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Saint Martin, Pot-metal glass, colorless glass, and vitreous paint, Austrian
Saint Martin
Austrian
1340–50
Saint Martin of Tours, Wood, polychromy and gilding, German
Saint Martin of Tours
German
late 15th–early 16th century
Roundel with Saint Martin and the Beggar, Colorless glass, vitreous paint and silver stain, German
Roundel with Saint Martin and the Beggar
German
1490–1500
Saint Martin, Wood with traces of polychromy, German
Saint Martin
German
first half 16th century
Porte Saint-Martin, Edouard Baldus French, born Prussia, Albumen silver print
Porte Saint-Martin
Edouard Baldus
1850s–60s
Seal Matrix with Abbot William of Gross St. Martin and Saint Martin, Walrus ivory, German
Seal Matrix with Abbot William of Gross St. Martin and Saint Martin
German
before 1152
Saint Martin and Saint Hilary, Linen plain weave underlaid with linen plain weave (two layers) and embroidered with silk and gilt-metal-strip-wrapped silk in single satin, split, and stem stitches, laid work, and couching, including or nué, Flemish
Saint Martin and Saint Hilary
Flemish
1430–35
The Virgin from a Pentecost Scene and the Figure of Saint Martin, Pot-metal glass and vitreous paint, French
The Virgin from a Pentecost Scene and the Figure of Saint Martin
French
ca. 1245–48
Saint Martin and the Brigands, Silk and metal thread on linen, South Netherlandish
Saint Martin and the Brigands
South Netherlandish
ca. 1430
Saint Martin Dividing His Cloak, Pot-metal and colorless glass with vitreous paint, Austrian
Saint Martin Dividing His Cloak
Austrian
ca. 1410
The Empress Kneels Before Saint Martin, Silk and metal thread, and linen, South Netherlandish
The Empress Kneels Before Saint Martin
South Netherlandish
ca. 1430
Saint Martin Brings a Dead Man to Life, Linen plain weave underlaid with linen plain weave and embroidered with silk and gilt-metal-strip-wrapped silk in split and stem stitches, laid work, and couching, including or nué, Flemish
Saint Martin Brings a Dead Man to Life
Flemish
1430–35
Street along the Canal Saint-Martin, Paris, Willy Eisenschitz German, Oil on canvas
Street along the Canal Saint-Martin, Paris
Willy Eisenschitz
1957
Saint Martin on Horseback Dividing His Cloak, Pot-metal and colorless glass with vitreous paint, Austrian
Saint Martin on Horseback Dividing His Cloak
Austrian
ca. 1410
Saint Martin Offering the Wine Cup to the Priest, Linen plain weave underlaid with linen plain weave and embroidered silk and gilt-metal-strip-wrapped silk in single satin, split, and stem stitches, laid work, and couching, including or nué, Flemish
Saint Martin Offering the Wine Cup to the Priest
Flemish
1430–35
Saint Martin, Israhel van Meckenem German, Engraving
Saint Martin
Israhel van Meckenem
n.d.
Striding Pan, Andrea Briosco, called Riccio Italian, Bronze, Italian, Padua
Striding Pan
Andrea Briosco, called Riccio
1530–1539
Instantaneous Paris: Porte Saint-Martin
Unknown
1860s–70s
Saint Martin Announcing to His Parents That He Will Become a Christian, Linen plain weave underlaid with linen plain weave and embroidered with silk and gilt-metal-strip-wrapped silk in split and stem stitches, laid work, and couching, including or nué, Flemish
Saint Martin Announcing to His Parents That He Will Become a Christian
Flemish
1430–35
Saint Martin on Horseback, Hans Baldung (called Hans Baldung Grien) German, Woodcut; second of two states
Saint Martin on Horseback
Hans Baldung (called Hans Baldung Grien)
15th–16th century
Saint Martin and Beggar, Zacharias Dolendo Netherlandish, Engraving
Saint Martin and Beggar
Zacharias Dolendo
After Bartholomeus Spranger
Publisher Jacques de Gheyn II
late 16th century
Saint Martin and the Beggar, Vittore Carpaccio Italian, Pen and gray ink, brush and gray wash, over faint traces of black chalk
Saint Martin and the Beggar
Attributed to Vittore Carpaccio
1493–1500
Bishop with a Book, Wood, polychromy and gilding, German
Bishop with a Book
German
late 15th–early 16th century
Two Seated Apostles from a Pentecost Scene, Pot-metal glass and vitreous paint, French
Two Seated Apostles from a Pentecost Scene
French
ca. 1245–48
Saint Martin and the Beggar, Anonymous, Italian, Roman-Bolognese, 17th century Italian, Pen and brown ink, brush and brown and gray wash, heightened with white gouache, over black chalk, on blue-brown paper; squared in red chalk; framing lines in pen and brown ink
Saint Martin and the Beggar
Anonymous, Italian, Roman-Bolognese, 17th century
17th century
Chasuble with Orphreys depicting a saint and bishop saint (front), the Virgin and Child, Saint Martin, and Saint Peter (back), Velvet, Italian
Chasuble with Orphreys depicting a saint and bishop saint (front), the Virgin and Child, Saint Martin, and Saint Peter (back)
Italian
mid-15 century (chasuble); first quarter 16th century (orphreys)
Portion of a Pilaster with an Acrobat, Limestone, French
Portion of a Pilaster with an Acrobat
French
ca. 1150–70
Canal St. Martin, Franck French, Albumen silver print from glass negative
Canal St. Martin
Franck
1860
Bridge of Saint Martin, Toledo
Joseph Pennell
1904
Saint Martin, on horseback, giving his cloak to a beggar, angels overhead, Giuliano Traballesi Italian, Etching
Saint Martin, on horseback, giving his cloak to a beggar, angels overhead
Artist and publisher Giuliano Traballesi
After Baldassarre Franceschini (il Volterrano)
1760–1800
Apse from San Martín at Fuentidueña, Limestone, Spanish
On loan to The Met
Apse from San Martín at Fuentidueña
Spanish
ca. 1175–1200
Barracks Post, Place de la Bastille; Canal Tunnel and July Column, Alphonse J. Liébert French, Albumen silver print from glass negative
Barracks Post, Place de la Bastille; Canal Tunnel and July Column
Alphonse J. Liébert
Author Alfred d'Aunay
1871
Saint Martin and the Repentant Horsemen, Silk and gold embroidery on linen, Franco-Flemish
On loan to The Met
Saint Martin and the Repentant Horsemen
Franco-Flemish
ca. 1430
Secretary, Martin Carlin and French, Oak veneered with tulipwood, amaranth, holly, ebonized holly, and other marquetry wood; brass; green-colored metal; gilt-bronze mounts; marble top. Soft paste porcelain plaques from the Sèvres Manufactory.
Secretary
Attributed to Martin Carlin
Sèvres Manufactory
various French
ca. 1781–85
Apostle spoon: St. Andrew, Martin Hewitt, Silver, partly gilded, British, London
Apostle spoon: St. Andrew
Martin Hewitt
1613–14
[Théâtre de la Gaité, Boulevard du Temple, Paris], Unknown, Albumen silver print from glass negative
[Théâtre de la Gaité, Boulevard du Temple, Paris]
Unknown
ca. 1855
The Seine at the Mouth of the Canal Saint-Martin
Auguste-Louis Lepère
1904
Altar Predella and Socle of Archbishop Don Dalmau de Mur y Cervelló, Francí Gomar Spanish, Alabaster, Spanish
Altar Predella and Socle of Archbishop Don Dalmau de Mur y Cervelló
Francí Gomar
ca. 1456–1458
Bell rubbing with Saint Martin and the Beggars, from Elstertrebnitz, Germany
Bell by Nicolaus Eisenberg
19th–20th century [bell dated 1460]
Bell rubbing with Saint Martin, from Church of St. Nicholas, Rostock, Germany
Bell by Workshop of Rickert de Monkehagen
19th–20th century [bell dated 1394]
The Miraculous Mass of Saint Martin of Tours with the Apparition of a Ball of Fire above His Head, Giovanni Lanfranco Italian, Pen and brown ink
The Miraculous Mass of Saint Martin of Tours with the Apparition of a Ball of Fire above His Head
Giovanni Lanfranco
1602–47
Altar Predella and Socle of Archbishop Don Dalmau de Mur y Cervelló, Francí Gomar Spanish, Alabaster, Spanish
Altar Predella and Socle of Archbishop Don Dalmau de Mur y Cervelló
Francí Gomar
ca. 1456–1458