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1-42 of 15,529 results for Sue Jean Hill Covacevich
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Department
Multiple artists/makers
1937
[Newhaven Fishwives], Hill and Adamson  British, Scottish, Salted paper print from paper negative
Multiple artists/makers
ca. 1845
"David-Weill" Chair (model no. 45), with "Tulipes et Œillets" (Tulips and Carnations, possibly pattern no. 2513) Upholstery, Louis Süe  French, Mahogany, oak, wool
Multiple artists/makers
designed 1923; manufactured probably late 1920s
Claude Terrasse, Louis Süe  French, Oil on canvas
Louis Süe
1897
Carpet, Louis Süe  French, Wool
Multiple artists/makers
1925
"Bouquets" Textile, Louis Süe  French, Silk
Louis Süe
ca. 1919
Desk, Louis Süe  French, Ebonized wood (probably beech), oak, zebrawood, gilt bronze, leather
Multiple artists/makers
ca. 1925
Desk Chair, Louis Süe  French, Ebonized wood (possibly walnut or beech), pigskin
Multiple artists/makers
ca. 1925
Commode, Louis Süe  French, Oak, lumber-core plywood, chestnut, marble, paint, gold leaf, French
Multiple artists/makers
ca. 1918
Mirror, Louis Süe  French, Cherry or pearwood, mirror glass, paint, gold leaf, French
Multiple artists/makers
Designed ca. 1919; manufactured 1923
Side Chair, Louis Süe  French, Walnut, silk velvet
Multiple artists/makers
designed 1912; manufactured ca. 1920
"Paris" Textile, Louis Süe  French, Silk
Louis Süe
ca. 1919
Study for the Disruption Picture: Signing of the Deed of Demission, Hill and Adamson  British, Scottish, Salted paper print from paper negative
Multiple artists/makers
October 18, 1843
Three Unknown Boys and James Linton, Newhaven, Hill and Adamson  British, Scottish, Salted paper print from paper negative
Multiple artists/makers
1843–47
Sir William Allen, Hill and Adamson  British, Scottish, Salted paper print from paper negative
Multiple artists/makers
ca. 1845
McCulloch's Tomb, Greyfriars Churchyard, Hill and Adamson  British, Scottish, Salted paper print from paper negative
Multiple artists/makers
ca. 1845
The Nasmyth Tomb, Greyfriars Churchyard, Hill and Adamson  British, Scottish, Salted paper print from paper negative
Multiple artists/makers
ca. 1845
Edinburgh Monument, Hill and Adamson  British, Scottish, Salted paper print from paper negative
Multiple artists/makers
ca. 1845
Small desk with folding top (bureau brisé), Alexandre-Jean Oppenordt  Dutch, Oak, pine, walnut veneered with ebony, rosewood, and marquetry of tortoiseshell and engraved brass; gilt bronze and steel, French, Paris
Alexandre-Jean Oppenordt
Jean Berain
ca. 1685
Going Toward the Epicenter, Sue Coe  British, Gouache, watercolor, and graphite on paper
Sue Coe
1984
Windstorm, Sue Coe  British, Gouache, graphite, and brush and black ink on paper
Sue Coe
1984
U.S. Military Successfully Bombs A Mental Hospital in Grenada, Sue Coe  British, Oil paint and opaque watercolor over graphite on paper
Sue Coe
1984
Rosa, Sue Coe  British, Watercolor, opaque watercolor, cut and pasted paper, graphite, and chalk on paper
Sue Coe
1976
String Composition No. 50, Sue Fuller  American, Plastic thread, painted Masonite, and aluminum frame
Sue Fuller
1952–53
Armor of Infante Luis, Prince of Asturias (1707–1724), Jean Drouart  French, Steel, gold, brass, silk, cotton, metallic yarn, paper, French, Paris
Jean Drouart
dated 1712
Cabinet, Jean Brandely  French, Oak veneered with cedar, walnut, ebony and ivory; silvered-bronze mounts, French, Paris
Multiple artists/makers
1867
The Hours of Jeanne d'Evreux, Queen of France, Jean Pucelle  French, Grisaille, tempera, and ink on vellum, French
Jean Pucelle
ca. 1324–28
Nine-Block Housetop quilt, Sue Willie Seltzer  American, Top: cotton and cotton-polyester blend, rayon, and acetate; back: cotton-polyester blend
Sue Willie Seltzer
ca. 1955
A Study of Trap Rock (Buttermilk Falls), John Henry Hill  American, Oil on canvas, American
John Henry Hill
1863
Louis Süe
André Mare
1920
Dish: The Destruction of the Hosts of Pharaoh, Master IC (probably Jean Court) or French, Limoges, Painted enamel on copper, partly gilt.
Master IC (probably Jean Court)
Jean Cour (or Court)
probably early 17th century
Drop-front secretary (Secrétaire en armoire), Jean Henri Riesener  French, Oak veneered with ebony and 17th-century Japanese lacquer; interiors veneered with tulipwood, amaranth, holly, and ebonized holly; gilt-bronze mounts; marble top; velvet (not original), French, Paris
Jean Henri Riesener
1783
La Crainte des Traits de l'Amour, Jean-Louis Lemoyne, Marble, French, Paris
Jean-Louis Lemoyne
1739–40
Ugolino and His Sons, Jean-Baptiste Carpeaux  French, Saint-Béat marble, French, Paris
Jean-Baptiste Carpeaux
1865–67
Sabine Houdon (1787–1836), Jean Antoine Houdon  French, White marble on gray marble socle, French, Paris
Jean Antoine Houdon
1788
Winter, Jean Antoine Houdon  French, Bronze, French, Paris
Jean Antoine Houdon
1787
Mechanical table, Jean-François Oeben  French, born Germany, Oak veneered with mahogany, kingwood, and tulipwood, with marquetry of mahogany, rosewood, holly, and various other woods; gilt-bronze mounts; imitation Japanese lacquer; replaced silk, French
Jean-François Oeben
Roger Vandercruse, called Lacroix
ca. 1761–63
Broken Eggs, Jean-Baptiste Greuze  French, Oil on canvas
Jean-Baptiste Greuze
1756
Marie Emilie Coignet de Courson (1716–1806) with a Dog, Jean Honoré Fragonard  French, Oil on canvas
Jean Honoré Fragonard
ca. 1769
Soap Bubbles, Jean Siméon Chardin  French, Oil on canvas
Jean Siméon Chardin
ca. 1733–34
Haystacks: Autumn, Jean-François Millet  French, Oil on canvas
Jean-François Millet
ca. 1874
Reliquary Shrine, Jean de Touyl  French, Gilded silver, translucent enamel, paint, French
Jean de Touyl
ca. 1325–50