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1-42 of 2,878 results for Giovanni Battista Salvi
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The Holy Family with the Infant Saint John the Baptist, Sassoferrato (Giovanni Battista Salvi) Italian, Black chalk, with very slight traces of white chalk, on blue paper; squared in black chalk
The Holy Family with the Infant Saint John the Baptist
Sassoferrato (Giovanni Battista Salvi)
1609–85
Studies of Two Flying Putti and of Drapery (recto); Seated Virgin and Child, and Kneeling Child (verso), Sassoferrato (Giovanni Battista Salvi) Italian, Black chalk on blue paper; squared in black chalk
Studies of Two Flying Putti and of Drapery (recto); Seated Virgin and Child, and Kneeling Child (verso)
Sassoferrato (Giovanni Battista Salvi)
1609–85
The Virgin and Child
After Sassoferrato (Giovanni Battista Salvi)
Artist and engraver Francois de Poilly
before 1690
Ferdinando de' Medici, Grand Prince of Tuscany, Giovanni Battista Foggini Italian, Marble, gray marble, Italian, Florence
Ferdinando de' Medici, Grand Prince of Tuscany
Giovanni Battista Foggini
ca. 1680–82
Allegory of the Planets and Continents, Giovanni Battista Tiepolo Italian, Oil on canvas
Allegory of the Planets and Continents
Giovanni Battista Tiepolo
1752
Bacchus and Ariadne, Giovanni Battista Tiepolo Italian, Pen and brown ink, brown wash, over black chalk.
Bacchus and Ariadne
Giovanni Battista Tiepolo
ca. 1740
Narrative of the Operations and Recent Discoveries Within the Pyramids, Temples, Tombs and Excavations in Egypt and Nubia; and of a Journey to the Coast of the Red Sea, in Search of the Ancient Berenice; and Another to the Oasis of Jupiter Ammon, Giovanni Battista Belzoni Italian, Printed book, London: J. Murray, 1820
Narrative of the Operations and Recent Discoveries Within the Pyramids, Temples, Tombs and Excavations in Egypt and Nubia; and of a Journey to the Coast of the Red Sea, in Search of the Ancient Berenice; and Another to the Oasis of Jupiter Ammon
Author Giovanni Battista Belzoni
1820
Twelve-light chandelier, Giovanni Battista Metellino Italian, Gilt steel (gilding not original) and rock crystal, Italian, Milan
Twelve-light chandelier
attributed to Giovanni Battista Metellino
first quarter 18th century
Cosimo III de' Medici (1642–1723), Grand Duke of Tuscany, Giovanni Battista Foggini Italian, Marble with base of gray marble, Italian, Florence
Cosimo III de' Medici (1642–1723), Grand Duke of Tuscany
Giovanni Battista Foggini
ca. 1680–82
Lucrezia Agliardi Vertova (1490?–1558), Giovanni Battista Moroni Italian, Oil on canvas
Lucrezia Agliardi Vertova (1490?–1558)
Giovanni Battista Moroni
1557
Bartolomeo Bonghi (died 1584), Giovanni Battista Moroni Italian, Oil on canvas
Bartolomeo Bonghi (died 1584)
Giovanni Battista Moroni
shortly after 1553
The Triumph of Marius, Giovanni Battista Tiepolo Italian, Oil on canvas
The Triumph of Marius
Giovanni Battista Tiepolo
1729
The Adoration of the Magi, Giovanni Battista Tiepolo Italian, Oil on canvas
The Adoration of the Magi
Giovanni Battista Tiepolo
late 1750s
The Apotheosis of the Spanish Monarchy, Giovanni Battista Tiepolo Italian, Oil on canvas
The Apotheosis of the Spanish Monarchy
Giovanni Battista Tiepolo
1760s
The Apotheosis of the Spanish Monarchy, Giovanni Battista Tiepolo Italian, Oil on canvas
The Apotheosis of the Spanish Monarchy
Giovanni Battista Tiepolo
1760s
The Battle of Vercellae, Giovanni Battista Tiepolo Italian, Oil on canvas
The Battle of Vercellae
Giovanni Battista Tiepolo
1725–29
The Capture of Carthage, Giovanni Battista Tiepolo Italian, Oil on canvas
The Capture of Carthage
Giovanni Battista Tiepolo
1725–29
A Female Allegorical Figure, Giovanni Battista Tiepolo Italian, Oil on canvas, gold ground
A Female Allegorical Figure
Giovanni Battista Tiepolo
ca. 1740–50
Allegorical Figure Representing Geometry, Giovanni Battista Tiepolo and Workshop Italian, Fresco, transferred to canvas
Allegorical Figure Representing Geometry
Giovanni Battista Tiepolo
and Girolamo Mengozzi (called Colonna)
1760
The Glorification of the Barbaro Family, Giovanni Battista Tiepolo Italian, Oil on canvas
The Glorification of the Barbaro Family
Giovanni Battista Tiepolo
ca. 1750
Allegorical Figure Representing Grammar, Giovanni Battista Tiepolo and Workshop Italian, Fresco, transferred to canvas
Allegorical Figure Representing Grammar
Giovanni Battista Tiepolo
and Girolamo Mengozzi (called Colonna)
1760
Neptune and the Winds, Giovanni Battista Tiepolo Italian, Oil on canvas
Neptune and the Winds
Giovanni Battista Tiepolo
1760s
Saint Thecla Praying for the Plague-Stricken, Giovanni Battista Tiepolo Italian, Oil on canvas
Saint Thecla Praying for the Plague-Stricken
Giovanni Battista Tiepolo
1758–59
Allegorical Figure Representing Arithmetic, Giovanni Battista Tiepolo and Workshop Italian, Fresco, transferred to canvas
Allegorical Figure Representing Arithmetic
Giovanni Battista Tiepolo
and Girolamo Mengozzi (called Colonna)
1760
The Investiture of Bishop Harold as Duke of Franconia, Giovanni Battista Tiepolo Italian, Oil on canvas
The Investiture of Bishop Harold as Duke of Franconia
Giovanni Battista Tiepolo
ca. 1751–52
Allegorical Figure Representing Metaphysics, Giovanni Battista Tiepolo and Workshop Italian, Fresco, transferred to canvas
Allegorical Figure Representing Metaphysics
Giovanni Battista Tiepolo
and Girolamo Mengozzi (called Colonna)
1760
The Chariot of Aurora, Giovanni Battista Tiepolo Italian, Oil on canvas
The Chariot of Aurora
Giovanni Battista Tiepolo
1760s
A Female Allegorical Figure, Giovanni Battista Tiepolo Italian, Oil on canvas, gold ground
A Female Allegorical Figure
Giovanni Battista Tiepolo
1740–50
The Flight into Egypt, Giovanni Battista Tiepolo Italian, Oil on canvas
The Flight into Egypt
Giovanni Battista Tiepolo
ca. 1767–70
The Meeting of Antony and Cleopatra, Giovanni Battista Tiepolo Italian, Oil on canvas
The Meeting of Antony and Cleopatra
Giovanni Battista Tiepolo
ca. 1745–47
The Calling of Saint Matthew, Giovanni Battista Caracciolo Italian, Oil on canvas
The Calling of Saint Matthew
Giovanni Battista Caracciolo
ca. 1625–30
Leaf from Aedes Walpolianae mounted with two prints: (a): The Virgin and Child; (b): Lions at Play, Two Lions and a Lioness
Multiple artists/makers
1680–1800
Portrait of Luigi Sommariva, Giovanni Beltrami Italian, Engraved citrine in a gold suspension loop, Italian
Portrait of Luigi Sommariva
Giovanni Beltrami
After a composition by Robert Jacques Louis Lefévre
citrine 1820, gold suspension loop probably contemporary with intaglio
The Last Kiss of Romeo and Juliet, Giovanni Beltrami Italian, Rock crystal; gilt bronze, Italian
The Last Kiss of Romeo and Juliet
Giovanni Beltrami
After a composition by Francesco Hayez
crystal 1824, frame possibly contemporary
Glaive of the Bodyguard of Giovanni Battista Bourbon del Monte (1541–1614), Steel, wood, gold, brass, textile, Italian, Brescia
Glaive of the Bodyguard of Giovanni Battista Bourbon del Monte (1541–1614)
Italian, Brescia
ca. 1590–1600
Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse, Giovanni Battista Lodi da Cremona Italian, Wool, silk and precious metal-wrapped threads (20-22 warps per inch, 8-9 warps per cm.), Netherlandish, Brussels
Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse
Multiple artists/makers
designed ca. 1540, woven ca. 1570
Pluto, Giovanni Battista di Jacopo Italian, Bronze, probably French
Pluto
After Giovanni Battista di Jacopo
mid-17th century
Pluto and Cerberus, Giovanni Battista di Jacopo Italian, Bronze, French
Pluto and Cerberus
After Giovanni Battista di Jacopo
early 17th century
The Adoration of the Shepherds, L'Ortolano (Giovanni Battista Benvenuti) Italian, Oil on canvas, transferred from wood
The Adoration of the Shepherds
L'Ortolano (Giovanni Battista Benvenuti)
late 1520s
[Giovanni Battista Quadrone], Schemboche Italian, Albumen silver print
[Giovanni Battista Quadrone]
Schemboche
1860s
Mercury Changes Aglauros to Stone, from the Story of Mercury and Herse, Giovanni Battista Lodi da Cremona Italian, Wool, silk and precious metal-wrapped threads (20-22 warps per inch, 8-9 warps per cm.), Netherlandish, Brussels
Mercury Changes Aglauros to Stone, from the Story of Mercury and Herse
Designer Design attributed to Giovanni Battista Lodi da Cremona
Designer Border design attributed to Giovanni Francesco Penni
Workshop director Weaving workshop directed by Willem de Pannemaker
designed ca. 1540, woven ca. 1570
Doorcase for the Great Drawing Room of Norfolk House, Saint James's Square, London, Giovanni Battista Borra Italian, Mahogany and pine (carved, originally painted and gilded), British, London
Doorcase for the Great Drawing Room of Norfolk House, Saint James's Square, London
Designer After a design by Giovanni Battista Borra
Carved by Jean Antoine Cuenot
ca. 1755