Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for Hieronymus van Kessel II

Sort by:

Portrait of Leopold, Archduke of Austria, Bishop of Salzburg and Passau

Johann Sadeler I

Hieronymus van Kessel II

1609

Corner cabinet (encoignure) (one of a pair), Bernard II van Risenburgh, Oak veneered with ebony and Coromandel lacquer, cherry wood, and purplewood; gilt-bronze mounts; brocatelle marble top, French, Paris — Corner cabinet (encoignure) (one of a pair)
Bernard II van Risenburgh
ca. 1745–49

Folding card table (table de jeu brisée en angle), Bernard II van Risenburgh, Oak veneered with tulipwood, purplewood, kingwood, satiné wood, walnut; gilt bronze; modern silk velvet, French, Paris — Folding card table (table de jeu brisée en angle)
Bernard II van Risenburgh
ca. 1755–65

Bedside table (table de nuit), Bernard II van Risenburgh, Oak veneered with tulipwood and kingwood; gilt-bronze mounts; Sarrancolin marble; silk moiré drawer lining (not original), French, Paris — Bedside table (table de nuit)
Bernard II van Risenburgh
ca. 1750–56

Writing table (table à écrire), Bernard II van Risenburgh, Oak veneered with tulipwood, kingwood, amaranth, mahogany, ebony, mother-of-pearl, stained horn; gilt-bronze mounts; modern velvet, French, Paris — Writing table (table à écrire)
Bernard II van Risenburgh
ca. 1755

Commode, Bernard II van Risenburgh, Oak veneered with panels of Chinese Coromandel lacquer and European black-lacquered veneer; gilt-bronze mounts; brèche d'Alep marble top, French, Paris — Commode
Bernard II van Risenburgh
ca. 1740–45

Work and writing table (table en chiffonière), Bernard II van Risenburgh, Oak and beech veneered with tulipwood and purplewood; gilt bronze, blue moiré silk, French — Work and writing table (table en chiffonière)
Bernard II van Risenburgh
ca. 1760

Corner cabinet (encoignure) (one of a pair), Bernard II van Risenburgh, Oak veneered with ebony and Coromandel lacquer, cherry wood, and purplewood; gilt-bronze mounts; brocatelle marble top, French, Paris — Corner cabinet (encoignure) (one of a pair)
Bernard II van Risenburgh
ca. 1745–49

[Machinery on Ship's Deck], Dmitri Kessel American, born Ukraine, Gelatin silver print — [Machinery on Ship's Deck]
Dmitri Kessel
1920s–30s

Stove, David II Pfau, Faience (tin-glazed earthenware), Swiss, Winterthur — Stove
Multiple artists/makers
ca. 1684–85

Plate 27, from "Modelli Artificiosi (...), parte seconda", Theodor van Kessel Dutch, Etching — Plate 27, from "Modelli Artificiosi (...), parte seconda"
Multiple artists/makers
1646–52

Plate 8, from "Modelli Artificiosi di Vasi diversi d'argento et altre Opere capriciozi (...), Parte prima", Theodor van Kessel Dutch, Etching — Plate 8, from "Modelli Artificiosi di Vasi diversi d'argento et altre Opere capriciozi (...), Parte prima"
Multiple artists/makers
1646–52

Plate 13, from "Modelli Artificiosi di Vasi diversi d'argento et altre Opere capriciozi (...), Parte prima", Theodor van Kessel Dutch, Etching — Plate 13, from "Modelli Artificiosi di Vasi diversi d'argento et altre Opere capriciozi (...), Parte prima"
Multiple artists/makers
1646–52

Plate 16, from "Modelli Artificiosi di Vasi diversi d'argento et altre Opere capriciozi (...), Parte prima", Theodor van Kessel Dutch, Etching — Plate 16, from "Modelli Artificiosi di Vasi diversi d'argento et altre Opere capriciozi (...), Parte prima"
Multiple artists/makers
1646–52

Wager cup (Jungfrauenbecher), Hieronymus Imhof, Silver, partly gilt, cold-painted enamel, German, Augsburg — Wager cup (Jungfrauenbecher)
Hieronymus Imhof
ca. 1620

The Adoration of the Magi, Hieronymus Bosch Netherlandish, Oil and gold on oak — The Adoration of the Magi
Hieronymus Bosch
ca. 1475

Christ's Descent into Hell, Hieronymus Bosch Netherlandish, Oil on wood — Christ's Descent into Hell
Hieronymus Bosch

Moses, Hieronymus Magdeburger German, Struck silver, German — Moses
Hieronymus Magdeburger
1507–1540

Portrait of Adam van Vianen, plate 18 from "Modelli Artificiosi (...), parte seconda", Theodor van Kessel Dutch, Etching — Portrait of Adam van Vianen, plate 18 from "Modelli Artificiosi (...), parte seconda"
Multiple artists/makers
1646–52

Cabinet on stand, Jan van Mekeren Dutch, Oak veneered with rosewood, olivewood, ebony, holly, tulipwood, barberry and other partly green-stained marquetry woods, Dutch, Amsterdam — Cabinet on stand
Jan van Mekeren
ca. 1700–1710

The Crucifixion; The Last Judgment, Jan van Eyck Netherlandish, Oil on canvas, transferred from wood — The Crucifixion; The Last Judgment
Jan van Eyck
ca. 1436–38

Insects, Butterflies, and a Grasshopper, Jan van Kessel Flemish, Black chalk, watercolor and gouache on parchment — Insects, Butterflies, and a Grasshopper
Jan van Kessel
1664

Insects, Butterflies, and a Dragonfly, Jan van Kessel Flemish, Black chalk, watercolor and gouache on parchment — Insects, Butterflies, and a Dragonfly
Jan van Kessel
1662

Allegory of abundance: Ceres holding a cornucopia at right and Pomona at left feeding fruit to a monkey, Theodor van Kessel Dutch, Etching and engraving — Allegory of abundance: Ceres holding a cornucopia at right and Pomona at left feeding fruit to a monkey
Multiple artists/makers
ca. 1652–60

Susanna, partly naked and stepping out of a fountain with two elders at left, one of them pulling at her garment, after Reni, Theodor van Kessel Dutch, Etching — Susanna, partly naked and stepping out of a fountain with two elders at left, one of them pulling at her garment, after Reni
Theodor van Kessel
Guido Reni
ca. 1656–60

Lucas van Uffel (died 1637), Anthony van Dyck Flemish, Oil on canvas — Lucas van Uffel (died 1637)
Anthony van Dyck
ca. 1622

Irises, Vincent van Gogh Dutch, Oil on canvas — Irises
Vincent van Gogh
1890

Self-Portrait with a Straw Hat (obverse: The Potato Peeler), Vincent van Gogh Dutch, Oil on canvas — Self-Portrait with a Straw Hat (obverse: The Potato Peeler)
Vincent van Gogh
1887

Wheat Field with Cypresses, Vincent van Gogh Dutch, Oil on canvas — Wheat Field with Cypresses
Vincent van Gogh
1889

The Crucifixion with Saints and a Donor, Joos van Cleve and a collaborator Netherlandish, Oil on wood — The Crucifixion with Saints and a Donor
Joos van Cleve
ca. 1520

Little Denise (Denise Maréchal, later Madame Georges Béart, 1883–1956), Theo Van Rysselberghe Belgian, Oil on canvas — Little Denise (Denise Maréchal, later Madame Georges Béart, 1883–1956)
Theo Van Rysselberghe
1889

Wheat Fields, Jacob van Ruisdael Dutch, Oil on canvas — Wheat Fields
Jacob van Ruisdael
ca. 1670

Queen Henrietta Maria, Anthony van Dyck Flemish, Oil on canvas — Queen Henrietta Maria
Anthony van Dyck
1636

The Last Supper, Bernard van Orley Netherlandish, Wool, silk, silver-gilt thread. — The Last Supper
Bernard van Orley
Pieter de Pannemaker
ca. 1525–28

Eating and work table (one of a pair), Bernard II van Risenburgh, Oak, vernis Martin, soft-paste porcelain, gilt bronze, French, Paris and Sèvres — Eating and work table (one of a pair)
Multiple artists/makers
Trays: ca. 1761; table: ca. 1761–63

Eating and work table (one of a pair), Bernard II van Risenburgh, Oak, vernis Martin, gilt bronze, soft-paste porcelain, French, Paris and Sèvres and British, Stoke-upon-Trent — Eating and work table (one of a pair)
Multiple artists/makers
ca. 1763, lower tray after 1851

Beaker with three scenes from the Story of Tobit, Jan van de Velde II Dutch, Silver, Dutch, Enkhuizen — Beaker with three scenes from the Story of Tobit
Multiple artists/makers
1653, with later inscriptions

Slant-top desk (secrétaire en pente), Bernard II van Risenburgh, Oak veneered with bois satiné and end cut wood, leather, gilt bronze, French — Slant-top desk (secrétaire en pente)
Bernard II van Risenburgh
ca. 1745–49

Jewel coffer on stand, Bernard II van Risenburgh, Tulipwood, purplewood and kingwood, gilt bronze, French — Jewel coffer on stand
Bernard II van Risenburgh
ca. 1765

Chest (chiffonier) (one of a pair), Bernard II van Risenburgh, Oak and pine substrate; tulipwood and purplewood veneer; probably holly stringing; marble tops; gilt-bronze mounts, French, Paris — Chest (chiffonier) (one of a pair)
Bernard II van Risenburgh
ca. 1765