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Showing 7,309 results for Giovanni Girolamo Sbaraglia

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Portrait of Giovanni Girolamo Sbaraglia, within an oval flanked by two putti on cornucopias, with a cartouche below, Donato Creti Italian, Etching — Portrait of Giovanni Girolamo Sbaraglia, within an oval flanked by two putti on cornucopias, with a cartouche below
Donato Creti
Giovanni Girolamo Sbaraglia
1716

Shield, Girolamo da Treviso Italian, Wood, linen, gesso, gold leaf, polychromy, Italian, probably Bologna — Shield
Girolamo da Treviso
ca. 1535

Lectern for the Reading of the Gospels with the Eagle of Saint John the Evangelist, Giovanni Pisano Italian, Marble, Italian — Lectern for the Reading of the Gospels with the Eagle of Saint John the Evangelist
Giovanni Pisano
ca. 1301, with later additions

Madonna and Child, Giovanni Bellini Italian, Oil on wood — Madonna and Child
Giovanni Bellini
late 1480s

The Feast of Herod and the Beheading of the Baptist, Giovanni Baronzio Italian, Tempera on wood, gold ground, and silver — The Feast of Herod and the Beheading of the Baptist
Giovanni Baronzio
ca. 1330–35

Allegorical Figure Representing Arithmetic, Giovanni Battista Tiepolo and Workshop Italian, Fresco, transferred to canvas — Allegorical Figure Representing Arithmetic
Giovanni Battista Tiepolo
Girolamo Mengozzi (called Colonna)
1760

Allegorical Figure Representing Geometry, Giovanni Battista Tiepolo and Workshop Italian, Fresco, transferred to canvas — Allegorical Figure Representing Geometry
Giovanni Battista Tiepolo
Girolamo Mengozzi (called Colonna)
1760

Allegorical Figure Representing Metaphysics, Giovanni Battista Tiepolo and Workshop Italian, Fresco, transferred to canvas — Allegorical Figure Representing Metaphysics
Giovanni Battista Tiepolo
Girolamo Mengozzi (called Colonna)
1760

Allegorical Figure Representing Grammar, Giovanni Battista Tiepolo and Workshop Italian, Fresco, transferred to canvas — Allegorical Figure Representing Grammar
Giovanni Battista Tiepolo
Girolamo Mengozzi (called Colonna)
1760

Venus Marina, Girolamo Campagna Italian, Bronze, Italian, Venice — Venus Marina
Girolamo Campagna
late 16th century–early 17th century

Pope Clement X, Girolamo Lucenti, Bronze, Italian — Pope Clement X
Girolamo Lucenti
Gian Lorenzo Bernini
ca. 1670

Pair of Flintlock Pistols, Girolamo Francino Italian, Steel, wood (walnut), Italian, Brescia — Pair of Flintlock Pistols
Girolamo Francino
ca. 1650–60

The Flagellation; (reverse) The Madonna of Mercy, Girolamo Romanino Italian, Distemper and oil(?) on canvas — The Flagellation; (reverse) The Madonna of Mercy
Girolamo Romanino
ca. 1540

The Adoration of the Shepherds, Girolamo da Carpi (Girolamo Sellari) Italian, Oil on wood — The Adoration of the Shepherds
Girolamo da Carpi (Girolamo Sellari)
ca. 1535–40

Ferdinando de' Medici, Grand Prince of Tuscany, Giovanni Battista Foggini Italian, Marble, gray marble, Italian, Florence — Ferdinando de' Medici, Grand Prince of Tuscany
Giovanni Battista Foggini
ca. 1680–82

Allegory of the Planets and Continents, Giovanni Battista Tiepolo Italian, Oil on canvas — Allegory of the Planets and Continents
Giovanni Battista Tiepolo
1752

Madonna and Child, Benvenuto di Giovanni Italian, Tempera on wood, gold ground — Madonna and Child
Benvenuto di Giovanni
ca. 1470

The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families, Giovanni di ser Giovanni Guidi (called Scheggia) Italian, Tempera, silver, and gold on wood — The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families
Giovanni di ser Giovanni Guidi (called Scheggia)
ca. 1449

The Annunciation to Zacharias; (verso) The Angel of the Annunciation, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera and gold on wood — The Annunciation to Zacharias; (verso) The Angel of the Annunciation
Giovanni di Paolo (Giovanni di Paolo di Grazia)
ca. 1455–60

Coronation of the Virgin, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera on wood, gold ground — Coronation of the Virgin
Giovanni di Paolo (Giovanni di Paolo di Grazia)
ca. 1455

The Creation of the World and the Expulsion from Paradise, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera and gold on wood — The Creation of the World and the Expulsion from Paradise
Giovanni di Paolo (Giovanni di Paolo di Grazia)
1445

The Annunciation, Girolamo Mazzola Bedoli Italian, Oil on wood — The Annunciation
Girolamo Mazzola Bedoli

Madonna and Child with Saints, Girolamo dai Libri Italian, Tempera and oil on canvas — Madonna and Child with Saints
Girolamo dai Libri
ca. 1520

Piazza San Marco, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas — Piazza San Marco
Canaletto (Giovanni Antonio Canal)
late 1720s

Samson Captured by the Philistines, Guercino (Giovanni Francesco Barbieri) Italian, Oil on canvas — Samson Captured by the Philistines
Guercino (Giovanni Francesco Barbieri)
1619

Plate XXXIII (33): Venus, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), Giovanni Girolamo Frezza Italian, Engraving and etching — Plate XXXIII (33): Venus, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
Giovanni Girolamo Frezza
Giovanni Domenico Campiglia
1734

Saint Margarita of Cortona, kneeling before Christ, after Pietro Andrea Pucciardi Barberi, Giovanni Girolamo Frezza Italian, Etching and engraving — Saint Margarita of Cortona, kneeling before Christ, after Pietro Andrea Pucciardi Barberi
Multiple artists/makers
ca. 1702–41

Contes et nouvelles de Bocace florentin : traduction libre, accommodée au gout de ce temps, & enrichie de figures en taille-douce gravées par Mr. Romain de Hooge, Giovanni Boccaccio Italian — Contes et nouvelles de Bocace florentin : traduction libre, accommodée au gout de ce temps, & enrichie de figures en taille-douce gravées par Mr. Romain de Hooge
Multiple artists/makers
1697

Viola d'Amore, Giovanni Grancino Italian, Spruce, maple, ebony, bone, iron, Italian — Viola d'Amore
Giovanni Grancino
1701

Bowl with the Arms of Pope Julius II and the Manzoli of Bologna surrounded by putti, cornucopiae, satyrs, dolphins, birds, etc., workshop of Giovanni Maria Vasaro, Maiolica (tin-glazed earthenware), Italian, Castel Durante — Bowl with the Arms of Pope Julius II and the Manzoli of Bologna surrounded by putti, cornucopiae, satyrs, dolphins, birds, etc.
workshop of Giovanni Maria Vasaro
1508

The Nativity, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera and gold on wood — The Nativity
Lorenzo Monaco (Piero di Giovanni)
ca. 1406–10

Virgin and Child, Giovanni Giuliani Italian, Terracotta with traces of metallic patina, Austrian, Stift Heiligenkreuz — Virgin and Child
Giovanni Giuliani
1736

Angels supporting the arms of Christ, Giovanni Gagini, Black stone (pietra nera del Promontorio), Italian, Genoa — Angels supporting the arms of Christ
Giovanni Gagini
ca. 1500

Personification of the River Nile, Giovanni Volpato Italian, Hard-paste biscuit porcelain, Italian, Rome — Personification of the River Nile
Giovanni Volpato
ca. 1785–95

Temperance, Giovanni Caccini Italian, Marble, Italian, Florence — Temperance
Giovanni Caccini
Giambologna
1583–84

Holy-water stoup with relief of Mary of Egypt, Giovanni Giardini Italian, Lapis lazuli, silver, and gilded bronze, Italian, Rome — Holy-water stoup with relief of Mary of Egypt
Giovanni Giardini
Benedetto Luti
ca. 1702

Scenes from the Life of Christ, Giovanni Baronzio Italian, Tempera on canvas, transferred from wood, gold ground — Scenes from the Life of Christ
Giovanni Baronzio
mid-1340s

Portrait of Luigi Sommariva, Giovanni Beltrami Italian, Engraved citrine in a gold suspension loop, Italian — Portrait of Luigi Sommariva
Giovanni Beltrami
Robert Jacques Louis Lefévre
citrine 1820, gold suspension loop probably contemporary with intaglio

Printed Book with Silva Nuptialis Bonis Referta Non Modicis, Giovanni Nevizzano, Printed on paper, brown calf leather binding (tooled), French — Printed Book with Silva Nuptialis Bonis Referta Non Modicis
Giovanni Nevizzano
J. Kerver
1521

The Last Kiss of Romeo and Juliet, Giovanni Beltrami Italian, Rock crystal; gilt bronze, Italian — The Last Kiss of Romeo and Juliet
Giovanni Beltrami
Francesco Hayez
crystal 1824, frame possibly contemporary