Relief with the Annunciation

ca. 1180–1200
On view at The Met Cloisters in Gallery 03
This relief is one of seven panels from a pulpit in the church of San Piero Scheraggio in Florence, which was dismantled sometime between 1410 and 1755. In medieval Italy, pulpits were used for the reading of the Gospels and the Epistles and were located on the south side of the choir. Here, the Virgin and the archangel Gabriel stand in separate niches under a city wall. The fluid treatment of the drapery, the form of the figures, and the combination of narrative reliefs with a background of inlaid serpentine are characteristic of Florentine sculpture around 1200.

Artwork Details

Object Information
  • Title: Relief with the Annunciation
  • Date: ca. 1180–1200
  • Geography: Made in Florence, Central Italy
  • Culture: Italian
  • Medium: Carrara marble inlaid with serpentine (verde di Prato)
  • Dimensions: 26 1/2 x 24 x 4 3/4 in. (67.3 x 61 x 12.1 cm)
  • Classification: Sculpture
  • Credit Line: The Cloisters Collection, 1960
  • Object Number: 60.140
  • Curatorial Department: Medieval Art and The Cloisters

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Cover Image for 18. Relief with the Annunciation

18. Relief with the Annunciation

Gallery 3

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NARRATOR: This rectangular marble panel depicts the Annunciation to the Virgin, with the archangel Gabriel emerging under an arcade to the left. Above the arcade, a city wall forms the backdrop. This is a distinctly Florentine sculpture, particularly in its use of white marble and the style of the carving, and in the use of inlaid stones. The inlaid stone here is the greenish-black serpentine. It’s found in a lot of Tuscan sculpture from this period. The relief dates from the end of the twelfth century, and was originally a panel that decorated the pulpit in the Florentine church of San Piero Scheraggio. The church itself no longer survives but the other panels from this pulpit still exist. They consist of carvings that show the Tree of Jesse, the Nativity, the Adoration of the Magi, the Presentation in the Temple, the Baptism of Christ, and the Deposition.

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