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1-42 of 810 results for Giosuè Carducci
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Odi Barbare
Giosuè Carducci
Nicola Zanichelli
1887
Bassoon, Giosue Esposito Naples, Maple, nickel-silver, Italian
Bassoon
Giosue Esposito
1881
The Coronation of the Virgin, Annibale Carracci Italian, Oil on canvas
The Coronation of the Virgin
Annibale Carracci
after 1595
Dialogos de la pintvra : sv defensa, origen, essecia, definicion, modos y diferencias, Vicente Carducho Italian
Dialogos de la pintvra : sv defensa, origen, essecia, definicion, modos y diferencias
Multiple artists/makers
1633
The Lamentation, Ludovico Carracci Italian, Oil on canvas
The Lamentation
Ludovico Carracci
ca. 1582
The Denial of Saint Peter, Ludovico Carracci Italian, Oil on canvas
The Denial of Saint Peter
Ludovico Carracci
ca. 1616
Madonna and Child with Saints, Ludovico Carracci Italian, Oil on copper
Madonna and Child with Saints
Ludovico Carracci
1607
The Burial of Christ, Annibale Carracci Italian, Oil on copper
The Burial of Christ
Annibale Carracci
1595
Saint John the Baptist Bearing Witness, Annibale Carracci Italian, Oil on copper
Saint John the Baptist Bearing Witness
Annibale Carracci
ca. 1600
Two Children Teasing a Cat, Annibale Carracci Italian, Oil on canvas
Two Children Teasing a Cat
Annibale Carracci
Evening ensemble, Roberto Capucci Italian, silk, Italian
Evening ensemble
Roberto Capucci
1958
Two Studies of a Seated Male Nude, Jacopo da Pontormo (Jacopo Carucci) Italian, Black chalk
Two Studies of a Seated Male Nude
Jacopo da Pontormo (Jacopo Carucci)
mid-16th century
Penitent St. Jerome (recto); Notes and Accounts (verso), Vicente Carducho Italian, Pen and brown ink (recto and verso)
Penitent St. Jerome (recto); Notes and Accounts (verso)
Vicente Carducho
Bartolomé Carducho
ca. 1600
The Cornation of Esther by Ahasuerus, Bartolomé Carducho Spanish, Black chalk, brush and brown wash; squared and numbered in black chalk
The Cornation of Esther by Ahasuerus
Bartolomé Carducho
Vicente Carducho
1560–1638
The Kingdom of Aragon, Vicente Carducho Italian, Pen and brown ink, brown wash over black chalk. Squared for transfer in black chalk
The Kingdom of Aragon
Vicente Carducho
1560–1638
Wilton album, folio 41: The Drunken Silenus (Tazza Farnese), Annibale Carracci Italian, Engraving printed from shallow silver cup
Wilton album, folio 41: The Drunken Silenus (Tazza Farnese)
Annibale Carracci
ca. 1597–1600
Aeneas and his family fleeing Troy, Agostino Carracci Italian, Engraving
Aeneas and his family fleeing Troy
Multiple artists/makers
1595
Studies of Nudes and Human Heads (recto and on the verso), Agostino Carracci Italian, Pen and brown ink over traces of graphite
Studies of Nudes and Human Heads (recto and on the verso)
Agostino Carracci
1557–1602
Coronation of the Virgin, Annibale Carracci Italian, Etching and engraving
Coronation of the Virgin
Annibale Carracci
Johann Jakob Frey the Elder
1741
Bust-Length Portrait of a Woman (recto); Bust-Length Study of a Girl (verso), Agostino Carracci Italian, Red chalk, over black chalk (recto); red chalk (verso)
Bust-Length Portrait of a Woman (recto); Bust-Length Study of a Girl (verso)
Agostino Carracci
1577–1602
Seated Youth Facing Right, Seen from the Back, Annibale Carracci Italian, Red chalk with some white chalk highlights (recto); scribbles in red chalk (verso)
Seated Youth Facing Right, Seen from the Back
Annibale Carracci
1560–1609
Back View of a Seated Nude Youth Facing Left, Annibale Carracci Italian, Red chalk, with traces of highlights in white chalk (?)
Back View of a Seated Nude Youth Facing Left
Annibale Carracci
1560–1609
Landscape with Jacob Sleeping, Annibale Carracci Italian, Pen and two tones of brown ink, brush and gray-brown wash, over traces of leadpoint or black chalk
Landscape with Jacob Sleeping
Annibale Carracci
1560–1609
Study for an Angel (recto); Study of a Cushion (verso), Annibale Carracci Italian, Charcoal or soft black chalk, highlighted with white chalk, on blue paper; several scattered stains of rose-colored paint at lower left (recto); black chalk with some white chalk highlights (verso)
Study for an Angel (recto); Study of a Cushion (verso)
Annibale Carracci
1600–1602
Anteros Victorious, Annibale Carracci Italian, Red chalk
Anteros Victorious
Annibale Carracci
1560–1609
Perseus Beheading Medusa (recto); Studies of a Child and Ornament Sketches (verso), Annibale Carracci Italian, Pen and brown ink, brush and brown wash, over black chalk or charcoal, scribbles in a darker brown ink at upper right (recto); pen and brown ink, brush and brown wash (verso)
Perseus Beheading Medusa (recto); Studies of a Child and Ornament Sketches (verso)
Annibale Carracci
1560–1609
Studies for a Figure of Saint Francis Kneeling in a Three-Quarter View and for His Hands (recto); Studies for a Figure of Saint Francis Kneeling in Profile (verso), Annibale Carracci Italian, Red chalk with white chalk highlights, pen and brown ink (recto); red chalk (verso)
Studies for a Figure of Saint Francis Kneeling in a Three-Quarter View and for His Hands (recto); Studies for a Figure of Saint Francis Kneeling in Profile (verso)
Annibale Carracci
1583–85
The Virgin and Child Resting Outside a City Gate, Annibale Carracci Italian, Pen and brown ink, brush with traces of brown wash, on light brown beige paper; traces of framing outlines in pen and brown ink
The Virgin and Child Resting Outside a City Gate
Annibale Carracci
1560–1609
The Drunken Silenus, Annibale Carracci Italian, Engraving on Silver
The Drunken Silenus
Annibale Carracci
1560–1609
The Last Communion of Saint Jerome, Ludovico Carracci Italian, Pen and brown ink, brush and brown wash, over traces of black chalk; squared in red chalk
The Last Communion of Saint Jerome
Ludovico Carracci
1555–1619
Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree, Agostino Carracci Italian, Engraving
Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree
Agostino Carracci
1599
Madonna and Child with Saints Elizabeth and John the Baptist (Madonna della Scodella), the seated Mary and the infant Christ hold a cup from which the young Baptist drinks, Elizabeth lifts both hands, Annibale Carracci Italian, Etching and engraving
Madonna and Child with Saints Elizabeth and John the Baptist (Madonna della Scodella), the seated Mary and the infant Christ hold a cup from which the young Baptist drinks, Elizabeth lifts both hands
Annibale Carracci
1606
Satyr whipping a nymph, who is shown from behind and bound to a tree, a second satyr bearing a club stands in the middle ground, Agostino Carracci Italian, Engraving
Satyr whipping a nymph, who is shown from behind and bound to a tree, a second satyr bearing a club stands in the middle ground
Agostino Carracci
ca. 1590–95
The Conversion of Saint Paul, Ludovico Carracci Italian, Pen and brown ink, brush and brown wash, heightened with white gouache and cream color oil paint, over black chalk, on paper toned with light brown wash
The Conversion of Saint Paul
Ludovico Carracci
ca. 1587–89
Studies and Sketches for Figures: Standing Male Nude in Frontal View, Male Heads, Seated Monkey, and a Long-Beaked Bird (a Stork?) (recto); Figure Studies: Back View of Standing Male and Female Heads, a Flying Long-Beaked Bird, etc. (verso), Agostino Carracci Italian, Pen and brown ink, over traces of leadpoint or soft black chalk (recto and verso)
Studies and Sketches for Figures: Standing Male Nude in Frontal View, Male Heads, Seated Monkey, and a Long-Beaked Bird (a Stork?) (recto); Figure Studies: Back View of Standing Male and Female Heads, a Flying Long-Beaked Bird, etc. (verso)
Agostino Carracci
1557–1602
Figure Studies for Various Female and Male Figures (recto); Threes Amors in the Garden of Venus (verso), Agostino Carracci Italian, Pen and brown ink, some sketches over red chalk, some faint scribbles in charcoal (recto); pen and brown ink, brush and gray-blue wash (verso)
Figure Studies for Various Female and Male Figures (recto); Threes Amors in the Garden of Venus (verso)
Agostino Carracci
1600–02
Triton Sounding a Conch Shell, Annibale Carracci Italian, Charcoal or soft black chalk; framing lines in pen and black ink and black chalk
Triton Sounding a Conch Shell
Annibale Carracci
ca. 1597–1602
Crawling Male Figure (Study for Cacus), Annibale Carracci Italian, Charcoal or soft black chalk, highlighted with traces of white chalk, on blue-gray paper faded light brown
Crawling Male Figure (Study for Cacus)
Annibale Carracci
1593
A Domestic Scene, Annibale Carracci Italian, Pen and with brown and gray-black ink, brush with gray and brown wash, over black chalk
A Domestic Scene
Annibale Carracci
1582–84
Studies of a Boy and a Girl (recto); Studies of Legs (verso), Annibale Carracci Italian, Red chalk, highlighted with white chalk, on beige paper (recto); black and red chalk (verso)
Studies of a Boy and a Girl (recto); Studies of Legs (verso)
Annibale Carracci
1560–1609
The Drunken SiIenus: Design for the "Tazza Farnese", Annibale Carracci Italian, Pen and brown ink, brush and brown wash, over traces of black chalk, and stylus compass constructions; framing lines in pen and brown ink and black chalk or charcoal
The Drunken SiIenus: Design for the "Tazza Farnese"
Annibale Carracci
1599–1600
Head of a Woman Looking to Upper Left, Annibale Carracci Italian, Charcoal, highlighted with white chalk, on blue paper faded light- brown
Head of a Woman Looking to Upper Left
Annibale Carracci
Ludovico Carracci
1590–1600