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More than 10,000 results for Sir William Blake Richmond

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Self-portrait, aged 21, Sir William Blake Richmond British, Watercolor — Self-portrait, aged 21
Sir William Blake Richmond
1863

Self-portrait, aged 21, Sir William Blake Richmond British, Etching on chine collé — Self-portrait, aged 21
Sir William Blake Richmond
ca. 1863

Six Greek Myths

Multiple artists/makers

1879

Hagar and Ishmael in the Wilderness (recto); Two portrait studies of the artist's wife, and a study of a leg and torso (verso), George Richmond British, Graphite, pen and black ink, brush and black wash, with white gouache (bodycolor) (recto); graphite and black chalk with touches of gouache (bodycolor) (verso) — Hagar and Ishmael in the Wilderness (recto); Two portrait studies of the artist's wife, and a study of a leg and torso (verso)
George Richmond
1829–33

Sir William Allen, Hill and Adamson British, Scottish, Salted paper print from paper negative — Sir William Allen
Multiple artists/makers
ca. 1845

The Angel Appearing to Zacharias, William Blake British, Pen and black ink, tempera, and glue size on canvas — The Angel Appearing to Zacharias
William Blake
1799–1800

Angel of the Revelation (Book of Revelation, chapter 10), William Blake British, Watercolor, pen and black ink, brush and wash, over traces of graphite — Angel of the Revelation (Book of Revelation, chapter 10)
William Blake
ca. 1803–5

Captain George K. H. Coussmaker (1759–1801), Sir Joshua Reynolds British, Oil on canvas — Captain George K. H. Coussmaker (1759–1801)
Sir Joshua Reynolds
1782

William Fraser of Reelig (1784–1835), Sir Henry Raeburn British, Scottish, Oil on canvas — William Fraser of Reelig (1784–1835)
Sir Henry Raeburn
1801

Winchester, Jeremy Blake American, Single-channel digital animation, color, sound, 12 min. — Winchester
Jeremy Blake
2002

The letters of Sir Richard Westmacott, Sir Richard Westmacott British, Collection of letters — The letters of Sir Richard Westmacott
Sir Richard Westmacott
19th century

Poetry and Prose of William Blake

William Blake

1932

George IV (1762–1830), When Prince of Wales, Sir William Beechey and Workshop British, Oil on canvas — George IV (1762–1830), When Prince of Wales
Sir William Beechey

Century 21, Jeremy Blake American, Single-channel digital animation, color, sound, 12 min. — Century 21
Jeremy Blake
2004

1906, Jeremy Blake American, Single-channel digital animation, color, sound, 21 min. — 1906
Jeremy Blake
2003

The Love Song, Sir Edward Burne-Jones British, Oil on canvas — The Love Song
Sir Edward Burne-Jones
1868–77

Parlor from the William C. Williams House, Theophilus Nash American, Mahogany and marble, American — Parlor from the William C. Williams House
Theophilus Nash
1810–11

The Grandchildren of Sir William Heathcote, 3rd Baronet, William Owen British, Oil on canvas — The Grandchildren of Sir William Heathcote, 3rd Baronet
William Owen

Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby, Sir Thomas Lawrence British, Oil on canvas — Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby
Sir Thomas Lawrence
1790

Hippopotamus ("William"), Faience — Hippopotamus ("William")
ca. 1961–1878 B.C.

Ruins of Gallego Flour Mills, Richmond, Alexander Gardner American, Scottish, Albumen silver prints from glass negatives — Ruins of Gallego Flour Mills, Richmond
Alexander Gardner
Mathew B. Brady
1865

Clarence's Dream (Shakespeare, Richard III, Act 1, Scene 4), William Blake British, Etching and engraving — Clarence's Dream (Shakespeare, Richard III, Act 1, Scene 4)
Multiple artists/makers
1774

Sir William Allan, Hill and Adamson British, Scottish, Salted paper print from paper negative — Sir William Allan
Multiple artists/makers
1843–47

Sir William Hood, John Smart British, Ivory — Sir William Hood
John Smart
ca. 1766

[Sir William Boxall], John and Charles Watkins British, Albumen silver print — [Sir William Boxall]
John and Charles Watkins
1860s

Grand Pianoforte, Érard , made in London French, Satinwood veneer, oak, spruce, iron, steel, ebony, ivory, gilding, mother-of-pearl, holly, mahogany, burl walnut, tulipwood, silver wire, British — Grand Pianoforte
Érard
George Henry Blake
ca. 1840

Angel of the Divine Presence Bringing Eve to Adam (The Creation of Eve: "And She Shall be Called Woman) (recto); Sketch for the same (verso), William Blake British, Watercolor, pen and black ink, over graphite — Angel of the Divine Presence Bringing Eve to Adam (The Creation of Eve: "And She Shall be Called Woman) (recto); Sketch for the same (verso)
William Blake
ca. 1803

Pity, William Blake British, Relief etching, printed in color and finished with pen and ink and watercolor — Pity
William Blake
William Shakespeare
ca. 1795

The Last Trumpet (recto); Two studies of a right eye, a profile of an open-mouthed young man, the head of an eagle, and the head of a lion (verso)

William Blake

1780–85

The Most Pleasant and Delectable Tale of the Marriage of Cupid and Psyche

Multiple artists/makers

1887

Songs of Innocence: Introduction, William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence: Introduction
William Blake
[1789] printed ca. 1825

Songs of Innocence: The Shepherd, William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence: The Shepherd
William Blake
[1789] printed ca. 1825

Songs of Innocence: The Ecchoing Green, William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence: The Ecchoing Green
William Blake
[1789] printed ca. 1825

Songs of Innocence: The Ecchoing Green (second plate), William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence: The Ecchoing Green (second plate)
William Blake
[1789] printed ca. 1825

Songs of Innocence: The Lamb, William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence: The Lamb
William Blake
[1789] printed ca. 1825

Songs of Innocence: Night, William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence: Night
William Blake
[1789] printed ca. 1825

Songs of Innocence: Night (second plate), William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence: Night (second plate)
William Blake
[1789] printed ca. 1825

Songs of Innocence: Spring, William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence: Spring
William Blake
[1789] printed ca. 1825

Songs of Innocence: Spring (second plate), William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence: Spring (second plate)
William Blake
[1789] printed ca. 1825

Songs of Innocence: Nurse's Song, William Blake British, Relief etching printed in orange-brown ink and hand-colored with watercolor and shell gold — Songs of Innocence: Nurse's Song
William Blake
[1789] printed ca. 1825