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More than 10,000 results for Bernard van Orley

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The Last Supper, Bernard van Orley Netherlandish, Wool, silk, silver-gilt thread. — The Last Supper
Bernard van Orley
Pieter de Pannemaker
ca. 1525–28

The Birth and Naming of Saint John the Baptist; (reverse) Trompe-l'oeil with Painting of The Man of Sorrows, Bernard van Orley Netherlandish, Oil on wood — The Birth and Naming of Saint John the Baptist; (reverse) Trompe-l'oeil with Painting of The Man of Sorrows
Bernard van Orley
ca. 1514–15

The Martyrdom of Saint John the Baptist, Bernard van Orley Netherlandish, Oil on wood — The Martyrdom of Saint John the Baptist
Bernard van Orley
ca. 1514–15

Virgin and Child with Angels, Bernard van Orley Netherlandish, Oil on wood — Virgin and Child with Angels
Bernard van Orley
ca. 1518

Otto, Count of Nassau and his Wife Adelheid van Vianen, Bernard van Orley Netherlandish, Pen and brown ink, watercolor over black chalk (recto); tracing in black chalk of the figures on the recto (verso) — Otto, Count of Nassau and his Wife Adelheid van Vianen
Bernard van Orley
1530–35

The Crucifixion, Bernard van Orley Netherlandish, Wool, silk, silver thread, silver-gilt thread (20-21 warps per inch, 7-8 per cm.), Netherlandish, Brussels — The Crucifixion
Multiple artists/makers
design ca. 1515, woven ca. 1525

Adoration of the Kings, Bernard van Orley or a member of his workshop Netherlandish, Wool, silk, silver, silver-gilt thread (20 warps per inch, 8 per cm.), Netherlandish, Brussels — Adoration of the Kings
Multiple artists/makers
1525–1535

August from a set of Medallion Months, Bernard van Orley Netherlandish, Wool, silk (20 warps per inch, 8 per cm.), Netherlandish, Brussels — August from a set of Medallion Months
Bernard van Orley
ca. 1525–28

Saint Veronica, Bernard van Orley Netherlandish, Wool, silk, gilded silver metal-wrapped threads (18-21 warps per inch, 7-8 per cm.), Netherlandish, probably Brussels — Saint Veronica
Bernard van Orley
ca. 1525

The Twelve Ages of a Man: The Last Three Ages (54-72), or Winter, Bernard van Orley Netherlandish, Wool, silk (16-20 warps per inch, 6-8 per cm.), Netherlandish, Brussels — The Twelve Ages of a Man: The Last Three Ages (54-72), or Winter
Bernard van Orley
ca. 1515

The Final Assault on the Boar, or December from a set of the Hunts of Maximilian, Bernard van Orley , probably Netherlandish, Wool, silk (19-21 warps per inch, 8-9 per cm.), French, Paris — The Final Assault on the Boar, or December from a set of the Hunts of Maximilian
Multiple artists/makers
designed ca. 1531, woven 1692–93

The Arrival at the Hunting Lodge, or April from a set of the Hunts of Maximilian, Bernard van Orley , probably Netherlandish, Wool, silk (19-21 warps per inch, 8-9 per cm.), French, Paris — The Arrival at the Hunting Lodge, or April from a set of the Hunts of Maximilian
Multiple artists/makers
designed ca. 1531, woven 1692–93

October from a set of Medallion Months, Bernard van Orley Netherlandish, Wool, silk (20 warps per inch, 8 per cm.), Netherlandish, Brussels — October from a set of Medallion Months
Bernard van Orley
ca. 1525–28

Four Scenes from the Passion, Bernard van Orley Netherlandish, Oil on wood — Four Scenes from the Passion
Bernard van Orley

The Twelve Ages of a Man: The First Three Ages (Birth-18), or Spring, Bernard van Orley Netherlandish, Wool, silk (16-20 warps per inch, 6-8 per cm.), Netherlandish, Brussels — The Twelve Ages of a Man: The First Three Ages (Birth-18), or Spring
Bernard van Orley
ca. 1515

The Twelve Ages of a Man: The Second Three Ages (18-36), or Summer, Bernard van Orley Netherlandish, Wool, silk (16-20 warps per inch, 6-8 per cm.), Netherlandish, Brussels — The Twelve Ages of a Man: The Second Three Ages (18-36), or Summer
Bernard van Orley
ca. 1515

The Twelve Ages of a Man: The Second Three Ages (18-36), or Autumn, Bernard van Orley Netherlandish, Wool, silk (16-20 warps per inch, 6-8 per cm.), Netherlandish, Brussels — The Twelve Ages of a Man: The Second Three Ages (18-36), or Autumn
Bernard van Orley
ca. 1515

Honor from the series "The Honors", Bernard van Orley and workshop, with collaborators Netherlandish, Wool and silk (wefts); wool (warps): 6-7 warp threads per cm., Netherlandish, probably Brussels — Honor from the series "The Honors"
Bernard van Orley
designed before 1520, woven between 1525 and 1532

News of the Stag from the series known as the Hunters' Chase, Mortlake Tapestry Manufactory British, Wool (15-16 warps per inch, 6-7 per cm.), British, Mortlake — News of the Stag from the series known as the Hunters' Chase
Mortlake Tapestry Manufactory
Bernard van Orley
designed before 1645, woven ca. 1645–75

The Resurrection, Bernard van Orley Netherlandish, Pen and black ink, gray wash. Framing line in pen and brown ink (by the artist) — The Resurrection
Bernard van Orley
Master of Saint Michael
early 16th century

The Adoration of the Magi, Bernard van Orley Netherlandish, Pen and brown ink, brown wash, over black chalk, on brown-gray (prepared?) paper — The Adoration of the Magi
Bernard van Orley
early 16th–mid 16th century

Pilate Washing his Hands, Bernard van Orley Netherlandish, Black chalk, squared in red chalk — Pilate Washing his Hands
Bernard van Orley
early 1530s

The Month of June, Shearing Sheep (recto); Couples Drinking Wine, The Month of October (verso), Master of the Months of Lucas Netherlandish, Pen and brown ink, brush and light gray-brown wash (faded from violet?); framing lines in pen and brown ink — The Month of June, Shearing Sheep (recto); Couples Drinking Wine, The Month of October (verso)
Master of the Months of Lucas
Bernard van Orley
ca. 1535

Platter, Bernard Palissy French, Lead-glazed earthenware, French, Paris — Platter
Bernard Palissy
last quarter 16th century

Flora from a set of the Triumph of the Gods, Jan van Orley Flemish, Wool, silk (19-22 warps per inch, 8-9 per cm.), Flemish, Brussels — Flora from a set of the Triumph of the Gods
Multiple artists/makers
first half 18th century

The Sabine Women Stopping the Battle between the Romans and the Sabines from the Story of the Romans and the Sabines, Nicolas van Orley, Wool, silk (19-21 warps per inch, 7-9 per cm.), Flemish, Brussels or Antwerp — The Sabine Women Stopping the Battle between the Romans and the Sabines from the Story of the Romans and the Sabines
Multiple artists/makers
1570–85

The Romans with their Sabine Wives from the Story of the Romans and the Sabines, Nicolas van Orley, Wool, silk (19-21 warps per inch, 7-8 per cm.), Flemish, Brussels or Antwerp — The Romans with their Sabine Wives from the Story of the Romans and the Sabines
Multiple artists/makers
1570–85

Commode, Bernard II van Risenburgh, Oak veneered with panels of Chinese Coromandel lacquer and European black-lacquered veneer; gilt-bronze mounts; brèche d'Alep marble top, French, Paris — Commode
Bernard II van Risenburgh
ca. 1740–45

Commode, Bernard III van Risamburgh, Oak; Japanese black-and-gold lacquer and ebony veneer, gilt bronze; brèche d’Alep marble top, French, Paris — Commode
Bernard III van Risamburgh
ca. 1765–70

Work and writing table (table en chiffonière), Bernard II van Risenburgh, Oak and beech veneered with tulipwood and purplewood; gilt bronze, blue moiré silk, French — Work and writing table (table en chiffonière)
Bernard II van Risenburgh
ca. 1760

Corner cabinet (encoignure) (one of a pair), Bernard II van Risenburgh, Oak veneered with ebony and Coromandel lacquer, cherry wood, and purplewood; gilt-bronze mounts; brocatelle marble top, French, Paris — Corner cabinet (encoignure) (one of a pair)
Bernard II van Risenburgh
ca. 1745–49

Bedside table (table de nuit), Bernard II van Risenburgh, Oak veneered with tulipwood and kingwood; gilt-bronze mounts; Sarrancolin marble; silk moiré drawer lining (not original), French, Paris — Bedside table (table de nuit)
Bernard II van Risenburgh
ca. 1750–56

Writing table (table à écrire), Bernard II van Risenburgh, Oak veneered with tulipwood, kingwood, amaranth, mahogany, ebony, mother-of-pearl, stained horn; gilt-bronze mounts; modern velvet, French, Paris — Writing table (table à écrire)
Bernard II van Risenburgh
ca. 1755

Corner cabinet (encoignure) (one of a pair), Bernard II van Risenburgh, Oak veneered with ebony and Coromandel lacquer, cherry wood, and purplewood; gilt-bronze mounts; brocatelle marble top, French, Paris — Corner cabinet (encoignure) (one of a pair)
Bernard II van Risenburgh
ca. 1745–49

Folding card table (table de jeu brisée en angle), Bernard II van Risenburgh, Oak veneered with tulipwood, purplewood, kingwood, satiné wood, walnut; gilt bronze; modern silk velvet, French, Paris — Folding card table (table de jeu brisée en angle)
Bernard II van Risenburgh
ca. 1755–65

Eating and work table (one of a pair), Bernard II van Risenburgh, Oak, vernis Martin, soft-paste porcelain, gilt bronze, French, Paris and Sèvres — Eating and work table (one of a pair)
Multiple artists/makers
Trays: ca. 1761; table: ca. 1761–63

Eating and work table (one of a pair), Bernard II van Risenburgh, Oak, vernis Martin, gilt bronze, soft-paste porcelain, French, Paris and Sèvres and British, Stoke-upon-Trent — Eating and work table (one of a pair)
Multiple artists/makers
ca. 1763, lower tray after 1851

The personal treasures of Bernard & Shirley Kinsey, Bernard Kinsey — The personal treasures of Bernard & Shirley Kinsey
Multiple artists/makers
2006

Tongs, Bernard Wenman American, Silver, American — Tongs
Bernard Wenman
ca. 1800

Sugar Tongs, Bernard Wenman American, Silver, American — Sugar Tongs
Bernard Wenman
ca. 1800