Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for Bernardo di S. Piero Pacini da Pescia

Sort by:

Psalterio di Sancto Hieronymo abreuiato

Saint Jerome

Bernardo di S. Piero Pacini da Pescia

1423 [1523]

A Hunting Scene, Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio) Italian, Tempera and oil transferred to Masonite — A Hunting Scene
Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio)
ca. 1494–1500

The Nativity, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera on wood, gold ground — The Nativity
Lorenzo Monaco (Piero di Giovanni)
ca. 1406–10

The Return from the Hunt, Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio) Italian, Tempera and oil on wood — The Return from the Hunt
Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio)
ca. 1494–1500

The Young Saint John the Baptist, Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio) Italian, Tempera and oil on wood — The Young Saint John the Baptist
Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio)
ca. 1480–82

The Assumption of the Virgin, Bernardo Daddi (possibly with workshop assistance) Italian, Tempera on wood, gold ground — The Assumption of the Virgin
Bernardo Daddi
ca. 1337–39

Studiolo from the Ducal Palace in Gubbio, Francesco di Giorgio Martini Italian, Walnut, beech, rosewood, oak and fruitwoods in walnut base, Italian, Gubbio — Studiolo from the Ducal Palace in Gubbio
Multiple artists/makers
ca. 1478–82

The Last Supper, Ugolino da Siena (Ugolino di Nerio) Italian, Tempera and gold on wood — The Last Supper
Ugolino da Siena (Ugolino di Nerio)
ca. 1325–30

Adoration of the Shepherds, Francesco di Marco Marmitta da Parma Emilian, Tempera and gold on parchment — Adoration of the Shepherds
Francesco di Marco Marmitta da Parma
ca. 1500

Adoring Angel, Piero di Giovanni Tedesco Italian, Marble (Carrara marble), Central Italian — Adoring Angel
Piero di Giovanni Tedesco
ca. 1395–96

Adam; Eve, Giuliano di Piero di Simone Bugiardini Italian, Oil on canvas — Adam; Eve
Giuliano di Piero di Simone Bugiardini
ca. 1520

Madonna and Child Enthroned with Saints Mary Magdalen and John the Baptist, Giuliano di Piero di Simone Bugiardini Italian, Oil on wood — Madonna and Child Enthroned with Saints Mary Magdalen and John the Baptist
Giuliano di Piero di Simone Bugiardini
ca. 1523

Portrait of a Woman, Piero del Pollaiuolo (Piero di Jacopo Benci) Italian, Tempera on wood — Portrait of a Woman
Piero del Pollaiuolo (Piero di Jacopo Benci)
ca. 1480

Three Virtues (Temperance, Hope, and Fortitude or Justice) and Studies of a Seated Man, Lorenzo Monaco (Piero di Giovanni) Italian, Metalpoint, touches of brush and brown wash, heightened with white (partially oxidized in the figure at the lower left), on reddish violet prepared paper. Some lines retraced in pen and brown ink at a later date., Italian, Florence — Three Virtues (Temperance, Hope, and Fortitude or Justice) and Studies of a Seated Man
Lorenzo Monaco (Piero di Giovanni)
ca. 1420

Abraham, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera on wood, gold ground — Abraham
Lorenzo Monaco (Piero di Giovanni)
ca. 1408–10

Moses, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera on wood, gold ground — Moses
Lorenzo Monaco (Piero di Giovanni)
ca. 1408–10

Noah, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera on wood, gold ground — Noah
Lorenzo Monaco (Piero di Giovanni)
ca. 1408–10

Last Judgment in an Initial C, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera and gold on parchment — Last Judgment in an Initial C
Lorenzo Monaco (Piero di Giovanni)
ca. 1406–7

The Crucified Christ between the Virgin and Saint John the Evangelist, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera on wood, gold ground — The Crucified Christ between the Virgin and Saint John the Evangelist
Lorenzo Monaco (Piero di Giovanni)
ca. 1406

The Intercession of Christ and the Virgin, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera on canvas, Italian — The Intercession of Christ and the Virgin
Lorenzo Monaco (Piero di Giovanni)
before 1402

The Annunciation to Zacharias; (verso) The Angel of the Annunciation, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera and gold on wood — The Annunciation to Zacharias; (verso) The Angel of the Annunciation
Giovanni di Paolo (Giovanni di Paolo di Grazia)
ca. 1455–60

Coronation of the Virgin, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera on wood, gold ground — Coronation of the Virgin
Giovanni di Paolo (Giovanni di Paolo di Grazia)
ca. 1455

The Creation of the World and the Expulsion from Paradise, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera and gold on wood — The Creation of the World and the Expulsion from Paradise
Giovanni di Paolo (Giovanni di Paolo di Grazia)
1445

Quatriregio (Four Realms), Federico Frezzi Italian, Printed book with woodcut illustrations — Quatriregio (Four Realms)
Federico Frezzi
Ser Piero Pacini da Pescia
July 26, 1508

Virgin of Quito, Bernardo Legarda, Wood, polychromed and gilded; glass eyes; silver halo, Ecuadorian — Virgin of Quito
Bernardo Legarda
Miguel de Santiago
18th century

Pirna: The Obertor from the South, Bernardo Bellotto Italian, Oil on canvas — Pirna: The Obertor from the South
Bernardo Bellotto
mid-1750s

Christ Enthroned with Saints, Bernardo Daddi Italian, Tempera on wood, gold ground — Christ Enthroned with Saints
Bernardo Daddi
ca. 1325

Saint Reparata before the Emperor Decius, Bernardo Daddi Italian, Tempera on wood — Saint Reparata before the Emperor Decius
Bernardo Daddi
ca. 1338–40

Saint Reparata Being Prepared for Execution, Bernardo Daddi Italian, Tempera on wood, gold ground — Saint Reparata Being Prepared for Execution
Bernardo Daddi

Saint Reparata Tortured with Red-Hot Irons, Bernardo Daddi Italian, Tempera on wood, gold ground (tooled pattern added possibly in the late nineteenth century) — Saint Reparata Tortured with Red-Hot Irons
Bernardo Daddi

Madonna and Child with Angels, Pietro di Domenico da Montepulciano Italian, Tempera on wood, gold ground — Madonna and Child with Angels
Pietro di Domenico da Montepulciano
1420

Portrait of a Young Man, Bronzino (Agnolo di Cosimo di Mariano) Italian, Oil on wood — Portrait of a Young Man
Bronzino (Agnolo di Cosimo di Mariano)
1530s

Shield, Girolamo da Treviso Italian, Wood, linen, gesso, gold leaf, polychromy, Italian, probably Bologna — Shield
Girolamo da Treviso
ca. 1535

Armorial Plate (tondino): The story of King Midas, Nicola da Urbino Italian, Maiolica (tin-glazed earthenware) — Armorial Plate (tondino): The story of King Midas
Nicola da Urbino
ca. 1520–25

Saint John the Baptist, Innocenzo da Imola (Innocenzo Francucci), Black and white chalk — Saint John the Baptist
Innocenzo da Imola (Innocenzo Francucci)
Giuliano di Piero di Simone Bugiardini
early 16th century

The Adoration of the Magi, Bartolo di Fredi Italian, Tempera and gold on wood — The Adoration of the Magi
Bartolo di Fredi
ca. 1390

Madonna and Child, Benvenuto di Giovanni Italian, Tempera on wood, gold ground — Madonna and Child
Benvenuto di Giovanni
ca. 1470

The Coronation of the Virgin, Niccolò di Buonaccorso Italian, Tempera on wood, gold ground — The Coronation of the Virgin
Niccolò di Buonaccorso
ca. 1380

The Adoration of the Shepherds, Bartolo di Fredi Italian, Tempera on poplar, gold ground, Italian — The Adoration of the Shepherds
Bartolo di Fredi
1374

The Adoration of the Magi, Giotto di Bondone Italian, Tempera on wood, gold ground — The Adoration of the Magi
Giotto di Bondone
possibly ca. 1320