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1-42 of 2,878 results for Giovanni Battista Moroni
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Department
Lucrezia Agliardi Vertova (1490?–1558), Giovanni Battista Moroni  Italian, Oil on canvas
Giovanni Battista Moroni
1557
Bartolomeo Bonghi (died 1584), Giovanni Battista Moroni  Italian, Oil on canvas
Giovanni Battista Moroni
shortly after 1553
Portrait of a Man, Giovanni Battista Moroni  Italian, Oil on canvas
Giovanni Battista Moroni
Coronation of the Virgin, Andrea Scacciati  Italian, Etching and aquatint
Andrea Scacciati
After Giovanni Battista Moroni
1750–70
Christ confounding the doctors, Andrea Scacciati  Italian, Etching and aquatint in green ink
Andrea Scacciati
After Giovanni Battista Moroni
1750–70
Flagellation of Christ, Stefano Mulinari  Italian, Etching and aquatint in brown ink
Stefano Mulinari
After Giovanni Battista Moroni
1760–90
Ferdinando de' Medici, Grand Prince of Tuscany, Giovanni Battista Foggini  Italian, Marble, gray marble, Italian, Florence
Giovanni Battista Foggini
ca. 1680–82
Allegory of the Planets and Continents, Giovanni Battista Tiepolo  Italian, Oil on canvas
Giovanni Battista Tiepolo
1752
Andrea Scacciati
After Giovanni Battista Moroni
ca 1760–70
Bacchus and Ariadne, Giovanni Battista Tiepolo  Italian, Pen and brown ink, brown wash, over black chalk.
Giovanni Battista Tiepolo
ca. 1740
Twelve-light chandelier, Giovanni Battista Metellino  Italian, Gilt steel (gilding not original) and rock crystal, Italian, Milan
attributed to Giovanni Battista Metellino
first quarter 18th century
The Triumph of Marius, Giovanni Battista Tiepolo  Italian, Oil on canvas
Giovanni Battista Tiepolo
1729
The Adoration of the Magi, Giovanni Battista Tiepolo  Italian, Oil on canvas
Giovanni Battista Tiepolo
late 1750s
The Apotheosis of the Spanish Monarchy, Giovanni Battista Tiepolo  Italian, Oil on canvas
Giovanni Battista Tiepolo
1760s
The Apotheosis of the Spanish Monarchy, Giovanni Battista Tiepolo  Italian, Oil on canvas
Giovanni Battista Tiepolo
1760s
The Battle of Vercellae, Giovanni Battista Tiepolo  Italian, Oil on canvas
Giovanni Battista Tiepolo
1725–29
The Capture of Carthage, Giovanni Battista Tiepolo  Italian, Oil on canvas
Giovanni Battista Tiepolo
1725–29
A Female Allegorical Figure, Giovanni Battista Tiepolo  Italian, Oil on canvas, gold ground
Giovanni Battista Tiepolo
ca. 1740–50
Allegorical Figure Representing Geometry, Giovanni Battista Tiepolo and Workshop Italian, Fresco, transferred to canvas
Giovanni Battista Tiepolo
and Girolamo Mengozzi (called Colonna)
1760
The Glorification of the Barbaro Family, Giovanni Battista Tiepolo  Italian, Oil on canvas
Giovanni Battista Tiepolo
ca. 1750
Allegorical Figure Representing Grammar, Giovanni Battista Tiepolo and Workshop Italian, Fresco, transferred to canvas
Giovanni Battista Tiepolo
and Girolamo Mengozzi (called Colonna)
1760
Neptune and the Winds, Giovanni Battista Tiepolo  Italian, Oil on canvas
Giovanni Battista Tiepolo
1760s
Saint Thecla Praying for the Plague-Stricken, Giovanni Battista Tiepolo  Italian, Oil on canvas
Giovanni Battista Tiepolo
1758–59
Allegorical Figure Representing Arithmetic, Giovanni Battista Tiepolo and Workshop Italian, Fresco, transferred to canvas
Giovanni Battista Tiepolo
and Girolamo Mengozzi (called Colonna)
1760
The Investiture of Bishop Harold as Duke of Franconia, Giovanni Battista Tiepolo  Italian, Oil on canvas
Giovanni Battista Tiepolo
ca. 1751–52
Allegorical Figure Representing Metaphysics, Giovanni Battista Tiepolo and Workshop Italian, Fresco, transferred to canvas
Giovanni Battista Tiepolo
and Girolamo Mengozzi (called Colonna)
1760
The Chariot of Aurora, Giovanni Battista Tiepolo  Italian, Oil on canvas
Giovanni Battista Tiepolo
1760s
A Female Allegorical Figure, Giovanni Battista Tiepolo  Italian, Oil on canvas, gold ground
Giovanni Battista Tiepolo
1740–50
The Flight into Egypt, Giovanni Battista Tiepolo  Italian, Oil on canvas
Giovanni Battista Tiepolo
ca. 1767–70
The Meeting of Antony and Cleopatra, Giovanni Battista Tiepolo  Italian, Oil on canvas
Giovanni Battista Tiepolo
ca. 1745–47
The Calling of Saint Matthew, Giovanni Battista Caracciolo  Italian, Oil on canvas
Giovanni Battista Caracciolo
ca. 1625–30
Portrait of Luigi Sommariva, Giovanni Beltrami  Italian, Engraved citrine in a gold suspension loop, Italian
Giovanni Beltrami
After a composition by Robert Jacques Louis Lefévre
citrine 1820, gold suspension loop probably contemporary with intaglio
The Last Kiss of Romeo and Juliet, Giovanni Beltrami  Italian, Rock crystal; gilt bronze, Italian
Giovanni Beltrami
After a composition by Francesco Hayez
crystal 1824, frame possibly contemporary
Pluto, Giovanni Battista di Jacopo  Italian, Bronze, probably French
After Giovanni Battista di Jacopo
mid-17th century
Pluto and Cerberus, Giovanni Battista di Jacopo  Italian, Bronze, French
After Giovanni Battista di Jacopo
early 17th century
The Adoration of the Shepherds, L'Ortolano (Giovanni Battista Benvenuti)  Italian, Oil on canvas, transferred from wood
L'Ortolano (Giovanni Battista Benvenuti)
late 1520s
Mercury Changes Aglauros to Stone, from the Story of Mercury and Herse, Giovanni Battista Lodi da Cremona  Italian, Wool, silk and precious metal-wrapped threads (20-22 warps per inch, 8-9 warps per cm.), Netherlandish, Brussels
Designer Design attributed to Giovanni Battista Lodi da Cremona
Designer Border design attributed to Giovanni Francesco Penni
Workshop director Weaving workshop directed by Willem de Pannemaker
designed ca. 1540, woven ca. 1570