English
DonateMembershipTickets

Search for Art

Search Tips
26 results for Robert Sayer and John Bennett
Sort by:
Show only
Images
Date
For BCE dates, enter a negative number. E.g. For 2000 BCE, enter -2000.
–
Artist / culture
Object type / material
Match
 
Show results matching
selected filters.
Geographic location
Match
 
Show results matching
selected filters.
Department
The Patriotick Barber of New York, or the Captain in the Suds, Philip Dawe  British, Mezzotint
Attributed to Philip Dawe
Publisher Robert Sayer and John Bennett
February 14, 1775
Publisher Robert Sayer and John Bennett
1776
The Bostonians Paying the Excise-Man, or Tarring & Feathering, Philip Dawe  British, Mezzotint and etching
Attributed to Philip Dawe
Publisher Robert Sayer and John Bennett
October 31, 1774
The Bostonians Paying the Excise-Man, or Tarring & Feathering, Philip Dawe  British, Mezzotint and etching
Attributed to Philip Dawe
Publisher Robert Sayer and John Bennett
October 31, 1774
The Death of General Wolfe at Quebec (September, 1759), Edward Penny  British, Mezzotint, hand colored
After Edward Penny
Publisher Robert Sayer and John Bennett
October 10, 1779
The Patriotick Barber of New York, or the Captain in the Suds, Philip Dawe  British, Mezzotint
Attributed to Philip Dawe
Publisher Robert Sayer and John Bennett
February 14, 1775
A Society of Patriotic Ladies, at Edenton in North Carolina, Philip Dawe  British, Mezzotint
Attributed to Philip Dawe
Publisher Robert Sayer and John Bennett
March 25, 1775
The Bostonians in Distress, Philip Dawe  British, Mezzotint
Attributed to Philip Dawe
Publisher Robert Sayer and John Bennett
November 19, 1774
The Alternative of Williams-Burg, Philip Dawe  British, Mezzotint
Attributed to Philip Dawe
Publisher Robert Sayer and John Bennett
February 16, 1775
The Alternative of WIlliams-Burg, Philip Dawe  British, Mezzotint
Attributed to Philip Dawe
Publisher Robert Sayer and John Bennett
February 16, 1775
From Soho, Philippe Jacques de Loutherbourg  French, Etching; third state
Philippe Jacques de Loutherbourg
Publisher Robert Sayer and John Bennett
December 26, 1776
Madonna and Child, Valentine Green  British, Mezzotint
Engraver Valentine Green
After Angelica Kauffmann
Publisher Robert Sayer and John Bennett
December 3, 1774
The Lion and Horse, Benjamin Green  British, Mezzotint; fourth state of five
Benjamin Green
After George Stubbs
Publisher Robert Sayer and John Bennett
November 1, 1777
Phaeton, Benjamin Green  British, Mezzotint; second state of two
Benjamin Green
After George Stubbs
Publisher Robert Sayer and John Bennett
November 14, 1776
Anonymous, British, 18th century
Publisher Robert Sayer and John Bennett
May 27, 1778
Attributed to Philip Dawe
Publisher Robert Sayer and John Bennett
March 25, 1775
From Eaton, Philippe Jacques de Loutherbourg  French, Etching; third state
Philippe Jacques de Loutherbourg
Publisher Robert Sayer and John Bennett
Subject Possible subject Richard Grosvenor, 1st Earl Grosvenor
December 8, 1776
Engraver J. Johnson
After François Boucher
Printer Robert Sayer and John Bennett
1743–60
After Major Samuel Holland
Corrections made by Thomas Pownall
Publisher Robert Sayer and John Bennett
1776
Engraver Anonymous, British, 18th century
After Henry Robert Morland
Publisher Robert Sayer and John Bennett
May 15, 1776
Engraver Valentine Green
After Edward Penny
Publisher Robert Sayer and John Bennett
March 2, 1775
Engraver Anonymous, British, late 18th century
Publisher Robert Sayer and John Bennett
Subject John Paul Jones
1780
Sr. George Bridges Rodney, Rear Admiral of the Blue, Anonymous, British, late 18th century  British, Mezzotint
Multiple artists/makers
May 9, 1780
Multiple artists/makers
July 4, 1776
Anonymous, British, late 18th century
Publisher Robert Sayer and John Bennett
Mary Isabella Manners, Duchess of Rutland
October 29, 1782
A Theatrical Candidate, Thomas Rowlandson  British, Hand-colored etching and aquatint
Thomas Rowlandson
1797

Content Notice

The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.