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Showing 735 results for Marchell Stace
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Marchell Stace
W. Smith
1814
The Etcher, Stacy Tolman  American, Oil on canvas, American
Stacy Tolman
ca. 1887–89
Duryea Zouaves, Fort Schuyler Adjuant Mess, Stacy  American, Albumen silver print from glass negative
Stacy
May 18, 1861
Sunflower, Joan Mitchell  American, Oil on canvas
Joan Mitchell
1969
Black power, black art ... and the struggle continues : political imagery from the Black Arts Movement of the 1960s and 1970s, San Francisco State University
San Francisco State University
1994
Phantomas. 62. Marcel Broodthaers, Marcel Broodthaers  Belgian
Marcel Broodthaers
1966
The blind man, Marcel Duchamp  American, born France
Multiple artists/makers
1917
"Wassily" Armchair, Marcel Breuer  American, born Hungary, Chrome-plated steel, canvas upholstery
Marcel Breuer
1925
Untitled (Studio), Kerry James Marshall  American, Acrylic on PVC panels
Kerry James Marshall
2014
Reception of the Japanese Embassy at the Battery, George Stacy  American, Albumen silver print from glass negative
George Stacy
1860
[Two Men and Street Cleaning Pushcart on Street, New York City], Joan Stack, Film negative
Joan Stack
January 25, 1947
Coffee spoon, Johann Christian Kessler  German, Silver, German, Stade
Johann Christian Kessler
mid-18th century
Chandelier, Mitchell, Vance & Co., Brass, American
Mitchell, Vance & Co.
1868–70
Sconce, Mitchell, Vance & Co., Brass
Mitchell, Vance & Co.
1868–70
Sconce, Mitchell, Vance & Co., Brass
Mitchell, Vance & Co.
1868–70
Sconce, Mitchell, Vance & Co., Bronze
Mitchell, Vance & Co.
1868–70
Sconce, Mitchell, Vance & Co., Bronze
Mitchell, Vance & Co.
1868–70
Rebbilib (navigational chart), Marshall Islands artist, Coconut palm midrib, fiber, Marshallese people
Marshall Islands artist
19th–early 20th century
Deel (fan), Marshall Islands artist, Pandanus leaves, hibiscus fiber, Marshallese
Marshall Islands artist
late 19th–early 20th century
Jaki-ed (dress mat), Marshall Islands artist, Pandanus leaves, hibiscus fiber, Marshallese
Marshall Islands artist
late 19th–early 20th century
A Difficult Question (Une Question Difficile), Ignaz Marcel Gaugengigl  American, Oil on panel, American
Ignaz Marcel Gaugengigl
1883
Tabernacle frame, Carved, gilt and painted poplar, Italian, Marches
Italian, Marches
early 17th century
Tabernacle frame, Carved, gilt and painted poplar, Italian, Marches
Italian, Marches
early 17th century
Wedding suit, James Mitchell  American, Wool, American
James Mitchell
1860–80
Evening dress, Marcelle Alix  French, acetate, French
Marcelle Alix
1950–55
Mourning toque, Marshall Importers, wool, fur, silk, American
Marshall Importers
ca. 1915
Dress, Marcelle Julien, cotton, American
Marcelle Julien
second quarter 20th century
Ensemble, Marcelle Julien, cotton, American
Marcelle Julien
second quarter 20th century
Watch, W. Mitchell, Gold, British, Richmond, Yorkshire
W. Mitchell
early 19th century
Evening ensemble, Marcelle Chaumont  French, (a, b) metal thread<br/>(c) silk, French
Marcelle Chaumont
Marcelle Chapsal
fall/winter 1948–49
"Medici", Marcelle Chaumont  French, silk, cotton, glass, metal, French
Marcelle Chaumont
Marcelle Chapsal
fall/winter 1948–49
Street Speaker, 42nd Street, New York City, Benn Mitchell  American, Gelatin silver print
Benn Mitchell
1953
Horse Pulling Wagon, New York City, Benn Mitchell  American, Gelatin silver print
Benn Mitchell
1953
When I Grow Up I Want to Be a Cooker, Maria Marshall  British, born India, Single-channel digital video, transferred from 35mm film, color, silent, 19 sec.
Maria Marshall
1998
In Cornice, Marcello Nizzoli  Italian, Halftone
Marcello Nizzoli
ca. 1924
Fire Island Harbor, Bruce Mitchell  American, born Scotland, Opaque watercolor on board
Bruce Mitchell
1938
Pueblito, Mitchell Siporin  American, Opaque watercolor with traces of graphite on board
Mitchell Siporin
1939
Moonlight over Myrtle, Mitchell Siporin  American, Oil on canvas
Mitchell Siporin
1949
Sides of a River III from the Bedford Series, Joan Mitchell  American, Color lithograph
Joan Mitchell
1981
Brush, Joan Mitchell  American, Color lithograph
Joan Mitchell
1981