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1-42 of 763 results for Cardinal Camillo Pamphili
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Plan of the City of Rome, Antonio Tempesta Italian, Etching with some engraving, undescribed state (printed from 12 plates)
Plan of the City of Rome
Multiple artists/makers
1645
Plan of the City of Rome. Part 1 showing the Villa Medici and Piazza del Popolo, Antonio Tempesta Italian, Etching with some engraving, undescribed state.
Plan of the City of Rome. Part 1 showing the Villa Medici and Piazza del Popolo
Multiple artists/makers
1645
Plan of the City of Rome. Part 2 with the Trinità dei Monti, Palazzo Borghese and the Baths of Diocletian, Antonio Tempesta Italian, Etching with some engraving; undescribed state
Plan of the City of Rome. Part 2 with the Trinità dei Monti, Palazzo Borghese and the Baths of Diocletian
Multiple artists/makers
1645
Plan of the City of Rome. Part 3 with the Santa Maria Maggiore, the Pantheon and Trajan's Column, Antonio Tempesta Italian, Etching with some engraving, undescribed state.
Plan of the City of Rome. Part 3 with the Santa Maria Maggiore, the Pantheon and Trajan's Column
Multiple artists/makers
1645
Plan of the City of Rome. Part 4 with the Santa Maria in Aracoeli, the Forum Romanum, the Colosseum and the Lateran Palace., Antonio Tempesta Italian, Etching with some engraving, undescribed state.
Plan of the City of Rome. Part 4 with the Santa Maria in Aracoeli, the Forum Romanum, the Colosseum and the Lateran Palace.
Multiple artists/makers
1645
Plan of the City of Rome. Part 5 with the Baths of Caracalla, the Santa Sabina and Part of the Tiber, Antonio Tempesta Italian, Etching with some engraving, undescribed state.
Plan of the City of Rome. Part 5 with the Baths of Caracalla, the Santa Sabina and Part of the Tiber
Multiple artists/makers
1645
Plan of the City of Rome. Part 6 with the Aurelian city wall, the Porta Portuensis (Ostiensis?) and the Sepulcre of Caius Cestius., Antonio Tempesta Italian, Etching with some engraving, undescribed state.
Plan of the City of Rome. Part 6 with the Aurelian city wall, the Porta Portuensis (Ostiensis?) and the Sepulcre of Caius Cestius.
Multiple artists/makers
1645
Plan of the City of Rome. Part 7 with a Dedication to Camillo Pamphili, the Vatican and Part of the City Wall, Antonio Tempesta Italian, Etching with some engraving, undescribed state.
Plan of the City of Rome. Part 7 with a Dedication to Camillo Pamphili, the Vatican and Part of the City Wall
Multiple artists/makers
1645
Plan of the City of Rome. Part 8 with the Castel Sant'Angelo, Antonio Tempesta Italian, Etching with some engraving, undescribed state.
Plan of the City of Rome. Part 8 with the Castel Sant'Angelo
Multiple artists/makers
1645
Plan of the City of Rome: sheet 9 with the Piazza Navona, the Campo di Fiore and the Sant' Onofrio, Antonio Tempesta Italian, Etching with some engraving, undescribed state
Plan of the City of Rome: sheet 9 with the Piazza Navona, the Campo di Fiore and the Sant' Onofrio
Multiple artists/makers
1645
Plan of the City of Rome. Part 10 with the Tiber and the Villa Farnesina, Antonio Tempesta Italian, Etching with some engraving, undescribed state.
Plan of the City of Rome. Part 10 with the Tiber and the Villa Farnesina
Multiple artists/makers
1645
Plan of the City of Rome. Part 11 with the San Pancrazio (left bank), Antonio Tempesta Italian, Etching with some engraving, undescribed state.
Plan of the City of Rome. Part 11 with the San Pancrazio (left bank)
Multiple artists/makers
1645
Plan of the City of Rome. Part 12 with the Southwestern Border of the City and a Large Cartouche with Signature by Tempesta., Antonio Tempesta Italian, Etching with some engraving, undescribed state.
Plan of the City of Rome. Part 12 with the Southwestern Border of the City and a Large Cartouche with Signature by Tempesta.
Multiple artists/makers
1645
Title page to "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome, Carlo Cesi Italian, Etching
Title page to "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Multiple artists/makers
ca. 1661
La Basilica di San Marco in Venezia illustrata nella storia e nell'arte da scrittori veneziani : [volume 3], Camillo Boito
La Basilica di San Marco in Venezia illustrata nella storia e nell'arte da scrittori veneziani : [volume 3]
Camillo Boito
Ferdinando Ongania
1881
The Battle of Aeneas and Turnus, plate 14 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Multiple artists/makers
ca. 1661
Composition with stucco ornaments and a medallion with youths shooting a bird, plate 15 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Multiple artists/makers
ca. 1661
Cesi's dedication of the series to Prince Camillo Pamphili, plate 16 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Multiple artists/makers
ca. 1661
Composition with stucco ornaments surrounding an oval scene depicting Aeneas with a lance and doves, plate 2 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Multiple artists/makers
ca. 1661
Composition with stucco ornaments of a man and a woman, viewed from the rear, plate 7 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Multiple artists/makers
ca. 1661
Composition with stucco ornaments, Castor and Pollux, and Cybele and Ceres, from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Multiple artists/makers
ca. 1661
Assembly of the Gods at Olympus; Jupiter at center with Venus to his left, introducing Aeneas at far left, plate 9 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Multiple artists/makers
ca. 1661
The arrival of Aeneas and his fleet in Italy, plate 3 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Multiple artists/makers
ca. 1661
Composition with stucco ornaments of a woman, man, and child, plate 4 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Multiple artists/makers
ca. 1661
Neptune subduing the storm created by Aeolus to destroy the fleet of Aeneas, plate 5 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Multiple artists/makers
ca. 1661
Juno requesting the aid of Aeolus to destroy the fleet of Aeneas, plate 6 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Multiple artists/makers
ca. 1661
Composition with stucco ornaments of a man and a woman, plate 10 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Multiple artists/makers
ca. 1661
Venus requesting armor from Vulcan for her son, Aeneas, plate 11 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Multiple artists/makers
ca. 1661
Composition with stucco ornaments of a woman on the left and a man holding a club on the right, plate 12 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Multiple artists/makers
ca. 1661
Aeneas and his son Ascanius before King Latinus, Aeneas extending an olive branch to the King, plate 13 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Multiple artists/makers
ca. 1661
Mary Shelley (1797–1851), Camillo Pistrucci British, Marble, Italian
Mary Shelley (1797–1851)
Camillo Pistrucci
1843
Villa Pamphilia Eiusque Palatium Cum Suis Prospectious, Statuae, Fontes, Vivaria, Theatra...
Multiple artists/makers
ca. 1670–75
Necktie, Cardinal, Synthetic, American
Necktie
Cardinal
ca. 1940
Mother ape, Camillo Mariani Italian, Bronze, Italian, Urbino
Mother ape
Camillo Mariani
1595–96
Saint Francis Receiving the Stigmata, Camillo Procaccini Italian, Engraving
Saint Francis Receiving the Stigmata
Camillo Procaccini
Justus Sadeler
1590–1620
Study of Bearded Man, Camillo Procaccini Italian, Red chalk
Study of Bearded Man
Camillo Procaccini
ca. 1580–1600
The Transfiguration of Christ on Mount Tabor, with Moses and Elijah, three disciples below, Camillo Procaccini Italian, Etching; first state of two
The Transfiguration of Christ on Mount Tabor, with Moses and Elijah, three disciples below
Camillo Procaccini
1587–90
Bust of a Warrior Wearing a Plumed Helmet, Looking Toward Spectator Over His Right Shoulder (recto); Sketch of a Leg (verso), Camillo Procaccini Italian, Red chalk on light brown paper
Bust of a Warrior Wearing a Plumed Helmet, Looking Toward Spectator Over His Right Shoulder (recto); Sketch of a Leg (verso)
Camillo Procaccini
1605–9
Rest on the flight into Egypt, the Virgin seated on grass in a grove with the Christ Child in her lap, at right Joseph reclines and points toward them, a donkey beyond Joseph, Camillo Procaccini Italian, Etching
Rest on the flight into Egypt, the Virgin seated on grass in a grove with the Christ Child in her lap, at right Joseph reclines and points toward them, a donkey beyond Joseph
Camillo Procaccini
Gaspare dall'Oglio
ca. 1583–1601
The Virgin and Saint Joseph find Jesus Disputing with the Doctors in the Temple, Camillo Procaccini Italian, Pen and black ink, brush and gray wash, highlighted with white gouache, over charcoal, on brownish paper
The Virgin and Saint Joseph find Jesus Disputing with the Doctors in the Temple
Camillo Procaccini
1555–1629
Martyrdom of a Female Saint (Agnes?), Camillo Procaccini Italian, Charcoal, brush and gray wash, highlighted with white gouache, on brown paper; ruled lines in pen and brown ink
Martyrdom of a Female Saint (Agnes?)
Camillo Procaccini
1605–9
The Annunciation, Camillo Procaccini Italian, Red chalk
The Annunciation
Camillo Procaccini
1616–18