The Temple of Dendur will be closed Sunday, April 26, through Friday, May 8. The Met Fifth Avenue will be closed on Monday, May 4.

Plan your visit
Tickets
English
DonateMembership
Tickets

Search for Art

1-42 of 12,409 results for Nicolas van Orley
Sort by:
Show only
Images
Date
For BCE dates, enter a negative number. E.g. For 2000 BCE, enter -2000.
–
Object type / material
Geographic location
Department
The Sabine Women Stopping the Battle between the Romans and the Sabines from the Story of the Romans and the Sabines, Nicolas van Orley, Wool, silk (19-21 warps per inch, 7-9 per cm.), Flemish, Brussels or Antwerp
The Sabine Women Stopping the Battle between the Romans and the Sabines from the Story of the Romans and the Sabines
Multiple artists/makers
1570–85
The Romans with their Sabine Wives from the Story of the Romans and the Sabines, Nicolas van Orley, Wool, silk (19-21 warps per inch, 7-8 per cm.), Flemish, Brussels or Antwerp
The Romans with their Sabine Wives from the Story of the Romans and the Sabines
Multiple artists/makers
1570–85
The Last Supper, Bernard van Orley Netherlandish, Wool, silk, silver-gilt thread.
The Last Supper
Bernard van Orley
Pieter de Pannemaker
ca. 1525–28
The Martyrdom of Saint John the Baptist, Bernard van Orley Netherlandish, Oil on wood
The Martyrdom of Saint John the Baptist
Bernard van Orley
ca. 1514–15
The Birth and Naming of Saint John the Baptist; (reverse) Trompe-l'oeil with Painting of The Man of Sorrows, Bernard van Orley Netherlandish, Oil on wood
The Birth and Naming of Saint John the Baptist; (reverse) Trompe-l'oeil with Painting of The Man of Sorrows
Bernard van Orley
ca. 1514–15
Virgin and Child with Angels, Bernard van Orley Netherlandish, Oil on wood
Virgin and Child with Angels
Bernard van Orley
ca. 1518
Flora from a set of the Triumph of the Gods, Jan van Orley Flemish, Wool, silk (19-22 warps per inch, 8-9 per cm.), Flemish, Brussels
Flora from a set of the Triumph of the Gods
Multiple artists/makers
first half 18th century
The Crucifixion, Bernard van Orley Netherlandish, Wool, silk, silver thread, silver-gilt thread (20-21 warps per inch, 7-8 per cm.), Netherlandish, Brussels
The Crucifixion
Multiple artists/makers
design ca. 1515, woven ca. 1525
Adoration of the Kings, Bernard van Orley or a member of his workshop Netherlandish, Wool, silk, silver, silver-gilt thread (20 warps per inch, 8 per cm.), Netherlandish, Brussels
Adoration of the Kings
Multiple artists/makers
1525–1535
Otto, Count of Nassau and his Wife Adelheid van Vianen, Bernard van Orley Netherlandish, Pen and brown ink, watercolor over black chalk (recto); tracing in black chalk of the figures on the recto (verso)
Otto, Count of Nassau and his Wife Adelheid van Vianen
Bernard van Orley
1530–35
The Virgin of Guadalupe with the Four Apparitions, Nicolás Enríquez Mexican, Oil on copper, Mexican
The Virgin of Guadalupe with the Four Apparitions
Nicolás Enríquez
1773
October from a set of Medallion Months, Bernard van Orley Netherlandish, Wool, silk (20 warps per inch, 8 per cm.), Netherlandish, Brussels
October from a set of Medallion Months
Bernard van Orley
ca. 1525–28
August from a set of Medallion Months, Bernard van Orley Netherlandish, Wool, silk (20 warps per inch, 8 per cm.), Netherlandish, Brussels
August from a set of Medallion Months
Bernard van Orley
ca. 1525–28
Saint Veronica, Bernard van Orley Netherlandish, Wool, silk, gilded silver metal-wrapped threads (18-21 warps per inch, 7-8 per cm.), Netherlandish, probably Brussels
Saint Veronica
Bernard van Orley
ca. 1525
The Twelve Ages of a Man: The Second Three Ages (18-36), or Autumn, Bernard van Orley Netherlandish, Wool, silk (16-20 warps per inch, 6-8 per cm.), Netherlandish, Brussels
The Twelve Ages of a Man: The Second Three Ages (18-36), or Autumn
Bernard van Orley
ca. 1515
The Arrival at the Hunting Lodge, or April from a set of the Hunts of Maximilian, Bernard van Orley , probably Netherlandish, Wool, silk (19-21 warps per inch, 8-9 per cm.), French, Paris
The Arrival at the Hunting Lodge, or April from a set of the Hunts of Maximilian
Multiple artists/makers
designed ca. 1531, woven 1692–93
The Twelve Ages of a Man: The First Three Ages (Birth-18), or Spring, Bernard van Orley Netherlandish, Wool, silk (16-20 warps per inch, 6-8 per cm.), Netherlandish, Brussels
The Twelve Ages of a Man: The First Three Ages (Birth-18), or Spring
Bernard van Orley
ca. 1515
The Final Assault on the Boar, or December from a set of the Hunts of Maximilian, Bernard van Orley , probably Netherlandish, Wool, silk (19-21 warps per inch, 8-9 per cm.), French, Paris
The Final Assault on the Boar, or December from a set of the Hunts of Maximilian
Multiple artists/makers
designed ca. 1531, woven 1692–93
The Twelve Ages of a Man: The Second Three Ages (18-36), or Summer, Bernard van Orley Netherlandish, Wool, silk (16-20 warps per inch, 6-8 per cm.), Netherlandish, Brussels
The Twelve Ages of a Man: The Second Three Ages (18-36), or Summer
Bernard van Orley
ca. 1515
The Twelve Ages of a Man: The Last Three Ages (54-72), or Winter, Bernard van Orley Netherlandish, Wool, silk (16-20 warps per inch, 6-8 per cm.), Netherlandish, Brussels
The Twelve Ages of a Man: The Last Three Ages (54-72), or Winter
Bernard van Orley
ca. 1515
Four Scenes from the Passion, Bernard van Orley Netherlandish, Oil on wood
Four Scenes from the Passion
Bernard van Orley
Honor from the series "The Honors", Bernard van Orley and workshop, with collaborators Netherlandish, Wool and silk (wefts); wool (warps): 6-7 warp threads per cm., Netherlandish, probably Brussels
Honor from the series "The Honors"
Bernard van Orley
designed before 1520, woven between 1525 and 1532
Blind Orion Searching for the Rising Sun, Nicolas Poussin French, Oil on canvas
Blind Orion Searching for the Rising Sun
Nicolas Poussin
1658
The Abduction of the Sabine Women, Nicolas Poussin French, Oil on canvas
The Abduction of the Sabine Women
Nicolas Poussin
probably 1633–34
Nun’s Badge with the Virgin of the Immaculate Conception, Nicolás Rodríguez Juárez Mexican, Oil and gold on copper; tortoiseshell and silver frame, Mexican
Nun’s Badge with the Virgin of the Immaculate Conception
Nicolás Rodríguez Juárez
ca. 1710
Cased Set of a Flintlock Rifle, a Pair of Pistols, and Accessories, Nicolas Noël Boutet French, Steel, wood (walnut, mahogany), silver, gold, horn, velvet, French, Versailles
Cased Set of a Flintlock Rifle, a Pair of Pistols, and Accessories
Nicolas Noël Boutet
ca. 1800
Cabinet on stand, Jan van Mekeren Dutch, Oak veneered with rosewood, olivewood, ebony, holly, tulipwood, barberry and other partly green-stained marquetry woods, Dutch, Amsterdam
Cabinet on stand
Jan van Mekeren
ca. 1700–1710
The Crucifixion; The Last Judgment, Jan van Eyck Netherlandish, Oil on canvas, transferred from wood
The Crucifixion; The Last Judgment
Jan van Eyck
ca. 1436–38
The Battle of Diomedes and Aeneas (from the Story of Achilles), Jan van Orley Flemish, Pen and brown ink, brush and gray ink, heightened with white chalk, on blue paper; framing line in pen and brown ink, by the artist
The Battle of Diomedes and Aeneas (from the Story of Achilles)
Jan van Orley
ca. 1720–30
Silvio Approaches Dorinda whom He Has Wounded with an Arrow (Il Pastor Fido, act IV, scene 8), Richard van Orley Flemish, Pen and brown ink, gray wash, heightened with white gouache; framing line in pen and brown ink, by the artist; incised for transfer
Silvio Approaches Dorinda whom He Has Wounded with an Arrow (Il Pastor Fido, act IV, scene 8)
Richard van Orley
ca. 1700
The Resurrection, Bernard van Orley Netherlandish, Pen and black ink, gray wash. Framing line in pen and brown ink (by the artist)
The Resurrection
Bernard van Orley
Master of Saint Michael
early 16th century
Vertumnus and Pomona, Richard van Orley Flemish, Etching
Vertumnus and Pomona
Richard van Orley
The Adoration of the Magi, Bernard van Orley Netherlandish, Pen and brown ink, brown wash, over black chalk, on brown-gray (prepared?) paper
The Adoration of the Magi
Bernard van Orley
early 16th–mid 16th century
Juno on Her Chariot Visiting a Young Woman and a Rivergod, Richard van Orley Flemish, Pen and brown ink, brush and gray ink, corrected with white gouache; framing line in pen and brown ink, possibly by the artist
Juno on Her Chariot Visiting a Young Woman and a Rivergod
Richard van Orley
late 17th–mid 18th century
Pilate Washing his Hands, Bernard van Orley Netherlandish, Black chalk, squared in red chalk
Pilate Washing his Hands
Bernard van Orley
early 1530s
The Return of the Holy Family from Egypt, Nicolás Enríquez Mexican, Oil on copper, Mexican
The Return of the Holy Family from Egypt
Nicolás Enríquez
1773
The Virgin of El Camino with St. Fermín and St. Saturnino, Nicolás Enríquez Mexican, Oil on copper, Mexican
The Virgin of El Camino with St. Fermín and St. Saturnino
Nicolás Enríquez
1773
The Apparition of the Virgin of El Pilar to St. James, Nicolás Enríquez Mexican, Oil on copper, Mexican
The Apparition of the Virgin of El Pilar to St. James
Nicolás Enríquez
1773
The Baptism of Christ, Nicolás Enríquez Mexican, Oil on copper, Mexican
The Baptism of Christ
Nicolás Enríquez
1773
Queen Henrietta Maria, Anthony van Dyck Flemish, Oil on canvas
Queen Henrietta Maria
Anthony van Dyck
1636
Lucas van Uffel (died 1637), Anthony van Dyck Flemish, Oil on canvas
Lucas van Uffel (died 1637)
Anthony van Dyck
ca. 1622
Self-Portrait with a Straw Hat (obverse: The Potato Peeler), Vincent van Gogh Dutch, Oil on canvas
Self-Portrait with a Straw Hat (obverse: The Potato Peeler)
Vincent van Gogh
1887