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1-42 of 11,214 results for Lelio Orsi (called Lelio da Novellara)
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Virgin adoring the Christ Child, Lelio Orsi (called Lelio da Novellara)  Italian, Ivory, Italian, Reggio Emilia
Lelio Orsi (called Lelio da Novellara)
probably 17th century
Battle Scene, Lelio Orsi (called Lelio da Novellara)  Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache, over black chalk; squared in black chalk
Lelio Orsi (called Lelio da Novellara)
1531–87
Triumphal Scene, Lelio Orsi (called Lelio da Novellara)  Italian, Pen and brown ink, brush and brown wash, heightened with white gouache, over black chalk
Lelio Orsi (called Lelio da Novellara)
1531–87
Ornamental Frieze, Lelio Orsi (called Lelio da Novellara)  Italian, Pen and brown ink, brush and brown wash
Lelio Orsi (called Lelio da Novellara)
1511–87
A Man Shooting a Crossbow, Cherubino Alberti (Zaccaria Mattia)  Italian, Engraving
Multiple artists/makers
1579
Anton Maria Zanetti the Elder
Lelio Orsi (called Lelio da Novellara)
1740–50
Multiple artists/makers
1666
Barbute, Jacopo da Cannobio, called Bichignola  Italian, Brescia, Steel, Italian, Brescia
Jacopo da Cannobio, called Bichignola
ca. 1460
Lelio Cosatti
1739
Lelio Cosatti
1739
Lelio Cosatti
1739
Multiple artists/makers
1623
Oboe in C, Maino & Orsi?, Vulcanite, nickel-silver, brass, Italian
Maino & Orsi?
1891
Shield, Girolamo da Treviso  Italian, Wood, linen, gesso, gold leaf, polychromy, Italian, probably Bologna
Girolamo da Treviso
ca. 1535
Armorial Plate (tondino): The story of King Midas, Nicola da Urbino  Italian, Maiolica (tin-glazed earthenware)
Nicola da Urbino
ca. 1520–25
Rothschild lamp, Andrea Briosco, called Riccio  Italian, Bronze, on a later wood base, Italian, Padua
Andrea Briosco, called Riccio
ca. 1510–20
Striding Pan, Andrea Briosco, called Riccio  Italian, Bronze, Italian, Padua
Andrea Briosco, called Riccio
1530–1539
Fountain with Arms of Jacopo de' Pazzi, Giuliano da Maiano  Italian, Marble, Italian, Florence
Multiple artists/makers
ca. 1470
Detached Flintlock alla Fiorentina, Sebastiano Cecchi, called Acquafresca  Italian, Steel, Italian, Bargi
Sebastiano Cecchi, called Acquafresca
Matteo Cecchi, called Acquafresca
dated 1679
Satyr, Desiderio da Firenze  Italian, Copper alloy with a reddish brown patina; the base and shell with a dark brown patina.
Desiderio da Firenze
Severo Calzetta da Ravenna
ca. 1530
The Farnese Table, Jacopo [Giacomo] Barozzi da Vignola  Italian, Marble of different colors, semiprecious stones, Egyptian alabaster, residue of paint of different colors on the piers, Italian, Rome
Multiple artists/makers
ca. 1565–73
The Baptism of Christ, Jacopo Bassano (Jacopo da Ponte)  Italian, Oil on canvas
Jacopo Bassano (Jacopo da Ponte)
ca. 1590
Saint John on Patmos, Hans Baldung (called Hans Baldung Grien)  German, Oil, gold, and white metal on spruce
Hans Baldung (called Hans Baldung Grien)
ca. 1511
The Holy Family with Saints Anne and Catherine of Alexandria, Jusepe de Ribera (called Lo Spagnoletto)  Spanish, Oil on canvas
Jusepe de Ribera (called Lo Spagnoletto)
1648
Margaret of Austria, Jean Hey (called Master of Moulins)  Netherlandish, Oil on oak panel
Jean Hey (called Master of Moulins)
ca. 1490
Maximilian Joseph Limpach
Lelio Cosatti
1739
A Bear Walking, Leonardo da Vinci  Italian, silverpoint on light buff prepared paper
Leonardo da Vinci
ca. 1482–85
Stage Design, with Four other Drawings, Tranquillo Orsi  Italian, Point of brush and brown wash over black chalk within black chalk framing lines
Tranquillo Orsi
Interior of an Octagonal Room (Stage Design?), Tranquillo Orsi  Italian, Point of brush and brown wash over black chalk within black chalk framing lines
Tranquillo Orsi
ca. 1790–1830
The Last Supper, Ugolino da Siena (Ugolino di Nerio)  Italian, Tempera and gold on wood
Ugolino da Siena (Ugolino di Nerio)
ca. 1325
The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families, Giovanni di ser Giovanni Guidi (called Scheggia)  Italian, Tempera, silver, and gold on wood
Giovanni di ser Giovanni Guidi (called Scheggia)
ca. 1449
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso), Leonardo da Vinci  Italian, Silverpoint, partly reworked by the artist with pen and dark brown ink on pink prepared paper; lines ruled with metalpoint (recto); pen and brown ink (verso)
Leonardo da Vinci
1480–85
Studiolo from the Ducal Palace in Gubbio, Francesco di Giorgio Martini  Italian, Walnut, beech, rosewood, oak and fruitwoods in walnut base, Italian, Gubbio
Multiple artists/makers
ca. 1478–82
Mechanical table, Jean-François Oeben  French, born Germany, Oak veneered with mahogany, kingwood, and tulipwood, with marquetry of mahogany, rosewood, holly, and various other woods; gilt-bronze mounts; imitation Japanese lacquer; replaced silk, French
Jean-François Oeben
Roger Vandercruse, called Lacroix
ca. 1761–63
Barbute, Pietro da Castello  Italian, Steel, Italian, Brescia
Pietro da Castello
ca. 1470–80
Barbute, Bernardino da Carnago  Italian, Steel, Italian, Milan
Bernardino da Carnago
ca. 1475
Corbel, Giuliano da Sangallo  Italian, Grey stone (pietra serena), Italian, Florence
Giuliano da Sangallo
late 15th century
Farnese Hercules, Pietro da Barga  Italian, Bronze, Italian, Florence
Pietro da Barga
modeled ca. 1576; cast 17th century
Madonna and Child, Benedetto da Maiano  Italian, Marble, painted background, Italian, Florence
Benedetto da Maiano
ca. 1490
Madonna and Child with Donors, Giovanni da Milano  Italian, Tempera on wood, gold ground
Giovanni da Milano
ca. 1365
Altarpiece with Christ, Saint John the Baptist, and Saint Margaret, Andrea da Giona  Italian, Marble (Carrara marble), Italian
Andrea da Giona
1434
The Chess Players, Liberale da Verona  Italian, Tempera on wood
Liberale da Verona
ca. 1475