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Showing 810 results for Giosuè Carducci

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Giosuè Carducci

Nicola Zanichelli

1887

Bassoon, Giosue Esposito Naples, Maple, nickel-silver, Italian — Bassoon
Giosue Esposito
1881

The Coronation of the Virgin, Annibale Carracci Italian, Oil on canvas — The Coronation of the Virgin
Annibale Carracci
after 1595

Dialogos de la pintvra : sv defensa, origen, essecia, definicion, modos y diferencias, Vicente Carducho Italian — Dialogos de la pintvra : sv defensa, origen, essecia, definicion, modos y diferencias
Multiple artists/makers
1633

Two Children Teasing a Cat, Annibale Carracci Italian, Oil on canvas — Two Children Teasing a Cat
Annibale Carracci

The Denial of Saint Peter, Ludovico Carracci Italian, Oil on canvas — The Denial of Saint Peter
Ludovico Carracci
ca. 1616

Madonna and Child with Saints, Ludovico Carracci Italian, Oil on copper — Madonna and Child with Saints
Ludovico Carracci
1607

Saint John the Baptist Bearing Witness, Annibale Carracci Italian, Oil on copper — Saint John the Baptist Bearing Witness
Annibale Carracci
ca. 1600

The Burial of Christ, Annibale Carracci Italian, Oil on copper — The Burial of Christ
Annibale Carracci
1595

The Lamentation, Ludovico Carracci Italian, Oil on canvas — The Lamentation
Ludovico Carracci
ca. 1582

Evening ensemble, Roberto Capucci Italian, silk, Italian — Evening ensemble
Roberto Capucci
1958

Two Studies of a Seated Male Nude, Jacopo da Pontormo (Jacopo Carucci) Italian, Black chalk — Two Studies of a Seated Male Nude
Jacopo da Pontormo (Jacopo Carucci)
mid-16th century

Studies of Nudes and Human Heads (recto and on the verso), Agostino Carracci Italian, Pen and brown ink over traces of graphite — Studies of Nudes and Human Heads (recto and on the verso)
Agostino Carracci
1557–1602

The Conversion of Saint Paul, Ludovico Carracci Italian, Pen and brown ink, brush and brown wash, heightened with white gouache and cream color oil paint, over black chalk, on paper toned with light brown wash — The Conversion of Saint Paul
Ludovico Carracci
ca. 1587–89

Penitent St. Jerome (recto); Notes and Accounts (verso), Vicente Carducho Italian, Pen and brown ink (recto and verso) — Penitent St. Jerome (recto); Notes and Accounts (verso)
Vicente Carducho
Bartolomé Carducho
ca. 1600

The Cornation of Esther by Ahasuerus, Bartolomé Carducho Spanish, Black chalk and brown wash. Squared for transfer and numbered in black chalk — The Cornation of Esther by Ahasuerus
Bartolomé Carducho
Vicente Carducho
1560–1638

The Kingdom of Aragon, Vicente Carducho Italian, Pen and brown ink, brown wash over black chalk. Squared for transfer in black chalk — The Kingdom of Aragon
Vicente Carducho
1560–1638

Satyr whipping a nymph, who is shown from behind and bound to a tree, a second satyr bearing a club stands in the middle ground, Agostino Carracci Italian, Engraving — Satyr whipping a nymph, who is shown from behind and bound to a tree, a second satyr bearing a club stands in the middle ground
Agostino Carracci
ca. 1590–95

Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree, Agostino Carracci Italian, Engraving — Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree
Agostino Carracci
1599

Madonna and Child with Saints Elizabeth and John the Baptist (Madonna della Scodella), the seated Mary and the infant Christ hold a cup from which the young Baptist drinks, Elizabeth lifts both hands, Annibale Carracci Italian, Etching and engraving — Madonna and Child with Saints Elizabeth and John the Baptist (Madonna della Scodella), the seated Mary and the infant Christ hold a cup from which the young Baptist drinks, Elizabeth lifts both hands
Annibale Carracci
1606

Coronation of the Virgin, Annibale Carracci Italian, Etching and engraving — Coronation of the Virgin
Annibale Carracci
Johann Jakob Frey the Elder
1741

Allegory of the Psalm of David, Agostino Carracci Italian, Engraving — Allegory of the Psalm of David
Agostino Carracci
Orazio Samacchini
1579

Coat of Arms of a Cardinal of the Sampieri Family, Agostino Carracci Italian, Engraving — Coat of Arms of a Cardinal of the Sampieri Family
Agostino Carracci
1590–95

Saint Jerome in the Wilderness, Annibale Carracci Italian, Etching and engraving — Saint Jerome in the Wilderness
Annibale Carracci
Pietro Stefanoni
ca. 1591

Christ Crowned with Thorns, Annibale Carracci Italian, Etching — Christ Crowned with Thorns
Annibale Carracci
1606

Figure Studies for Various Female and Male Figures (recto); Threes Amors in the Garden of Venus (verso), Agostino Carracci Italian, Pen and brown ink, some sketches over red chalk, some faint scribbles in charcoal (recto); pen and brown ink, brush and gray-blue wash (verso) — Figure Studies for Various Female and Male Figures (recto); Threes Amors in the Garden of Venus (verso)
Agostino Carracci
1600–02

Landscape with Jacob Sleeping, Annibale Carracci Italian, Pen and two tones of brown ink, brush and gray-brown wash, over traces of leadpoint or black chalk — Landscape with Jacob Sleeping
Annibale Carracci
1560–1609

Study for an Angel (recto); Study of a Cushion (verso), Annibale Carracci Italian, Charcoal or soft black chalk, highlighted with white chalk, on blue paper; several scattered stains of rose-colored paint at lower left (recto); black chalk with some white chalk highlights (verso) — Study for an Angel (recto); Study of a Cushion (verso)
Annibale Carracci
1600–1602

Triton Sounding a Conch Shell, Annibale Carracci Italian, Charcoal or soft black chalk; framing lines in pen and black ink and black chalk — Triton Sounding a Conch Shell
Annibale Carracci
ca. 1597–1602

Crawling Male Figure (Study for Cacus), Annibale Carracci Italian, Charcoal or soft black chalk, highlighted with traces of white chalk, on blue-gray paper faded light brown — Crawling Male Figure (Study for Cacus)
Annibale Carracci
1593

A Domestic Scene, Annibale Carracci Italian, Pen and with brown and gray-black ink, brush with gray and brown wash, over black chalk — A Domestic Scene
Annibale Carracci
1582–84

Studies of a Boy and a Girl (recto); Studies of Legs (verso), Annibale Carracci Italian, Red chalk, highlighted with white chalk, on beige paper (recto); black and red chalk (verso) — Studies of a Boy and a Girl (recto); Studies of Legs (verso)
Annibale Carracci
1560–1609

Head of a Woman Looking to Upper Left, Annibale Carracci Italian, Charcoal, highlighted with white chalk, on blue paper faded light- brown — Head of a Woman Looking to Upper Left
Annibale Carracci
Ludovico Carracci
1590–1600

Wilton album, folio 41: The Drunken Silenus (Tazza Farnese), Annibale Carracci Italian, Engraving printed from shallow silver cup — Wilton album, folio 41: The Drunken Silenus (Tazza Farnese)
Annibale Carracci
ca. 1597–1600

Ogni cosa vince l'oro, Agostino Carracci Italian, Engraving — Ogni cosa vince l'oro
Agostino Carracci
ca. 1590–95

Sine Cerere et Baccho Friget Venus, Agostino Carracci Italian, Engraving — Sine Cerere et Baccho Friget Venus
Agostino Carracci
1599

Stage set for the marriage of Ferdinand de' Medici and Christine of Lorraine in Florence in 1589; Apollo and the Python, Agostino Carracci Italian, Etching and engraving — Stage set for the marriage of Ferdinand de' Medici and Christine of Lorraine in Florence in 1589; Apollo and the Python
Multiple artists/makers
1589–92

Saint Paul raising Patroclus who is on the ground, surrounded by a group of onlookers, a dog in the foreground at left, Agostino Carracci Italian, Engraving — Saint Paul raising Patroclus who is on the ground, surrounded by a group of onlookers, a dog in the foreground at left
Agostino Carracci
Antonio Campi
1583

Christ on the cross, Saint John to the right looking toward him, to the left is the fainting Virgin Mary supported by two women, Agostino Carracci Italian, Engraving — Christ on the cross, Saint John to the right looking toward him, to the left is the fainting Virgin Mary supported by two women
Multiple artists/makers
1582

Pietà: Christ supported by the Virgin and an angel at the right, Agostino Carracci Italian, Engraving — Pietà: Christ supported by the Virgin and an angel at the right
Multiple artists/makers
1582