Search the collection

Filter By

Object Type / Material
Geographic Location
Department
Date
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 794 results for Giosuè Carducci
Sort by:
Giosuè Carducci
Nicola Zanichelli
1887
Bassoon, Giosue Esposito  Naples, Maple, nickel-silver, Italian
Giosue Esposito
1881
The Coronation of the Virgin, Annibale Carracci  Italian, Oil on canvas
Annibale Carracci
after 1595
Dialogos de la pintvra : sv defensa, origen, essecia, definicion, modos y diferencias, Vicente Carducho  Italian
Multiple artists/makers
1633
Two Children Teasing a Cat, Annibale Carracci  Italian, Oil on canvas
Annibale Carracci
The Burial of Christ, Annibale Carracci  Italian, Oil on copper
Annibale Carracci
1595
Madonna and Child with Saints, Ludovico Carracci  Italian, Oil on copper
Ludovico Carracci
1607
Saint John the Baptist Bearing Witness, Annibale Carracci  Italian, Oil on copper
Annibale Carracci
ca. 1600
The Lamentation, Ludovico Carracci  Italian, Oil on canvas
Ludovico Carracci
ca. 1582
The Denial of Saint Peter, Ludovico Carracci  Italian, Oil on canvas
Ludovico Carracci
ca. 1616
Evening ensemble, Roberto Capucci  Italian, silk, Italian
Roberto Capucci
1958
Two Studies of a Seated Male Nude, Jacopo da Pontormo (Jacopo Carucci)  Italian, Black chalk
Jacopo da Pontormo (Jacopo Carucci)
mid-16th century
Penitent St. Jerome (recto); Notes and Accounts (verso), Vicente Carducho  Italian, Pen and brown ink (recto and verso)
Vicente Carducho
Bartolomé Carducho
ca. 1600
Ogni cosa vince l'oro, Agostino Carracci  Italian, Engraving
Agostino Carracci
ca. 1590–95
Sine Cerere et Baccho Friget Venus, Agostino Carracci  Italian, Engraving
Agostino Carracci
1599
Stage set for the marriage of Ferdinand de' Medici and Christine of Lorraine in Florence in 1589; Apollo and the Python, Agostino Carracci  Italian, Etching and engraving
Multiple artists/makers
1589–92
The mystic marriage of Saint Catherine who sits at center with the Christ child, angels with instruments at the left, Agostino Carracci  Italian, Engraving
Agostino Carracci
Paolo Veronese (Paolo Caliari)
1585
Ecce Homo, Agostino Carracci  Italian, Engraving
Agostino Carracci
Correggio (Antonio Allegri)
1587
The Crucifixion, Agostino Carracci  Italian, Engraving
Agostino Carracci
Paolo Veronese (Paolo Caliari)
1582
Bust of an Old Man, Agostino Carracci  Italian, Engraving
Agostino Carracci
ca. 1583
Coat of Arms of a Cardinal of the Sampieri Family, Agostino Carracci  Italian, Engraving
Agostino Carracci
1590–95
Back View of a Seated Nude Youth Facing Left, Annibale Carracci  Italian, Red chalk, with traces of highlights in white chalk (?)
Annibale Carracci
1560–1609
Landscape with Jacob Sleeping, Annibale Carracci  Italian, Pen and two tones of brown ink, brush and gray-brown wash, over traces of leadpoint or black chalk
Annibale Carracci
1560–1609
Study for an Angel (recto); Study of a Cushion (verso), Annibale Carracci  Italian, Charcoal or soft black chalk, highlighted with white chalk, on blue paper; several scattered stains of rose-colored paint at lower left (recto); black chalk with some white chalk highlights (verso)
Annibale Carracci
1600–1602
Anteros Victorious, Annibale Carracci  Italian, Red chalk
Annibale Carracci
1560–1609
Studies for a Figure of Saint Francis Kneeling in a Three-Quarter View and for His Hands (recto); Studies for a Figure of Saint Francis Kneeling in Profile (verso), Annibale Carracci  Italian, Red chalk with white chalk highlights, pen and brown ink (recto); red chalk (verso)
Annibale Carracci
1583–85
The Virgin and Child Resting Outside a City Gate, Annibale Carracci  Italian, Pen and brown ink, brush with traces of brown wash, on light brown beige paper; traces of framing outlines in pen and brown ink
Annibale Carracci
1560–1609
The Drunken Silenus, Annibale Carracci  Italian, Engraving on Silver
Annibale Carracci
1560–1609
Head of a Woman Looking to Upper Left, Annibale Carracci  Italian, Charcoal, highlighted with white chalk, on blue paper faded light- brown
Annibale Carracci
Ludovico Carracci
1590–1600
The Last Communion of Saint Jerome, Ludovico Carracci  Italian, Pen and brown ink, brush and brown wash, over traces of black chalk; squared in red chalk
Ludovico Carracci
1555–1619
Christ and the Woman of Samaria, Annibale Carracci  Italian, Pen and brown ink, brush and brown wash
Annibale Carracci
1560–1609
Hercules and Omphale, Annibale Carracci  Italian, Red and black chalk; outlines partly pricked for transfer; framing outlines in black chalk
Annibale Carracci
1560–1609
The Cornation of Esther by Ahasuerus, Bartolomé Carducho  Spanish, Black chalk and brown wash. Squared for transfer and numbered in black chalk
Bartolomé Carducho
Vicente Carducho
1560–1638
The Kingdom of Aragon, Vicente Carducho  Italian, Pen and brown ink, brown wash over black chalk. Squared for transfer in black chalk
Vicente Carducho
1560–1638
Wilton album, folio 41: The Drunken Silenus (Tazza Farnese), Annibale Carracci  Italian, Engraving printed from shallow silver cup
Annibale Carracci
ca. 1597–1600
Allegory of the Psalm of David, Agostino Carracci  Italian, Engraving
Agostino Carracci
Orazio Samacchini
1579
Saint Jerome in the Wilderness, Annibale Carracci  Italian, Etching and engraving
Annibale Carracci
Pietro Stefanoni
ca. 1591
Christ Crowned with Thorns, Annibale Carracci  Italian, Etching
Annibale Carracci
1606
Orpheus and Eurydice, Agostino Carracci  Italian, Engraving, second state
Agostino Carracci
ca. 1590–95
Stage set for the marriage of Ferdinand de' Medici and Christine of Lorraine in Florence in 1589; Apollo and the Python, Agostino Carracci  Italian, Etching, engraving
Multiple artists/makers
1589–92