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More than 10,000 results for Nicolas van Orley

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The Sabine Women Stopping the Battle between the Romans and the Sabines from the Story of the Romans and the Sabines, Nicolas van Orley, Wool, silk (19-21 warps per inch, 7-9 per cm.), Flemish, Brussels or Antwerp — The Sabine Women Stopping the Battle between the Romans and the Sabines from the Story of the Romans and the Sabines
Multiple artists/makers
1570–85

The Romans with their Sabine Wives from the Story of the Romans and the Sabines, Nicolas van Orley, Wool, silk (19-21 warps per inch, 7-8 per cm.), Flemish, Brussels or Antwerp — The Romans with their Sabine Wives from the Story of the Romans and the Sabines
Multiple artists/makers
1570–85

The Last Supper, Bernard van Orley Netherlandish, Wool, silk, silver-gilt thread. — The Last Supper
Bernard van Orley
Pieter de Pannemaker
ca. 1525–28

Virgin and Child with Angels, Bernard van Orley Netherlandish, Oil on wood — Virgin and Child with Angels
Bernard van Orley
ca. 1518

The Birth and Naming of Saint John the Baptist; (reverse) Trompe-l'oeil with Painting of The Man of Sorrows, Bernard van Orley Netherlandish, Oil on wood — The Birth and Naming of Saint John the Baptist; (reverse) Trompe-l'oeil with Painting of The Man of Sorrows
Bernard van Orley
ca. 1514–15

The Martyrdom of Saint John the Baptist, Bernard van Orley Netherlandish, Oil on wood — The Martyrdom of Saint John the Baptist
Bernard van Orley
ca. 1514–15

Flora from a set of the Triumph of the Gods, Jan van Orley Flemish, Wool, silk (19-22 warps per inch, 8-9 per cm.), Flemish, Brussels — Flora from a set of the Triumph of the Gods
Multiple artists/makers
first half 18th century

The Crucifixion, Bernard van Orley Netherlandish, Wool, silk, silver thread, silver-gilt thread (20-21 warps per inch, 7-8 per cm.), Netherlandish, Brussels — The Crucifixion
Multiple artists/makers
design ca. 1515, woven ca. 1525

Adoration of the Kings, Bernard van Orley or a member of his workshop Netherlandish, Wool, silk, silver, silver-gilt thread (20 warps per inch, 8 per cm.), Netherlandish, Brussels — Adoration of the Kings
Multiple artists/makers
1525–1535

Otto, Count of Nassau and his Wife Adelheid van Vianen, Bernard van Orley Netherlandish, Pen and brown ink, watercolor over black chalk (recto); tracing in black chalk of the figures on the recto (verso) — Otto, Count of Nassau and his Wife Adelheid van Vianen
Bernard van Orley
1530–35

The Virgin of Guadalupe with the Four Apparitions, Nicolás Enríquez Mexican, Oil on copper, Mexican — The Virgin of Guadalupe with the Four Apparitions
Nicolás Enríquez
1773

Saint Veronica, Bernard van Orley Netherlandish, Wool, silk, gilded silver metal-wrapped threads (18-21 warps per inch, 7-8 per cm.), Netherlandish, probably Brussels — Saint Veronica
Bernard van Orley
ca. 1525

August from a set of Medallion Months, Bernard van Orley Netherlandish, Wool, silk (20 warps per inch, 8 per cm.), Netherlandish, Brussels — August from a set of Medallion Months
Bernard van Orley
ca. 1525–28

The Twelve Ages of a Man: The First Three Ages (Birth-18), or Spring, Bernard van Orley Netherlandish, Wool, silk (16-20 warps per inch, 6-8 per cm.), Netherlandish, Brussels — The Twelve Ages of a Man: The First Three Ages (Birth-18), or Spring
Bernard van Orley
ca. 1515

The Twelve Ages of a Man: The Second Three Ages (18-36), or Summer, Bernard van Orley Netherlandish, Wool, silk (16-20 warps per inch, 6-8 per cm.), Netherlandish, Brussels — The Twelve Ages of a Man: The Second Three Ages (18-36), or Summer
Bernard van Orley
ca. 1515

The Final Assault on the Boar, or December from a set of the Hunts of Maximilian, Bernard van Orley , probably Netherlandish, Wool, silk (19-21 warps per inch, 8-9 per cm.), French, Paris — The Final Assault on the Boar, or December from a set of the Hunts of Maximilian
Multiple artists/makers
designed ca. 1531, woven 1692–93

The Arrival at the Hunting Lodge, or April from a set of the Hunts of Maximilian, Bernard van Orley , probably Netherlandish, Wool, silk (19-21 warps per inch, 8-9 per cm.), French, Paris — The Arrival at the Hunting Lodge, or April from a set of the Hunts of Maximilian
Multiple artists/makers
designed ca. 1531, woven 1692–93

October from a set of Medallion Months, Bernard van Orley Netherlandish, Wool, silk (20 warps per inch, 8 per cm.), Netherlandish, Brussels — October from a set of Medallion Months
Bernard van Orley
ca. 1525–28

The Twelve Ages of a Man: The Second Three Ages (18-36), or Autumn, Bernard van Orley Netherlandish, Wool, silk (16-20 warps per inch, 6-8 per cm.), Netherlandish, Brussels — The Twelve Ages of a Man: The Second Three Ages (18-36), or Autumn
Bernard van Orley
ca. 1515

The Twelve Ages of a Man: The Last Three Ages (54-72), or Winter, Bernard van Orley Netherlandish, Wool, silk (16-20 warps per inch, 6-8 per cm.), Netherlandish, Brussels — The Twelve Ages of a Man: The Last Three Ages (54-72), or Winter
Bernard van Orley
ca. 1515

Honor from the series "The Honors", Bernard van Orley and workshop, with collaborators Netherlandish, Wool and silk (wefts); wool (warps): 6-7 warp threads per cm., Netherlandish, probably Brussels — Honor from the series "The Honors"
Bernard van Orley
designed before 1520, woven between 1525 and 1532

Four Scenes from the Passion, Bernard van Orley Netherlandish, Oil on wood — Four Scenes from the Passion
Bernard van Orley

Blind Orion Searching for the Rising Sun, Nicolas Poussin French, Oil on canvas — Blind Orion Searching for the Rising Sun
Nicolas Poussin
1658

The Abduction of the Sabine Women, Nicolas Poussin French, Oil on canvas — The Abduction of the Sabine Women
Nicolas Poussin
probably 1633–34

Nun’s Badge with the Virgin of the Immaculate Conception, Nicolás Rodríguez Juárez Mexican, Oil and gold on copper; tortoiseshell and silver frame, Mexican — Nun’s Badge with the Virgin of the Immaculate Conception
Nicolás Rodríguez Juárez
ca. 1710

Cased Set of a Flintlock Rifle, a Pair of Pistols, and Accessories, Nicolas Noël Boutet French, Steel, wood (walnut, mahogany), silver, gold, horn, velvet, French, Versailles — Cased Set of a Flintlock Rifle, a Pair of Pistols, and Accessories
Nicolas Noël Boutet
ca. 1800

Cabinet on stand, Jan van Mekeren Dutch, Oak veneered with rosewood, olivewood, ebony, holly, tulipwood, barberry and other partly green-stained marquetry woods, Dutch, Amsterdam — Cabinet on stand
Jan van Mekeren
ca. 1700–1710

The Crucifixion; The Last Judgment, Jan van Eyck Netherlandish, Oil on canvas, transferred from wood — The Crucifixion; The Last Judgment
Jan van Eyck
ca. 1436–38

The Battle of Diomedes and Aeneas (from the Story of Achilles), Jan van Orley Flemish, Pen and brown ink, brush and gray ink, heightened with white chalk, on blue paper; framing line in pen and brown ink, by the artist — The Battle of Diomedes and Aeneas (from the Story of Achilles)
Jan van Orley
ca. 1720–30

Vertumnus and Pomona, Richard van Orley Flemish, Etching — Vertumnus and Pomona
Richard van Orley

Pilate Washing his Hands, Bernard van Orley Netherlandish, Black chalk, squared in red chalk — Pilate Washing his Hands
Bernard van Orley
early 1530s

Silvio Approaches Dorinda whom He Has Wounded with an Arrow (Il Pastor Fido, act IV, scene 8), Richard van Orley Flemish, Pen and brown ink, gray wash, heightened with white gouache; framing line in pen and brown ink, by the artist; incised for transfer — Silvio Approaches Dorinda whom He Has Wounded with an Arrow (Il Pastor Fido, act IV, scene 8)
Richard van Orley
ca. 1700

Juno on Her Chariot Visiting a Young Woman and a Rivergod, Richard van Orley Flemish, Pen and brown ink, brush and gray ink, corrected with white gouache; framing line in pen and brown ink, possibly by the artist — Juno on Her Chariot Visiting a Young Woman and a Rivergod
Richard van Orley
late 17th–mid 18th century

The Resurrection, Bernard van Orley Netherlandish, Pen and black ink, gray wash. Framing line in pen and brown ink (by the artist) — The Resurrection
Bernard van Orley
Master of Saint Michael
early 16th century

The Adoration of the Magi, Bernard van Orley Netherlandish, Pen and brown ink, brown wash, over black chalk, on brown-gray (prepared?) paper — The Adoration of the Magi
Bernard van Orley
early 16th–mid 16th century

The Baptism of Christ, Nicolás Enríquez Mexican, Oil on copper, Mexican — The Baptism of Christ
Nicolás Enríquez
1773

The Return of the Holy Family from Egypt, Nicolás Enríquez Mexican, Oil on copper, Mexican — The Return of the Holy Family from Egypt
Nicolás Enríquez
1773

The Virgin of El Camino with St. Fermín and St. Saturnino, Nicolás Enríquez Mexican, Oil on copper, Mexican — The Virgin of El Camino with St. Fermín and St. Saturnino
Nicolás Enríquez
1773

The Apparition of the Virgin of El Pilar to St. James, Nicolás Enríquez Mexican, Oil on copper, Mexican — The Apparition of the Virgin of El Pilar to St. James
Nicolás Enríquez
1773

Lucas van Uffel (died 1637), Anthony van Dyck Flemish, Oil on canvas — Lucas van Uffel (died 1637)
Anthony van Dyck
ca. 1622