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The Last Supper, Bernard van Orley Netherlandish, Wool, silk, silver-gilt thread.
The Last Supper
Designed by Bernard van Orley
Probably woven by Pieter de Pannemaker
ca. 1525–28
Virgin and Child with Angels, Bernard van Orley Netherlandish, Oil on wood
Virgin and Child with Angels
Bernard van Orley
ca. 1518
The Birth and Naming of Saint John the Baptist; (reverse) Trompe-l'oeil with Painting of The Man of Sorrows, Bernard van Orley Netherlandish, Oil on wood
The Birth and Naming of Saint John the Baptist; (reverse) Trompe-l'oeil with Painting of The Man of Sorrows
Bernard van Orley
ca. 1514–15
The Martyrdom of Saint John the Baptist, Bernard van Orley Netherlandish, Oil on wood
The Martyrdom of Saint John the Baptist
Bernard van Orley
ca. 1514–15
Otto, Count of Nassau and his Wife Adelheid van Vianen, Bernard van Orley Netherlandish, Pen and brown ink, watercolor over black chalk (recto); tracing in black chalk of the figures on the recto (verso)
Otto, Count of Nassau and his Wife Adelheid van Vianen
Bernard van Orley
1530–35
Adoration of the Kings, Bernard van Orley or a member of his workshop Netherlandish, Wool, silk, silver, silver-gilt thread (20 warps per inch, 8 per cm.), Netherlandish, Brussels
Adoration of the Kings
Designer Design attributed to Bernard van Orley
Elements of the central group are derived from Tommaso Vincidor (Tommaso di Andrea)
Possibly woven in the workshop directed by Pieter van Aelst the Younger
1525–1535
Four Scenes from the Passion, Bernard van Orley Netherlandish, Oil on wood
Four Scenes from the Passion
Follower of Bernard van Orley
The Crucifixion, Bernard van Orley Netherlandish, Wool, silk, silver thread, silver-gilt thread (20-21 warps per inch, 7-8 per cm.), Netherlandish, Brussels
The Crucifixion
Designer Design attributed to Bernard van Orley
Workshop director Pieter van Aelst the Younger
Workshop director Pieter de Pannemaker
design ca. 1515, woven ca. 1525
October from a set of Medallion Months, Bernard van Orley Netherlandish, Wool, silk (20 warps per inch, 8 per cm.), Netherlandish, Brussels
October from a set of Medallion Months
Designer Possibly after a design by Bernard van Orley
ca. 1525–28
Saint Veronica, Bernard van Orley Netherlandish, Wool, silk, gilded silver metal-wrapped threads (18-21 warps per inch, 7-8 per cm.), Netherlandish, probably Brussels
Saint Veronica
Designer Possibly after a design by Bernard van Orley
ca. 1525
The Twelve Ages of a Man: The Second Three Ages (18-36), or Summer, Bernard van Orley Netherlandish, Wool, silk (16-20 warps per inch, 6-8 per cm.), Netherlandish, Brussels
The Twelve Ages of a Man: The Second Three Ages (18-36), or Summer
Designer Probably after a design by the Workshop of Bernard van Orley
ca. 1515
The Final Assault on the Boar, or December from a set of the Hunts of Maximilian, Bernard van Orley , probably Netherlandish, Wool, silk (19-21 warps per inch, 8-9 per cm.), French, Paris
The Final Assault on the Boar, or December from a set of the Hunts of Maximilian
Multiple artists/makers
designed ca. 1531, woven 1692–93
The Arrival at the Hunting Lodge, or April from a set of the Hunts of Maximilian, Bernard van Orley , probably Netherlandish, Wool, silk (19-21 warps per inch, 8-9 per cm.), French, Paris
The Arrival at the Hunting Lodge, or April from a set of the Hunts of Maximilian
Designer Bernard van Orley
Manufactory Manufacture Nationale des Gobelins
Workshop of Jean de La Croix
designed ca. 1531, woven 1692–93
The Twelve Ages of a Man: The Second Three Ages (18-36), or Autumn, Bernard van Orley Netherlandish, Wool, silk (16-20 warps per inch, 6-8 per cm.), Netherlandish, Brussels
The Twelve Ages of a Man: The Second Three Ages (18-36), or Autumn
Designer Probably after a design by the Workshop of Bernard van Orley
ca. 1515
August from a set of Medallion Months, Bernard van Orley Netherlandish, Wool, silk (20 warps per inch, 8 per cm.), Netherlandish, Brussels
August from a set of Medallion Months
Designer Possibly after a design by the workshop of Bernard van Orley
ca. 1525–28
The Twelve Ages of a Man: The First Three Ages (Birth-18), or Spring, Bernard van Orley Netherlandish, Wool, silk (16-20 warps per inch, 6-8 per cm.), Netherlandish, Brussels
The Twelve Ages of a Man: The First Three Ages (Birth-18), or Spring
Designer Probably after a design by the Workshop of Bernard van Orley
ca. 1515
The Twelve Ages of a Man: The Last Three Ages (54-72), or Winter, Bernard van Orley Netherlandish, Wool, silk (16-20 warps per inch, 6-8 per cm.), Netherlandish, Brussels
The Twelve Ages of a Man: The Last Three Ages (54-72), or Winter
Designer Probably after a design by the Workshop of Bernard van Orley
ca. 1515
Honor from the series "The Honors", Bernard van Orley and workshop, with collaborators Netherlandish, Wool and silk (wefts); wool (warps): 6-7 warp threads per cm., Netherlandish, probably Brussels
Honor from the series "The Honors"
Designer Design attributed to Bernard van Orley
designed before 1520, woven between 1525 and 1532
The Adoration of the Magi, Bernard van Orley Netherlandish, Pen and brown ink, brown wash, over black chalk, on brown-gray (prepared?) paper
The Adoration of the Magi
Circle of Bernard van Orley
early 16th–mid 16th century
Pilate Washing his Hands, Bernard van Orley Netherlandish, Black chalk, squared in red chalk
Pilate Washing his Hands
Bernard van Orley
early 1530s
The Resurrection, Bernard van Orley Netherlandish, Pen and black ink, gray wash. Framing line in pen and brown ink (by the artist)
The Resurrection
Bernard van Orley
Former Attribution Formerly attributed to Master of Saint Michael
early 16th century
News of the Stag from the series known as the Hunters' Chase, Mortlake Tapestry Manufactory British, Wool (15-16 warps per inch, 6-7 per cm.), British, Mortlake
News of the Stag from the series known as the Hunters' Chase
Manufactory Mortlake Tapestry Manufactory
Related to designs probably by Bernard van Orley
designed before 1645, woven ca. 1645–75
The Month of June, Shearing Sheep (recto); Couples Drinking Wine, The Month of October (verso), Master of the Months of Lucas Netherlandish, Pen and brown ink, brush and light gray-brown wash (faded from violet?); framing lines in pen and brown ink
The Month of June, Shearing Sheep (recto); Couples Drinking Wine, The Month of October (verso)
Master of the Months of Lucas
Former Attribution Formerly attributed to Bernard van Orley
ca. 1535
September from a set of The Months of Lucas, Master of the Months of Lucas Netherlandish, Wool, silk (20-21 warps per inch, 8-9 per cm.), French, Paris
September from a set of The Months of Lucas
Multiple artists/makers
designed ca. 1535, woven 1732–37
Agamemnon musters the Greek troops at Aulis from the “Story of Iphigenia”, Pieter Coecke van Aelst Netherlandish, Wool, silk (16-17 warps per inch, 6-7 per cm.), Netherlandish, Brussels
Agamemnon musters the Greek troops at Aulis from the “Story of Iphigenia”
Designer Design attributed to Pieter Coecke van Aelst
Woven under the direction of Willem de Kempeneer
1535–48
The Battle of Diomedes and Aeneas (from the Story of Achilles), Jan van Orley Flemish, Pen and brown ink, brush and gray ink, heightened with white chalk, on blue paper; framing line in pen and brown ink, by the artist
The Battle of Diomedes and Aeneas (from the Story of Achilles)
Jan van Orley
ca. 1720–30
Commode, Bernard II van Risenburgh, Oak veneered with panels of Chinese Coromandel lacquer and European black-lacquered veneer; gilt-bronze mounts; brèche d'Alep marble top, French, Paris
Commode
Bernard II van Risenburgh
ca. 1740–45
Folding card table (table de jeu brisée en angle), Bernard II van Risenburgh, Oak veneered with tulipwood, purplewood, kingwood, satiné wood, walnut; gilt bronze; modern silk velvet, French, Paris
Folding card table (table de jeu brisée en angle)
Attributed to Bernard II van Risenburgh
ca. 1755–65
Corner cabinet (encoignure) (one of a pair), Bernard II van Risenburgh, Oak veneered with ebony and Coromandel lacquer, cherry wood, and purplewood; gilt-bronze mounts; brocatelle marble top, French, Paris
Corner cabinet (encoignure) (one of a pair)
Bernard II van Risenburgh
ca. 1745–49
Corner cabinet (encoignure) (one of a pair), Bernard II van Risenburgh, Oak veneered with ebony and Coromandel lacquer, cherry wood, and purplewood; gilt-bronze mounts; brocatelle marble top, French, Paris
Corner cabinet (encoignure) (one of a pair)
Bernard II van Risenburgh
ca. 1745–49
Bedside table (table de nuit), Bernard II van Risenburgh, Oak veneered with tulipwood and kingwood; gilt-bronze mounts; Sarrancolin marble; silk moiré drawer lining (not original), French, Paris
Bedside table (table de nuit)
Attributed to Bernard II van Risenburgh
ca. 1750–56
The Sabine Women Stopping the Battle between the Romans and the Sabines from the Story of the Romans and the Sabines, Nicolas van Orley, Wool, silk (19-21 warps per inch, 7-9 per cm.), Flemish, Brussels or Antwerp
The Sabine Women Stopping the Battle between the Romans and the Sabines from the Story of the Romans and the Sabines
Designer Nicolas van Orley
Workshop of Joost van Herzeele
Related to a print by Gerard de Jode
1570–85
Flora from a set of the Triumph of the Gods, Jan van Orley Flemish, Wool, silk (19-22 warps per inch, 8-9 per cm.), Flemish, Brussels
Flora from a set of the Triumph of the Gods
Designer Designer: Jan van Orley
Designer Augustin Coppens
Woven under the direction of Jasper van der Borcht
first half 18th century
The Romans with their Sabine Wives from the Story of the Romans and the Sabines, Nicolas van Orley, Wool, silk (19-21 warps per inch, 7-8 per cm.), Flemish, Brussels or Antwerp
The Romans with their Sabine Wives from the Story of the Romans and the Sabines
Designer Nicolas van Orley
Workshop of Joost van Herzeele
After a print by Hans Vredeman de Vries
1570–85
Writing table (table à écrire), Bernard II van Risenburgh, Oak veneered with tulipwood, kingwood, amaranth, mahogany, ebony, mother-of-pearl, stained horn; gilt-bronze mounts; modern velvet, French, Paris
Writing table (table à écrire)
Bernard II van Risenburgh
ca. 1755
Work and writing table (table en chiffonière), Bernard II van Risenburgh, Oak and beech veneered with tulipwood and purplewood; gilt bronze, blue moiré silk, French
Work and writing table (table en chiffonière)
Bernard II van Risenburgh
ca. 1760
Commode, Bernard III van Risamburgh, Oak; Japanese black-and-gold lacquer and ebony veneer, gilt bronze; brèche d’Alep marble top, French, Paris
Commode
Bernard III van Risamburgh
ca. 1765–70
Writing table (bureau plat), Bernard II van Risenburgh, Satiné wood, purplewood and kingwood, gilt bronze, leather, French, Paris
Writing table (bureau plat)
Bernard II van Risenburgh
ca. 1750
Writing table (bureau plat), Bernard II van Risenburgh, Veneered on oak with ebony; mounts of chased and gilded bronze; top inlaid with later panels of black morocco and gilt-tooled leather, French
Writing table (bureau plat)
Bernard II van Risenburgh
ca. 1745–50
Olive Trees, Vincent van Gogh Dutch, Oil on canvas
Olive Trees
Vincent van Gogh
1889
Eating and work table (one of a pair), Bernard II van Risenburgh, Oak, vernis Martin, soft-paste porcelain, gilt bronze, French, Paris and Sèvres
Eating and work table (one of a pair)
Table attributed to Bernard II van Risenburgh
or possibly Bernard III van Risamburgh
Manufactory Plaques by Sèvres Manufactory
Trays: ca. 1761; table: ca. 1761–63
Work and writing table, Bernard II van Risenburgh, Oak, tulipwood, root-cut kingwood, gilt bronze and silvered metal, French, Paris
Work and writing table
Bernard II van Risenburgh
ca. 1755–60