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1-42 of 6,359 results for Francisco Gonzales
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Grill, Francisco Gonzales, Gilded wrought iron, bronze, Spanish
Grill
Francisco Gonzales
17th century
The Bouquet of Violets, Eva Gonzalès French, Pastel on wove paper
The Bouquet of Violets
Eva Gonzalès
ca. 1877–78
Pair of Miquelet Pistols, Francisco Pintan Spanish or Mexican, Steel, wood (family leguminosae), silver, Colonial Spanish, probably Mexico
Pair of Miquelet Pistols
Francisco Pintan
dated 1757
The Young Virgin, Francisco de Zurbarán Spanish, Oil on canvas
The Young Virgin
Francisco de Zurbarán
ca. 1632–33
Manuel Osorio Manrique de Zuñiga (1784–1792), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Manuel Osorio Manrique de Zuñiga (1784–1792)
Goya (Francisco de Goya y Lucientes)
1787–88
Condesa de Altamira and Her Daughter, María Agustina, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Condesa de Altamira and Her Daughter, María Agustina
Goya (Francisco de Goya y Lucientes)
1787–88
Battle between Christians and Muslims at El Sotillo, Francisco de Zurbarán Spanish, Oil on canvas
Battle between Christians and Muslims at El Sotillo
Francisco de Zurbarán
ca. 1637–39
Saint Benedict, Francisco de Zurbarán Spanish, Oil on canvas
Saint Benedict
Francisco de Zurbarán
ca. 1640–45
Candlestick, Diego Gonzales de la Cueva, Silver, Mexican
Candlestick
Diego Gonzales de la Cueva
1700–1800
Two Figures Beside a Table, Ismaël Gonzales de La Serna Spanish, Matte opaque paint and brush and black ink on paper
Two Figures Beside a Table
Ismaël Gonzales de La Serna
1928
Black power, black art ... and the struggle continues : political imagery from the Black Arts Movement of the 1960s and 1970s, San Francisco State University
Black power, black art ... and the struggle continues : political imagery from the Black Arts Movement of the 1960s and 1970s
San Francisco State University
1994
Dialogos de la pintvra : sv defensa, origen, essecia, definicion, modos y diferencias, Vicente Carducho Italian
Dialogos de la pintvra : sv defensa, origen, essecia, definicion, modos y diferencias
Multiple artists/makers
1633
The Virgin of Carmen and the Souls of Purgatory with St. Joseph and the Prophet Elijah, Juan Francisco de Aguilera Mexican, Oil and gold on copper; Frame: ebony, tortoise shell, and silver, Mexican
The Virgin of Carmen and the Souls of Purgatory with St. Joseph and the Prophet Elijah
Juan Francisco de Aguilera
ca. 1720
Virgin and Child with Young Saint John the Baptist, Francisco Beccerril Spanish, Silver, partially gilded, Spanish, Cuenca
Virgin and Child with Young Saint John the Baptist
Francisco Beccerril
16th century
Magus, Francisco Giralte, Wood, carved, painted and gilded, Spanish, Castilian
Magus
Francisco Giralte
mid-16th century
Zoologico, Francisco Toledo Mexican, Graphite on paper
Zoologico
Francisco Toledo
1959
Untitled (Lion and Hunter), Francisco Toledo Mexican, Graphite on paper
Untitled (Lion and Hunter)
Francisco Toledo
1959
Profile of Eva Gonzalès turned to the left, Edouard Manet French, Etching on blue laid paper, only state
Profile of Eva Gonzalès turned to the left
Edouard Manet
Eva Gonzalès
ca. 1870
Laure, after Eva Gonzalès, Henri Charles Guérard French, Etching and drypoint, with plate tone, printed in brown and black ink; second state of two
Laure, after Eva Gonzalès
Henri Charles Guérard
Eva Gonzalès
1888
Project for a Monument to the Twentieth Century
Sergio Gonzáles Tornero
1967
Portrait of Josefa OrtÍz de Dominguez, José Francisco Rodríguez Mexican, Colored wax, paper, gold, Mexican
Portrait of Josefa OrtÍz de Dominguez
José Francisco Rodríguez
1795
The Crucifixion, Francisco de Zurbarán Spanish, Oil on canvas
The Crucifixion
Francisco de Zurbarán
Sebastián Martínez y Pérez (1747–1800), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Sebastián Martínez y Pérez (1747–1800)
Goya (Francisco de Goya y Lucientes)
1792
Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers
Goya (Francisco de Goya y Lucientes)
1804
Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850)
Goya (Francisco de Goya y Lucientes)
1804
Tiburcio Pérez y Cuervo (1785/86–1841), the Architect, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Tiburcio Pérez y Cuervo (1785/86–1841), the Architect
Goya (Francisco de Goya y Lucientes)
1820
José Costa y Bonells (died l870), Called Pepito, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
José Costa y Bonells (died l870), Called Pepito
Goya (Francisco de Goya y Lucientes)
ca. 1810
Narcisa Barañano Gayoso de Goicoechea, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Narcisa Barañano Gayoso de Goicoechea
Goya (Francisco de Goya y Lucientes)
ca. 1805
Majas on a Balcony, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Majas on a Balcony
Goya (Francisco de Goya y Lucientes)
ca. 1800–1810
Bullfight in a Divided Ring, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Bullfight in a Divided Ring
Goya (Francisco de Goya y Lucientes)
ca. 1810
Portrait of an Old Man, Francisco Domingo y Marqués Spanish, Oil on wood
Portrait of an Old Man
Francisco Domingo y Marqués
1882
Round dish with moss and fish, José Francisco de Sousa Portuguese, Glazed earthenware, Portugal, Caldas de Rainha
Round dish with moss and fish
José Francisco de Sousa
1860–93
Deers (venados), Francisco Toledo Mexican, Color etching and aquatint
Deers (venados)
Francisco Toledo
ca.1975–85
Head of a Bearded Man, Francisco Pacheco Spanish, Black chalk and traces of white chalk on blue paper
Head of a Bearded Man
Francisco Pacheco
1564–1644
Design for a Frontispiece: Mercury and Fame, Francisco Rizi Spanish, Pen and brown ink with pen and black ink and brush and gray wash. Composition outlined in pen and brown ink. Contours incised and verso blackened with carbon dust for transfer
Design for a Frontispiece: Mercury and Fame
Francisco Rizi
1650
The Fifteen Mysteries and the Virgin of the Rosary (Modern Impression), Francisco Doménech Spanish, Metalcut (modern impression)
The Fifteen Mysteries and the Virgin of the Rosary (Modern Impression)
Francisco Doménech
1488
A Correct View of the Battle Near the City of New Orleans (January 8, 1815), Francisco Scacki American, Engraving
A Correct View of the Battle Near the City of New Orleans (January 8, 1815)
Francisco Scacki
ca. 1816
Poster celebrating the 63rd anniversary of Joseph Stalin's birth, Francisco Mora Mexican, Lithograph in black and red on yellow paper backed with linen
Poster celebrating the 63rd anniversary of Joseph Stalin's birth
Francisco Mora
Taller de Gráfica Popular, Mexico City
1942
Plate 1: Indigenous Mexicans being forced from their land, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Francisco Mora Mexican, Linocut
Plate 1: Indigenous Mexicans being forced from their land, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Francisco Mora
Taller de Gráfica Popular, Mexico City
1947
Plate 31: Francisco I. Madera surrounded by those from the nefarious Porfirano regime, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Francisco Mora Mexican, Linocut
Plate 31: Francisco I. Madera surrounded by those from the nefarious Porfirano regime, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Francisco Mora
Taller de Gráfica Popular, Mexico City
1947
Plate 24: Emiliano Zapata, leader of the revolution, on horseback, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Francisco Mora Mexican, Linocut
Plate 24: Emiliano Zapata, leader of the revolution, on horseback, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Francisco Mora
Taller de Gráfica Popular, Mexico City
1947
Plate 46: Venustiano Carranza protesting against the American invasion of 1914, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Francisco Mora Mexican, Linocut
Plate 46: Venustiano Carranza protesting against the American invasion of 1914, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Francisco Mora
Taller de Gráfica Popular, Mexico City
1947