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1-42 of 15,272 results for John Bernard Flannagan
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Woman Combing Her Hair, John Bernard Flannagan  American, Stone
John Bernard Flannagan
ca. 1930–39
Figure of Dignity - Irish Mountain Goat, John Bernard Flannagan  American, Granite, and cast aluminum, on concrete plinth
John Bernard Flannagan
1932
Three Nudes, John Bernard Flannagan  American, Brush and black ink over traces of graphite on board
John Bernard Flannagan
1920
Wildcat, John Bernard Flannagan  American, Stone
John Bernard Flannagan
ca. 1926–30
Three Nudes, John Bernard Flannagan  American, Brush and black ink and ink wash on cardstock
John Bernard Flannagan
1920
John Bernard Flannagan
ca. 1920–31
Platter, Bernard Palissy  French, Lead-glazed earthenware, French, Paris
Bernard Palissy
last quarter 16th century
The Last Supper, Bernard van Orley  Netherlandish, Wool, silk, silver-gilt thread.
Bernard van Orley
Pieter de Pannemaker
ca. 1525–28
The personal treasures of Bernard & Shirley Kinsey, Bernard Kinsey
Multiple artists/makers
2006
Ewer, Bernard Palissy  French, Lead-glazed earthenware, French
Bernard Palissy
François Briot
late 16th–early 17th century
The Abduction of Helen from a set of The Story of Troy, Bernard Salomon  French, Cotton, embroidered with silk and gilt-paper-wrapped thread, pigment, Chinese, Macao
Bernard Salomon
Francisco Mascarenhas Governor of Macau, 1623–26
ca. 1625
Sacrifice of Noah, Bernard Salomon  French, Faience (tin-glazed earthenware), French, Lyons or Nevers
Bernard Salomon
ca. 1580–1610
Basin, Bernard Palissy  French, Lead-glazed earthenware, French, Fontainebleau or Avon
Bernard Palissy
François Briot
late 16th–early 17th century
Miniature collector's cabinet, Bernard Salomon  French, Dyed and gold-tooled leather on secondary woods pine, poplar, pear, yew; veneers of ivory, mother-of-pearl, pear, plum, ebony, rosewood, holly, ash, green stained poplar; gilded metal; reverse-painted glass, German, possibly Nuremberg
Bernard Salomon
ca. 1600
Pilgrim Flask, Bernard Palissy and workshop French, Earthenware with colorless and transparent or opaque pigmented green, purple, blue, yellow, red-brown, and black lead glazes.
Bernard Palissy
probably 1556–67
Wine cup, John Hull  American, Silver, American
John Hull
Robert Sanderson Sr.
ca. 1660
Presentation Sword and Scabbard of Brigadier General Daniel Davis (1777–1814) of the New York Militia, John Targee  American, Steel, gold, silver, American, New York
John Targee
ca. 1815–17
Vase, John Bennett  American, Painted and glazed earthenware, American
John Bennett
1882
Plate, John Monday  American, Earthenware; Redware with sgraffito decoration, American
John Monday
1830
Teapot, John Bartlam, Soft-paste porcelain with underglaze blue decoration, American
John Bartlam
ca. 1765–69
Gray and Brass, John Sloan  American, Oil on canvas, American
John Sloan
1907
Figure of a Lion, John Bell  American, Earthenware, American
John Bell
1845–55
Allegory of the French Republic, Alfred-Bernard Meyer  French, Painted enamel on copper, partly gilt, French, Paris
Alfred-Bernard Meyer
1892
The Birth and Naming of Saint John the Baptist; (reverse) Trompe-l'oeil with Painting of The Man of Sorrows, Bernard van Orley  Netherlandish, Oil on wood
Bernard van Orley
ca. 1514–15
The Martyrdom of Saint John the Baptist, Bernard van Orley  Netherlandish, Oil on wood
Bernard van Orley
ca. 1514–15
Virgin and Child with Angels, Bernard van Orley  Netherlandish, Oil on wood
Bernard van Orley
ca. 1518
Guitar, Bernard  French, various materials, French
Bernard
18th century
Repose, John White Alexander  American, Oil on canvas, American
John White Alexander
1895
Peonies Blown in the Wind, John La Farge  American, Leaded opalescent glass, American
John La Farge
ca. 1880
Daniel Crommelin Verplanck, John Singleton Copley  American, Oil on canvas, American
John Singleton Copley
1771
Madame X (Virginie Amélie Avegno Gautreau), John Singer Sargent  American, Oil on canvas, American
John Singer Sargent
1883–84
Lake George, John Frederick Kensett  American, Oil on canvas, American
John Frederick Kensett
1869
Sofa, John Henry Belter  American, Rosewood, Rosewood veneer; chestnut, pine (secondary woods); modern upholstery with some original underupholstery, American
John Henry Belter
J. H. Belter & Co.
1850–60
Commode, Bernard III van Risamburgh, Oak; Japanese black-and-gold lacquer and ebony veneer, gilt bronze; brèche d’Alep marble top, French, Paris
Bernard III van Risamburgh
ca. 1765–70
Commode, Bernard II van Risenburgh, Oak veneered with panels of Chinese Coromandel lacquer and European black-lacquered veneer; gilt-bronze mounts; brèche d'Alep marble top, French, Paris
Bernard II van Risenburgh
ca. 1740–45
Corner cabinet (encoignure) (one of a pair), Bernard II van Risenburgh, Oak veneered with ebony and Coromandel lacquer, cherry wood, and purplewood; gilt-bronze mounts; brocatelle marble top, French, Paris
Bernard II van Risenburgh
ca. 1745–49
Armchair (fauteuil en cabriolet) (one of a pair) (part of a set), Jean-Baptiste-Bernard Demay, Carved and gilded beech, modern silk lampas, French
Jean-Baptiste-Bernard Demay
ca. 1785
Armchair (Bergère à la reine) (one of a pair) (part of a set), Jean-Baptiste-Bernard Demay, Carved and gilded walnut, modern silk lampas, French
Jean-Baptiste-Bernard Demay
ca. 1785
Sofa (part of a set), Jean-Baptiste-Bernard Demay, Carved and gilded walnut, modern silk lampas, French
Jean-Baptiste-Bernard Demay
ca. 1785
Armchair (Bergère à la reine) (one of a pair) (part of a set), Jean-Baptiste-Bernard Demay, Carved and gilded walnut, modern silk lampas, French
Jean-Baptiste-Bernard Demay
ca. 1785
Writing table (table à écrire), Bernard II van Risenburgh, Oak veneered with tulipwood, kingwood, amaranth, mahogany, ebony, mother-of-pearl, stained horn; gilt-bronze mounts; modern velvet, French, Paris
Bernard II van Risenburgh
ca. 1755
Armchair (fauteuil en cabriolet) (one of a pair) (part of a set), Jean-Baptiste-Bernard Demay, Carved and gilded beech, modern silk lampas, French
Jean-Baptiste-Bernard Demay
ca. 1785