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More than 10,000 results for Jean-Baptiste Patas
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On ne s'avise jamais du tout, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795", Jean-Baptiste Patas French, Etching and engraving; second state of three (Cohen)
On ne s'avise jamais du tout, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
Multiple artists/makers
1795
Le Pate d'Anguilles, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795", Jean-Baptiste Patas French, Etching and engraving; second state of three (Cohen)
Le Pate d'Anguilles, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
Multiple artists/makers
1795
Belphegor, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795", Jean-Baptiste Patas French, Etching and engraving; second state of three (Cohen)
Belphegor, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
Multiple artists/makers
1795
On ne s'avise jamais du tout, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795", Jean-Baptiste Patas French, Etching; first state of three (Cohen)
On ne s'avise jamais du tout, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
Multiple artists/makers
1795
Le Pate d'Anguilles, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795", Jean-Baptiste Patas French, Etching; first state of three (Cohen)
Le Pate d'Anguilles, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
Multiple artists/makers
1795
Belphegor, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, Jean-Baptiste Patas French, Etching and engraving; third state of three (Cohen)
Belphegor, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795
Multiple artists/makers
1795
Les Petits Parrains [The Young Sponsors], from "Le Monument du Costume"
Multiple artists/makers
1777
La Petite Loge (The Opera Box), from "Le Monument du Costume"
Multiple artists/makers
ca. 1783
Les Petits Parrains (The Small Sponsors), from Le Monument du Costume
Multiple artists/makers
1776
Vignette (Chant V.e, tome 10, page 108), from Voltaire's La Henriade, part of Oeuvres complètes de Voltaire. De L'Imprimerie de la Sociètè Littèraire Typographique (Kehl). 1784-1789 (octavo size)
Multiple artists/makers
1782
Vignette (Chant V.e), from Voltaire's La Henriade, part of Oeuvres complètes de Voltaire. De L'Imprimerie de la Sociètè Littèraire Typographique (Kehl). 1784-1789 (quarto size)
Multiple artists/makers
1782
Henri IV's Sermon to Protestants after the Battle of Jarnac, March 14, 1569
Jean-Baptiste Patas
Antoine Borel
1786
Le Jour
Jean-Baptiste Patas
Charles Dominique Joseph Eisen
18th century
Arrival of Telemachus at the Island of Calypso, Antoine Jean Duclos French, Etching and Engraving
Arrival of Telemachus at the Island of Calypso
Multiple artists/makers
Termosiris Teaching Telemachus to Follow the Example of Apollo, Pietro Antonio Martini Italian, Etching and Engraving
Termosiris Teaching Telemachus to Follow the Example of Apollo
Multiple artists/makers
Ugolino and His Sons, Jean-Baptiste Carpeaux French, Saint-Béat marble, French, Paris
Ugolino and His Sons
Jean-Baptiste Carpeaux
1865–67
Guitar, Jean-Baptiste Voboam French, Spruce, tortoiseshell, mother-of-pearl, ivory, ebony, French
Guitar
Jean-Baptiste Voboam
1697
Le Sacre et Couronnement de Louis XVI
Multiple artists/makers
1775
Armor of Henry II, King of France (reigned 1547–59), Jean Cousin the Elder French, Steel, gold, silver, leather, textile, French, possibly Paris
Armor of Henry II, King of France (reigned 1547–59)
Jean Cousin the Elder
Baptiste Pellerin
ca. 1555
Sofa (ottomane veilleuse), Jean-Baptiste I Tilliard or French, Carved and gilded beechwood, upholstered in modern red velours de Gênes, French
Sofa (ottomane veilleuse)
Jean-Baptiste I Tilliard
Jean-Baptiste II Tilliard
ca. 1750–60
Snuffbox with grisaille decoration of Cupid and Venus, Jean-Baptiste Carnay, Gold, enamel, French, Paris
Snuffbox with grisaille decoration of Cupid and Venus
Jean-Baptiste Carnay
Jean-François Defer
ca. 1766
Broken Eggs, Jean-Baptiste Greuze French, Oil on canvas
Broken Eggs
Jean-Baptiste Greuze
1756
Violoncello, Jean Baptiste Vuillaume French, Spruce and maple, French
Violoncello
Jean Baptiste Vuillaume
mid-19th century
The Elephant from a set of five Grotesques, Jean-Baptiste Monnoyer French, Wool, silk (21-27 warps per inch, 8-9 per cm.), French, Beauvais
The Elephant from a set of five Grotesques
Multiple artists/makers
designed ca. 1688, woven ca. 1690–1711
Violin and Lute Players from a set of five Grotesques, Jean-Baptiste Monnoyer French, Wool, silk (21-27 warps per inch, 8-9 per cm.), French, Beauvais
Violin and Lute Players from a set of five Grotesques
Multiple artists/makers
designed ca. 1688, woven ca. 1690–1711
Side chair (Chaise à la reine) (part of a set), Jean Baptiste Boulard French, Carved and gilded beech; silk damask (not original), French, Paris
Side chair (Chaise à la reine) (part of a set)
Multiple artists/makers
1786–87
Side chair (Chaise à la reine) (part of a set), Jean Baptiste Boulard French, Carved and gilded beech; silk damask (not original), French, Paris
Side chair (Chaise à la reine) (part of a set)
Multiple artists/makers
1786–87
Side chair (Chaise à la reine) (part of a set), Jean Baptiste Boulard French, Carved and gilded beech; silk damask (not original), French, Paris
Side chair (Chaise à la reine) (part of a set)
Multiple artists/makers
1786–87
Madame de Pompadour (1721–1764), Jean-Baptiste Pigalle French, White marble (Sost, the French Pyrenees), French, Paris
Madame de Pompadour (1721–1764)
Jean-Baptiste Pigalle
1748–51
Autumn (one of a pair), Jean-Baptiste Pigalle French, Marble, French, Paris or Versailles
Autumn (one of a pair)
Jean-Baptiste Pigalle
Ange Jacques Gabriel
1742–45
The Composer André-Ernest-Modeste Grétry (1741–1813), Jean-Baptiste Stouf Belgian, Marble, French, Paris
The Composer André-Ernest-Modeste Grétry (1741–1813)
Jean-Baptiste Stouf
1804–8
Napoléon III (1808–1873), Emperor of the French, Jean-Baptiste Carpeaux French, Marble, French, Paris
Napoléon III (1808–1873), Emperor of the French
Jean-Baptiste Carpeaux
1873
Louis XV (1710–1774), Jean-Baptiste Nini Italian, Medallion: cast terracotta (terre de Chaumont); frame: gilt wood, French, Chaumont-sur-Loire
Louis XV (1710–1774)
Jean-Baptiste Nini
1770
Musical mantel clock (Pendule avec boîte à musique), Jean Baptiste Martre, Case of gilt bronze, French, Bordeaux
Musical mantel clock (Pendule avec boîte à musique)
Jean Baptiste Martre
Jacques Dumont
ca. 1770
Albertine, Baronne de Nivenheim, Jean-Baptiste Nini Italian, Medallion: cast terracotta (terre de Chaumont); frame: gilt wood, French, Chaumont-sur-Loire
Albertine, Baronne de Nivenheim
Jean-Baptiste Nini
1768
Empress Maria Theresa (1717–1780), Jean-Baptiste Nini Italian, Medallion: cast terracotta (terre de Chaumont); frame: gilt wood, French, Chaumont-sur-Loire
Empress Maria Theresa (1717–1780)
Jean-Baptiste Nini
1769
Genius of the Dance, Jean-Baptiste Carpeaux French, Bronze, French, Paris
Genius of the Dance
Jean-Baptiste Carpeaux
1864
Plate (one of a pair), Jean-Baptiste Monnoyer French, Hard-paste porcelain with gilding, Chinese, possibly for Scottish market
Plate (one of a pair)
Jean-Baptiste Monnoyer
ca. 1735–40
Plate (one of a pair), Jean-Baptiste Monnoyer French, Hard-paste porcelain with gilding, Chinese, possibly for Scottish market
Plate (one of a pair)
Jean-Baptiste Monnoyer
ca. 1735–40
Stand (piètement) for a model of La Samaritaine, Jean-Baptiste Vinceneux, Carved, painted, gilded and silvered walnut; modern wood top, French, Paris
Stand (piètement) for a model of La Samaritaine
Jean-Baptiste Vinceneux
1773