Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 8,906 results for Black Women of Print

Sort by:

Lesson 1: the weeds / Lesson 2: seeds / Lesson 3: puncture, from "Lore: What We Were Told / What We Saw / What We Tell Ourselves", Althea Murphy-Price American, Screenprint on embossed paper — Lesson 1: the weeds / Lesson 2: seeds / Lesson 3: puncture, from "Lore: What We Were Told / What We Saw / What We Tell Ourselves"
Althea Murphy-Price
Black Women of Print
2023

Spindled and Spun, from "Lore: What We Were Told / What We Saw / What We Tell Ourselves", Karen J. Revis American, Linocut and screenprint — Spindled and Spun, from "Lore: What We Were Told / What We Saw / What We Tell Ourselves"
Karen J. Revis
Black Women of Print
2022

The Lightworker / The Empath / "The Manifestor," from "Lore: What We Were Told / What We Saw / What We Tell Ourselves", Deborah Grayson American, Screenprint with oil paint — The Lightworker / The Empath / "The Manifestor," from "Lore: What We Were Told / What We Saw / What We Tell Ourselves"
Deborah Grayson
Black Women of Print
2022

In Need of Rest, from "Lore: What We Were Told / What We Saw / What We Tell Ourselves", LaToya M. Hobbs American, Woodcut — In Need of Rest, from "Lore: What We Were Told / What We Saw / What We Tell Ourselves"
LaToya M. Hobbs
Black Women of Print
2023

"not your great, great grandmother’s fairytale: page one" / "not your great, great grandmother’s fairytale: page two" / "not your great, great grandmother’s fairytale: page three," from "Lore: What We Were Told / What We Saw / What We Tell Ourselves", Tanekeya Word American, Linocut and monoprint with chine collé and hand painting on embossed paper — "not your great, great grandmother’s fairytale: page one" / "not your great, great grandmother’s fairytale: page two" / "not your great, great grandmother’s fairytale: page three," from "Lore: What We Were Told / What We Saw / What We Tell Ourselves"
Tanekeya Word
Black Women of Print
2023

"When Called Upon / Gathering in the Wake," from "Lore: What We Were Told / What We Saw / What We Tell Ourselves", Stephanie Santana American, Screenprint, quilting cotton with hand-painted elements — "When Called Upon / Gathering in the Wake," from "Lore: What We Were Told / What We Saw / What We Tell Ourselves"
Stephanie Santana
Black Women of Print
2023

Lore: What We Were Told / What We Saw / What We Tell Ourselves

Multiple artists/makers

2022–23

World Surrealist exhibition (with the participation of the Phases movement) : marvelous freedom, vigilance of desire / Gallery Black Swan, Gallery Black Swan — World Surrealist exhibition (with the participation of the Phases movement) : marvelous freedom, vigilance of desire / Gallery Black Swan
Gallery Black Swan
1976

Arsenal : surrealist subversion, Black Swan Press — Arsenal : surrealist subversion
Black Swan Press
1970

Fragment of a terracotta calyx-krater (mixing bowl), Black Fury Painter, Terracotta, Greek, South Italian, Apulian — Fragment of a terracotta calyx-krater (mixing bowl)
Black Fury Painter
ca. 400–380 BCE

Pitcher, Ball, Black & Co. American, Silver, American — Pitcher
Ball, Black & Co.
ca. 1872

Fragment of a terracotta calyx-krater (mixing bowl), Black Fury Painter, Terracotta, Greek, South Italian, Apulian — Fragment of a terracotta calyx-krater (mixing bowl)
Black Fury Painter
ca. 400–380 BCE

Terracotta fragment of a closed shape, Black Fury Group ? [DvB], Terracotta, Greek, South Italian, Apulian — Terracotta fragment of a closed shape
Black Fury Group
first quarter of the 4th century BCE

Slop Bowl, Ball, Tompkins and Black American, Silver, American — Slop Bowl
Ball, Tompkins and Black
Charters, Cann & Dunn
1848–51

Sugar Bowl, Ball, Tompkins and Black American, Silver, American — Sugar Bowl
Ball, Tompkins and Black
Charters, Cann & Dunn
1848–51

Teapot, Ball, Tompkins and Black American, Silver, American — Teapot
Ball, Tompkins and Black
Charters, Cann & Dunn
1848–51

Milk Pot, Ball, Tompkins and Black American, Silver and ivory, American — Milk Pot
Ball, Tompkins and Black
Charters, Cann & Dunn
1848–51

Creamer, Ball, Tompkins and Black American, Silver, American — Creamer
Ball, Tompkins and Black
Charters, Cann & Dunn
1848–51

Teakettle, Burner, and Stand, Ball, Tompkins and Black American, Silver and ivory, American — Teakettle, Burner, and Stand
Ball, Tompkins and Black
Charters, Cann & Dunn
1848–51

The Black panther

Black Panther Party

1969

Athanor, Penelope Rosemont American — Athanor
Penelope Rosemont
Black Swan Press
1971

Standing Vishnu as Keshava, Dasoja of Balligrama, Stone, India (Karnataka, probably Belur) — Standing Vishnu as Keshava
Dasoja of Balligrama
first quarter of the 12th century

Òpó (veranda post) with equestrian and female figure, Olowe of Ise Nigerian, Iroko wood, paint, resin — Òpó (veranda post) with equestrian and female figure
Olowe of Ise
before 1938

Dish with Abraham and Melchizedek, Hans of Landshut German, Free-blown glass with paint and metallic foils, South German — Dish with Abraham and Melchizedek
Hans of Landshut
1498

Female portrait lü me (figure in wood), Zlan of Belewale, Wood, fiber, pigment, cloth, metal — Female portrait lü me (figure in wood)
Zlan of Belewale
Sonzlanwon
First half 20th century

Hercules and Achelous, Master of the Martyrdom of St. Sebastian Austrian, Ivory, probably Austrian — Hercules and Achelous
Master of the Martyrdom of St. Sebastian
probably mid-17th century

The Crucifixion, Master of the Codex of Saint George Italian, Tempera on wood, gold ground, Italian — The Crucifixion
Master of the Codex of Saint George
ca. 1330–35

Pelike, Black Thyrsus Painter, Terracotta, Greek, Attic — Pelike
Black Thyrsus Painter
ca. 400 BCE

Head of the White Mountain Notch, Crawford House, James Wallace Black American, Albumen silver print from paper negative — Head of the White Mountain Notch, Crawford House
James Wallace Black
1854

[Boston from a Hot-Air Balloon], James Wallace Black American, Albumen silver print from glass negative — [Boston from a Hot-Air Balloon]
James Wallace Black
1860s

John C. Fremont visit to America, Ball, Black & Co. American, White metal, American — John C. Fremont visit to America
Ball, Black & Co.
S & M
1856

John C. Fremont visit to America, Ball, Black & Co. American, White metal, American — John C. Fremont visit to America
Ball, Black & Co.
S & M
1856

Signet Ring, Ball, Black & Co. American, Gold and bloodstone, American — Signet Ring
Ball, Black & Co.
1864

Brooch, Ball, Black & Co. American, Gold and coral, American — Brooch
Ball, Black & Co.
mid-19th century

Earrings, Ball, Black & Co. American, Gold and coral, American — Earrings
Ball, Black & Co.
mid-19th century

Studs, Ball, Black & Co. American, Gold and coral, American — Studs
Ball, Black & Co.
mid-19th century

Boston, as the Eagle and the Wild Goose See It, James Wallace Black American, Albumen silver print from glass negative — Boston, as the Eagle and the Wild Goose See It
James Wallace Black
1860

[Washington Street, Boston], James Wallace Black American, Albumen silver print from glass negative — [Washington Street, Boston]
James Wallace Black
ca. 1860

[Victorian House], James Wallace Black American, Albumen silver print from glass negative — [Victorian House]
James Wallace Black
ca. 1860

[Edward Everett Hale and Son], James Wallace Black American, Albumen silver prints from glass negatives — [Edward Everett Hale and Son]
James Wallace Black
ca. 1865