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  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 45 results for Manuel Velázquez Andrade
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Portrait of a Man
Velázquez
ca. 1650
Manuel Osorio Manrique de Zuñiga (1784–1792)
Goya (Francisco de Goya y Lucientes)
1787–88
Juan de Pareja (ca. 1608–1670)
Velázquez (Diego Rodríguez de Silva y Velázquez)
1650
Fermin
Manuel Velázquez Andrade
2007
The Supper at Emmaus
Velázquez (Diego Rodríguez de Silva y Velázquez)
1622–23
Don Andrés de Andrade y la Cal
Bartolomé Estebán Murillo
ca. 1665–72
'Los Borrachos' or 'The Drunkards'
Manuel Salvador Carmona
1793
Don Gaspar de Guzmán (1587–1645), Count-Duke of Olivares
Juan Bautista Martínez del Mazo
ca. 1636 or later
Nova Escola Para Aprender a ler Escrver, e contar. . .Primeira parte
Manuel de Andrade de Figueiredo
1722
The Immaculate Conception
Guido Reni
1627
The Vision of Saint John
El Greco (Domenikos Theotokopoulos)
ca. 1608–14
View of Toledo
El Greco (Domenikos Theotokopoulos)
ca. 1599–1600
Allegorical portrait of Felipe el Bueno (Philip the Good Duke of Burgundy) founder of the Order of the Golden Fleece
Manuel Salvador Carmona
1778
Allegorical portrait of Carlos III standing on a pedestal flanked by figures (War and Peace?)
Manuel Salvador Carmona
1778
A Knight of Alcántara or Calatrava
Bartolomé Estebán Murillo
ca. 1650–55
Virgin and Child
Bartolomé Estebán Murillo
1670s
Cardinal Fernando Niño de Guevara (1541–1609)
El Greco (Domenikos Theotokopoulos)
ca. 1600
Sebastián Martínez y Pérez (1747–1800)
Goya (Francisco de Goya y Lucientes)
1792
Majas on a Balcony
Goya (Francisco de Goya y Lucientes)
ca. 1800–1810
Portrait of an Old Man
El Greco (Domenikos Theotokopoulos)
ca. 1595–1600
The Adoration of the Shepherds
El Greco (Domenikos Theotokopoulos) and Workshop
ca. 1612–14
Plate 5 from "La Tauromaquia": The spirited Moor Gazul is the first to spear bulls according to the rules
Goya (Francisco de Goya y Lucientes)
1816
Plate 33 from "La Tauromaquia": The unlucky death of Pepe Illo in the ring at Madrid
Goya (Francisco de Goya y Lucientes)
1816
Plate 19 of "La Tauromaquia": Another madness of his in the same ring
Goya (Francisco de Goya y Lucientes)
1816
Plate 47 from "The Disasters of War" (Los Desastres de la Guerra): 'This is how it happened' (Así sucedió)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)
Plate 37 from "The Disasters of War" (Los Desastres de La Guerra): 'This is worse' (Esto es peor)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)
Sculpture of Moses with Tablets of the Law
French
ca. 1170
Wise Man (from a group with the Adoration of the Magi)
Spanish
ca. 1175–1200
Sculpture of a Wise Man (from a Group with the Adoration of the Magi)
Spanish
ca. 1175–1200
Virgin and Child (from an group with the Adoration of the Magi)
Spanish
ca. 1175–1200
Bullfight in a Divided Ring
Goya (Francisco de Goya y Lucientes)
Apse from San Martín at Fuentidueña
Spanish
ca. 1175–1200
The Adoration of the Shepherds
El Greco (Domenikos Theotokopoulos)
ca. 1605–10
Lion
Spanish
after 1200
Plate 15 from "The Disasters of War" (Los Desastres de la Guerra): 'And there is no help' (Y no hai remedio)
Goya (Francisco de Goya y Lucientes)
1810
Tiburcio Pérez y Cuervo (1785/86–1841), the Architect
Goya (Francisco de Goya y Lucientes)
1820
Christ Healing the Blind
El Greco (Domenikos Theotokopoulos)
ca. 1570
Warwick Castle
Canaletto (Giovanni Antonio Canal)
1748
Plate 28 of "La Tauromaquia": The forceful Rendon stabs a bull with the pique, from which pass he died in the ring at Madrid
Goya (Francisco de Goya y Lucientes)
1816
Plate 38 from "The Disasters of War" (Los Desastres de La Guerra): 'Barbarians!' (Bárbaros!)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)