Ages (54-72), or Winter
Bernard van Orley
ca. 1515

The Final Assault on the Boar, or December from a set of the Hunts of Maximilian, Bernard van Orley , probably Netherlandish, Wool, silk (19-21 warps per inch, 8-9 per cm.), French, Paris — The Final Assault on the Boar, or December from a set of the Hunts of Maximilian
Multiple artists/makers
designed ca. 1531, woven 1692–93

The Arrival at the Hunting Lodge, or April from a set of the Hunts of Maximilian, Bernard van Orley , probably Netherlandish, Wool, silk (19-21 warps per inch, 8-9 per cm.), French, Paris — The Arrival at the Hunting Lodge, or April from a set of the Hunts of Maximilian
Multiple artists/makers
designed ca. 1531, woven 1692–93

October from a set of Medallion Months, Bernard van Orley Netherlandish, Wool, silk (20 warps per inch, 8 per cm.), Netherlandish, Brussels — October from a set of Medallion Months
Bernard van Orley
ca. 1525–28

Four Scenes from the Passion, Bernard van Orley Netherlandish, Oil on wood — Four Scenes from the Passion
Bernard van Orley

The Twelve Ages of a Man: The First Three Ages (Birth-18), or Spring, Bernard van Orley Netherlandish, Wool, silk (16-20 warps per inch, 6-8 per cm.), Netherlandish, Brussels — The Twelve Ages of a Man: The First Three Ages (Birth-18), or Spring
Bernard van Orley
ca. 1515

The Twelve Ages of a Man: The Second Three Ages (18-36), or Summer, Bernard van Orley Netherlandish, Wool, silk (16-20 warps per inch, 6-8 per cm.), Netherlandish, Brussels — The Twelve Ages of a Man: The Second Three Ages (18-36), or Summer
Bernard van Orley
ca. 1515

The Twelve Ages of a Man: The Second Three Ages (18-36), or Autumn, Bernard van Orley Netherlandish, Wool, silk (16-20 warps per inch, 6-8 per cm.), Netherlandish, Brussels — The Twelve Ages of a Man: The Second Three Ages (18-36), or Autumn
Bernard van Orley
ca. 1515

Honor from the series "The Honors", Bernard van Orley and workshop, with collaborators Netherlandish, Wool and silk (wefts); wool (warps): 6-7 warp threads per cm., Netherlandish, probably Brussels — Honor from the series "The Honors"
Bernard van Orley
designed before 1520, woven between 1525 and 1532

Tongs, Bernard Wenman American, Silver, American — Tongs
Bernard Wenman
ca. 1800

Sugar Tongs, Bernard Wenman American, Silver, American — Sugar Tongs
Bernard Wenman
ca. 1800

Sacrifice of Noah, Bernard Salomon French, Faience (tin-glazed earthenware), French, Lyons or Nevers — Sacrifice of Noah
Bernard Salomon
ca. 1580–1610

Miniature collector's cabinet, Bernard Salomon French, Dyed and gold-tooled leather on secondary woods pine, poplar, pear, yew; veneers of ivory, mother-of-pearl, pear, plum, ebony, rosewood, holly, ash, green stained poplar; gilded metal; reverse-painted glass, German, possibly Nuremberg — Miniature collector's cabinet
Bernard Salomon
ca. 1600

The Abduction of Helen from a set of The Story of Troy, Bernard Salomon French, Cotton, embroidered with silk and gilt-paper-wrapped thread, pigment, Chinese, Macao — The Abduction of Helen from a set of The Story of Troy
Bernard Salomon
Francisco Mascarenhas Governor of Macau, 1623–26
ca. 1625

Pilgrim Flask, Bernard Palissy and workshop French, Earthenware with colorless and transparent or opaque pigmented green, purple, blue, yellow, red-brown, and black lead glazes. — Pilgrim Flask
Bernard Palissy
probably 1556–67

Basin, Bernard Palissy French, Lead-glazed earthenware, French, Fontainebleau or Avon — Basin
Bernard Palissy
François Briot
late 16th–early 17th century

Ewer, Bernard Palissy French, Lead-glazed earthenware, French — Ewer
Bernard Palissy
François Briot
late 16th–early 17th century

Rectangular table, Bernard II van Risenburgh, Tulipwood, purplewood and kingwood, gilt bronze, leather, brass, French, Paris — Rectangular table
Bernard II van Risenburgh
ca. 1765

Chest (chiffonier) (one of a pair), Bernard II van Risenburgh, Oak and pine substrate; tulipwood and purplewood veneer; probably holly stringing; marble tops; gilt-bronze mounts, French, Paris — Chest (chiffonier) (one of a pair)
Bernard II van Risenburgh
ca. 1765