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A Hunting Scene, Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio) Italian, Tempera and oil transferred to Masonite
A Hunting Scene
Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio)
ca. 1494–1500
The Young Saint John the Baptist, Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio) Italian, Tempera and oil on wood
The Young Saint John the Baptist
Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio)
ca. 1480–82
The Return from the Hunt, Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio) Italian, Tempera and oil on wood
The Return from the Hunt
Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio)
ca. 1494–1500
Bust of a Young Woman, Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio) Italian, Metalpoint, highlighted with white gouache, on blue-gray prepared paper
Bust of a Young Woman
Attributed to Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio)
ca. 1495
Portrait of a Young Man, Bronzino (Agnolo di Cosimo di Mariano) Italian, Oil on wood
Portrait of a Young Man
Bronzino (Agnolo di Cosimo di Mariano)
1530s
The Nativity, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera and gold on wood
The Nativity
Lorenzo Monaco (Piero di Giovanni)
ca. 1406–10
Portrait of a Woman, Piero del Pollaiuolo (Piero di Jacopo Benci) Italian, Tempera on wood
Portrait of a Woman
Piero del Pollaiuolo (Piero di Jacopo Benci)
ca. 1480
Adoring Angel, Piero di Giovanni Tedesco Italian, Marble (Carrara marble), Central Italian
Adoring Angel
Piero di Giovanni Tedesco
ca. 1395–96
Madonna and Child Enthroned with Saints Mary Magdalen and John the Baptist, Giuliano di Piero di Simone Bugiardini Italian, Oil on wood
Madonna and Child Enthroned with Saints Mary Magdalen and John the Baptist
Giuliano di Piero di Simone Bugiardini
ca. 1523
Adam; Eve, Giuliano di Piero di Simone Bugiardini Italian, Oil on canvas
Adam; Eve
Giuliano di Piero di Simone Bugiardini
ca. 1520
Three Virtues (Temperance, Hope, and Fortitude or Justice) and Studies of a Seated Man, Lorenzo Monaco (Piero di Giovanni) Italian, Metalpoint, touches of brush and brown wash, heightened with white (partially oxidized in the figure at the lower left), on reddish violet prepared paper. Some lines retraced in pen and brown ink at a later date., Italian, Florence
Three Virtues (Temperance, Hope, and Fortitude or Justice) and Studies of a Seated Man
Circle of Lorenzo Monaco (Piero di Giovanni)
ca. 1420
Saint Louis of Toulouse, Cosmè Tura (Cosimo di Domenico di Bonaventura) Italian, Tempera on canvas, stretched over wood, transferred from wood, gold ground
Saint Louis of Toulouse
Cosmè Tura (Cosimo di Domenico di Bonaventura)
1484?
The Flight into Egypt, Cosmè Tura (Cosimo di Domenico di Bonaventura) Italian, Tempera on wood
The Flight into Egypt
Cosmè Tura (Cosimo di Domenico di Bonaventura)
1470s
Portrait of a Young Man, Cosmè Tura (Cosimo di Domenico di Bonaventura) Italian, Tempera on wood
Portrait of a Young Man
Cosmè Tura (Cosimo di Domenico di Bonaventura)
1470s
Abraham, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera on wood, gold ground
Abraham
Lorenzo Monaco (Piero di Giovanni)
ca. 1408–10
David, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera on wood, gold ground
David
Lorenzo Monaco (Piero di Giovanni)
ca. 1408–10
Moses, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera on wood, gold ground
Moses
Lorenzo Monaco (Piero di Giovanni)
ca. 1408–10
The Crucified Christ between the Virgin and Saint John the Evangelist, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera on wood, gold ground
The Crucified Christ between the Virgin and Saint John the Evangelist
Lorenzo Monaco (Piero di Giovanni)
ca. 1406
Noah, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera on wood, gold ground
Noah
Lorenzo Monaco (Piero di Giovanni)
ca. 1408–10
The Intercession of Christ and the Virgin, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera on canvas, Italian
The Intercession of Christ and the Virgin
Attributed to Lorenzo Monaco (Piero di Giovanni)
before 1402
Simonetta Vespucci
Samuel Arlent Edwards
After Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio)
Sitter Simonetta Vespucci
1909 (?)
The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families, Giovanni di ser Giovanni Guidi (called Scheggia) Italian, Tempera, silver, and gold on wood
The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families
Giovanni di ser Giovanni Guidi (called Scheggia)
ca. 1449
Cosimo I of Tuscany, Domenico di Polo, Gilt metal, Italian
Cosimo I of Tuscany
Medalist: Domenico di Polo
16th century
Cosimo I de' Medici (1519–1574), Duke of Florence, Baccio Bandinelli Italian, Marble, Italian, Florence
Cosimo I de' Medici (1519–1574), Duke of Florence
Baccio Bandinelli
1539–40
Manuscript Illumination with the Assumption of the Virgin in an Initial A, from an Antiphonary, Cosmè Tura (Cosimo di Domenico di Bonaventura) Italian, Tempera, ink, and gold on parchment, Italian
Manuscript Illumination with the Assumption of the Virgin in an Initial A, from an Antiphonary
Attributed to Cosmè Tura (Cosimo di Domenico di Bonaventura)
1450–60
Manuscript Illumination with All Saints in an Initial V, from an Antiphonary, Cosmè Tura (Cosimo di Domenico di Bonaventura) Italian, Tempera, ink, and gold on parchment, Italian
Manuscript Illumination with All Saints in an Initial V, from an Antiphonary
Attributed to Cosmè Tura (Cosimo di Domenico di Bonaventura)
1450–60
Manuscript Illumination with the Assumption of the Virgin in an Initial G, from a Gradual, Cosmè Tura (Cosimo di Domenico di Bonaventura) Italian, Tempera, ink, and gold on parchment, Italian
Manuscript Illumination with the Assumption of the Virgin in an Initial G, from a Gradual
Attributed to Cosmè Tura (Cosimo di Domenico di Bonaventura)
1450–60
Manuscript Illumination with the Presentation in the Temple in an Initial S, from a Gradual, Cosmè Tura (Cosimo di Domenico di Bonaventura) Italian, Tempera, ink, and gold on parchment, Italian
Manuscript Illumination with the Presentation in the Temple in an Initial S, from a Gradual
Attributed to Cosmè Tura (Cosimo di Domenico di Bonaventura)
1450–60
Last Judgment in an Initial C, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera and gold on parchment
Last Judgment in an Initial C
Lorenzo Monaco (Piero di Giovanni)
ca. 1406–7
Study of a Left Leg and Drapery, Bronzino (Agnolo di Cosimo di Mariano) Italian, Black chalk
Study of a Left Leg and Drapery
Bronzino (Agnolo di Cosimo di Mariano)
ca. 1550
Relief with the Annunciation, Carrara marble inlaid with serpentine (verde di Prato), Italian
Relief with the Annunciation
Italian
ca. 1180–1200
Seated Male Nude (Study for the Martyrdom of St. Lawrence), Bronzino (Agnolo di Cosimo di Mariano) Italian, Black chalk, glued onto secondary support
Seated Male Nude (Study for the Martyrdom of St. Lawrence)
Bronzino (Agnolo di Cosimo di Mariano)
1565–69
Study of a Young Woman in Three-quarter Bust-Length, Bronzino (Agnolo di Cosimo di Mariano) Italian, Black chalk
Study of a Young Woman in Three-quarter Bust-Length
Bronzino (Agnolo di Cosimo di Mariano)
ca. 1540–42
The Birth of the Virgin, Fra Carnevale (Bartolomeo di Giovanni Corradini) Italian, Tempera and oil on wood
The Birth of the Virgin
Fra Carnevale (Bartolomeo di Giovanni Corradini)
1467
Head of a Bearded, Young Man in Profile Facing Right, Bronzino (Agnolo di Cosimo di Mariano) Italian, Black chalk on light brown paper
Head of a Bearded, Young Man in Profile Facing Right
Bronzino (Agnolo di Cosimo di Mariano)
1545–55
The Crucifixion, Fra Angelico (Guido di Pietro) Italian, Tempera transferred to canvas, laid down on wood, gold ground
The Crucifixion
Fra Angelico (Guido di Pietro)
possibly ca. 1440
Principe Electurale di Sassonia
Cosimo Mogalli
1712
Virgin Adoring the Christ Child with Saint John the Baptist (recto); The Holy Family with Saint John the Baptist (verso), Agnolo del Mazziere Italian, Pen and brown ink, brush and brown wash, over traces of black chalk, on off-white paper washed pale ochre-pink
Virgin Adoring the Christ Child with Saint John the Baptist (recto); The Holy Family with Saint John the Baptist (verso)
Agnolo del Mazziere
ca. 1500–1515
Unfinished Design for a Choir Book: Initial with Scene of Christ Entering the Temple., Lorenzo Monaco (Piero di Giovanni) Italian, Pen and pale grayish brown ink, brush and pale grayish brown wash (figural scene), pen and pale brown ink, over construction in leadpoint, ruling and compass work (ornamental parts), ruled lines in red ink, notes and words in pen and dark brown ink (musical score), on vellum
Unfinished Design for a Choir Book: Initial with Scene of Christ Entering the Temple.
Lorenzo Monaco (Piero di Giovanni)
1408–11
Head of a Man in Profile, Luca Signorelli (Luca d'Egidio di Luca di Ventura) Italian, Black chalk, pen and brown ink, heightened with white.
Head of a Man in Profile
Luca Signorelli (Luca d'Egidio di Luca di Ventura)
1490s
Arms of Gianfigliazzi Impaling Adimari, della Robbia, Glazed terracotta, Italian, Florence
Arms of Gianfigliazzi Impaling Adimari
School of the della Robbia
ca. 1525
Saint John the Baptist, Innocenzo da Imola (Innocenzo Francucci), Black and white chalk
Saint John the Baptist
Innocenzo da Imola (Innocenzo Francucci)
Former Attribution Giuliano di Piero di Simone Bugiardini
early 16th century