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More than 10,000 results for Central Italian

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Studies of the Leg of a Man and a Horse's Head (recto); sketches of the back of a man's left shoulder and a chained (?) figure., Central Italian , second quarter 16th century, Pen and brown ink (the horse's head in a different pen and brown ink), brush and wash in two shades of brown (recto); red chalk and pencil (verso), Central Italian — Studies of the Leg of a Man and a Horse's Head (recto); sketches of the back of a man's left shoulder and a chained (?) figure.
Central Italian
second quarter 16th century

Doorway from the Church of San Nicolò, San Gemini, Marble (Lunense marble from Carrara), Central Italian — Doorway from the Church of San Nicolò, San Gemini
Central Italian
carved 1000s, assembled 1100s or 1200s

Jug with Finely-Dressed Woman, Tin-glazed earthenware, Central Italian — Jug with Finely-Dressed Woman
Central Italian
1430s

Cantoria, Travertine, iron, Central Italian — Cantoria
Central Italian
first quarter 16th century

Adoring Angel, Piero di Giovanni Tedesco Italian, Marble (Carrara marble), Central Italian — Adoring Angel
Piero di Giovanni Tedesco
ca. 1395–96

Column from a Choir Screen, Marble (Carrara marble), Central Italian — Column from a Choir Screen
Central Italian
ca. 800–900

Orpheus, Italian , early 16th century, Pen and brown ink, Central Italian — Orpheus
Italian
early 16th century

A Young Woman Seated in a Chair, Central Italy, Pen and brown ink on paper washed with light brown, Central Italian — A Young Woman Seated in a Chair
Central Italy
17th century

Bowl with Bird, Earthenware, tin-glazed, Central Italian — Bowl with Bird
Central Italian
ca. 1300

Doorknocker, Bronze, iron pin, Central Italian — Doorknocker
Central Italian
late 15th–early 16th century

Seated male figure, Bronze, Central Italian — Seated male figure
Central Italian
mid-16th century

Pilaster (Tetramorph) from the Parapet of a Pulpit with Symbol of the Evangelists, Giovanni Pisano Italian, Marble (Lunense marble from Carrara), traces of paint, Central Italian — Pilaster (Tetramorph) from the Parapet of a Pulpit with Symbol of the Evangelists
Giovanni Pisano
ca. 1302–10

Pilaster of Angels Sounding Trumpets from the Parapet of a Pulpit, Giovanni Pisano Italian, Marble (Lunense from Carrara), traces of paint, Central Italian — Pilaster of Angels Sounding Trumpets from the Parapet of a Pulpit
Giovanni Pisano
1302–10

Pilaster of Angels Sounding Trumpets from the Parapet of a Pulpit, Giovanni Pisano Italian, Marble (Lunense from Carrara), traces of paint, Central Italian — Pilaster of Angels Sounding Trumpets from the Parapet of a Pulpit
Giovanni Pisano
1302–10

Tabernacle, Grey limestone, partially gilt and polychromed, iron, Central Italian — Tabernacle
Central Italian
late 15th century

Bishop Saint, Terracotta, Central Italian — Bishop Saint
Central Italian
second half 17th century

Standing Virgin and Child, Wood, painted and gilded, Central Italian — Standing Virgin and Child
Central Italian
ca. 1380–1400

Reliquary Diptych, Verre églomisé, polychromy, wood, metal, and possible human remains, Central Italian — Reliquary Diptych
Central Italian
late 14th century

Fragments of a Frieze, Stone (Peperino di Viterbo from Viterbo (Italy)), Central Italian — Fragments of a Frieze
Central Italian
late 12th century

Frieze Fragment, Stone (Peperino di Viterbo from Viterbo (Italy)), Central Italian — Frieze Fragment
Central Italian
late 12th century

Design for the Base of a Candle Stick with a Seated Female(?) Figure, Anonymous, Central-Italian, 16th century Italian, Pen and brown ink, brush and brown wash, over leadpoint — Design for the Base of a Candle Stick with a Seated Female(?) Figure
Anonymous, Central-Italian, 16th century
1500–50

Design for a Wall Tomb, Anonymous, Central-Italian, 16th century Italian, Pen and brown ink, over stylus-ruled and compass-incised construction marks — Design for a Wall Tomb
Anonymous, Central-Italian, 16th century
ca. 1524

Portrait of a pope, half-length, Anonymous, Central-Italian, 16th century Italian, Black chalk — Portrait of a pope, half-length
Anonymous, Central-Italian, 16th century
16th century

Plaque with the Annunciation, Champlevé enamel, copper-gilt, Catalan or Central Italian — Plaque with the Annunciation
Catalan or Central Italian
ca. 1200–1225

Design for a Lectern with Saint John the Evangelist

Anonymous, Central-Italian, 16th century

1550–1600

Discours dur les Arcs Triomphaux dressés en la Ville d'Aix a l'arrivée de le Duc de Bourgogne et le Duc de Berry

Multiple artists/makers

1701

Bronze lid and upper part of an oil flask, Bronze, Praenestine — Bronze lid and upper part of an oil flask
Praenestine
4th century BCE

Bronze statuette of a standing male figure, Bronze, Campanian or South Italian Greek — Bronze statuette of a standing male figure
Campanian or South Italian Greek
ca. 500–450 BCE

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

Elements of an Italian Light-Cavalry Armor <i>alla Tedesca</i> (in the German Fashion), Steel, gold, copper alloy, leather, Italian, Milan — Elements of an Italian Light-Cavalry Armor alla Tedesca (in the German Fashion)
Italian, Milan
ca. 1510

Italian Boy, William Morris Hunt American, Oil on canvas, American — Italian Boy
William Morris Hunt
1866 (?)

Pilgrim flask, Italian , Venetian, early 16th century, Colorless (slightly tan) nonlead glass. Blown, enameled, gilt., Italian (Venice) — Pilgrim flask
Italian
ca. 1500–1525

Dish (tondino), Italian , Gubbio, early 16th century, Maiolica (tin-glazed earthenware), Italian, Gubbio — Dish (tondino)
Italian
ca. 1530

Italian Girl, William Morris Hunt American, Oil on canvas, American — Italian Girl
William Morris Hunt
1867

Tondo mirror frame, Italian, Siena, Poplar; carved, gilt; deep red-brown bole., Italian, Siena — Tondo mirror frame
Italian, Siena
ca. 1490–1500

Virginal, Wood, parchment, ivory, paint, Italian — Virginal
Italian
1540

The Adoration of the Shepherds, Bartolo di Fredi Italian, Tempera on poplar, gold ground, Italian — The Adoration of the Shepherds
Bartolo di Fredi
1374

Ewer in the Shape of a Sitting Dog, Italian , Milan, second half of the 16th century and, Rock crystal, cut on the wheel, enameled gold, rubies, and reverse-painted and gilded glass (verre églomisé)., Italian, Milan and German (Aachen) or French (Paris) — Ewer in the Shape of a Sitting Dog
Multiple artists/makers
second half 16th century and second half 19th century

Cupboard (credenza), Italian (Tuscan) , first half 16th century Italian, Walnut, poplar, ebony, ebonized wood, maple, Italian, Tuscany — Cupboard (credenza)
Italian (Tuscan)
ca. 1500–1550

Sculptural group with The Lamentation Over the Dead Christ, Maiolica (tin-glazed earthenware), Eastern Central Italian, Emilia-Romagna or the Marche — Sculptural group with The Lamentation Over the Dead Christ
Eastern Central Italian, Emilia-Romagna or the Marche
1487