Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for Sue Jean Hill Covacevich

Sort by:

Impressions of Mexico

Multiple artists/makers

1937

[Newhaven Fishwives], Hill and Adamson British, Scottish, Salted paper print from paper negative — [Newhaven Fishwives]
Multiple artists/makers
ca. 1845

Commode, Louis Süe French, Oak, lumber-core plywood, chestnut, marble, paint, gold leaf, French — Commode
Multiple artists/makers
ca. 1918

"Bouquets" Textile, Louis Süe French, Silk — "Bouquets" Textile
Louis Süe
ca. 1919

"Paris" Textile, Louis Süe French, Silk — "Paris" Textile
Louis Süe
ca. 1919

Carpet, Louis Süe French, Wool — Carpet
Multiple artists/makers
1925

Claude Terrasse, Louis Süe French, Oil on canvas — Claude Terrasse
Louis Süe
1897

Mirror, Louis Süe French, Cherry or pearwood, mirror glass, paint, gold leaf, French — Mirror
Multiple artists/makers
Designed ca. 1919; manufactured 1923

Side Chair, Louis Süe French, Walnut, silk velvet — Side Chair
Multiple artists/makers
designed 1912; manufactured ca. 1920

Desk, Louis Süe French, Ebonized wood (probably beech), oak, zebrawood, gilt bronze, leather — Desk
Multiple artists/makers
ca. 1925

Desk Chair, Louis Süe French, Ebonized wood (possibly walnut or beech), pigskin — Desk Chair
Multiple artists/makers
ca. 1925

“David-Weill” Chair (model no. 45), with “Tulipes et Œillets” (Tulips and Carnations, possibly pattern no. 2513) Upholstery, Louis Süe French, Mahogany, oak, wool — “David-Weill” Chair (model no. 45), with “Tulipes et Œillets” (Tulips and Carnations, possibly pattern no. 2513) Upholstery
Multiple artists/makers
designed 1923; manufactured probably late 1920s

Three Unknown Boys and James Linton, Newhaven, Hill and Adamson British, Scottish, Salted paper print from paper negative — Three Unknown Boys and James Linton, Newhaven
Multiple artists/makers
1843–47

Edinburgh Monument, Hill and Adamson British, Scottish, Salted paper print from paper negative — Edinburgh Monument
Multiple artists/makers
ca. 1845

Study for the Disruption Picture: Signing of the Deed of Demission, Hill and Adamson British, Scottish, Salted paper print from paper negative — Study for the Disruption Picture: Signing of the Deed of Demission
Multiple artists/makers
October 18, 1843

Sir William Allen, Hill and Adamson British, Scottish, Salted paper print from paper negative — Sir William Allen
Multiple artists/makers
ca. 1845

The Nasmyth Tomb, Greyfriars Churchyard, Hill and Adamson British, Scottish, Salted paper print from paper negative — The Nasmyth Tomb, Greyfriars Churchyard
Multiple artists/makers
ca. 1845

McCulloch's Tomb, Greyfriars Churchyard, Hill and Adamson British, Scottish, Salted paper print from paper negative — McCulloch's Tomb, Greyfriars Churchyard
Multiple artists/makers
ca. 1845

Small desk with folding top (bureau brisé), Alexandre-Jean Oppenordt Dutch, Oak, pine, walnut veneered with ebony, rosewood, and marquetry of tortoiseshell and engraved brass; gilt bronze and steel, French, Paris — Small desk with folding top (bureau brisé)
Alexandre-Jean Oppenordt
Jean Berain
ca. 1685

Rosa, Sue Coe British, Watercolor, opaque watercolor, cut and pasted paper, graphite, and chalk on paper — Rosa
Sue Coe
1976

Going Toward the Epicenter, Sue Coe British, Gouache, watercolor, and graphite on paper — Going Toward the Epicenter
Sue Coe
1984

Windstorm, Sue Coe British, Gouache, graphite, and brush and black ink on paper — Windstorm
Sue Coe
1984

U.S. Military Successfully Bombs A Mental Hospital in Grenada, Sue Coe British, Oil paint and opaque watercolor over graphite on paper — U.S. Military Successfully Bombs A Mental Hospital in Grenada
Sue Coe
1984

String Composition No. 50, Sue Fuller American, Plastic thread, painted Masonite, and aluminum frame — String Composition No. 50
Sue Fuller
1952–53

Tall Clock, Henry Hill American, Walnut, tulip poplar, American — Tall Clock
Henry Hill
1730–50

Tall Clock, Joakim Hill American, Mahogany, maple, cherry, tulip poplar, white pine, American — Tall Clock
Joakim Hill
1805–15

Cabinet, Jean Brandely French, Oak veneered with cedar, walnut, ebony and ivory; silvered-bronze mounts, French, Paris — Cabinet
Multiple artists/makers
1867

The Right Hand of God Protecting the Faithful against the Demons, Jean Fouquet French, Tempera and gold leaf on parchment — The Right Hand of God Protecting the Faithful against the Demons
Jean Fouquet
ca. 1452–1460

Armor of Infante Luis, Prince of Asturias (1707–1724), Jean Drouart French, Steel, gold, brass, silk, cotton, metallic yarn, paper, French, Paris — Armor of Infante Luis, Prince of Asturias (1707–1724)
Jean Drouart
dated 1712

The Hours of Jeanne d'Evreux, Queen of France, Jean Pucelle French, Grisaille, tempera, and ink on vellum, French — The Hours of Jeanne d'Evreux, Queen of France
Jean Pucelle
ca. 1324–28

Nine-Block Housetop quilt, Sue Willie Seltzer American, Top: cotton and cotton-polyester blend, rayon, and acetate; back: cotton-polyester blend — Nine-Block Housetop quilt
Sue Willie Seltzer
ca. 1955

A Study of Trap Rock (Buttermilk Falls), John Henry Hill American, Oil on canvas, American — A Study of Trap Rock (Buttermilk Falls)
John Henry Hill
1863

Dish: The Destruction of the Hosts of Pharaoh, Master IC (probably Jean Court) or French, Limoges, Painted enamel on copper, partly gilt. — Dish: The Destruction of the Hosts of Pharaoh
Master IC (probably Jean Court)
Jean Cour (or Court)
probably early 17th century

Mechanical table, Jean-François Oeben French, born Germany, Oak veneered with mahogany, kingwood, and tulipwood, with marquetry of mahogany, rosewood, holly, and various other woods; gilt-bronze mounts; imitation Japanese lacquer; replaced silk, French — Mechanical table
Jean-François Oeben
Roger Vandercruse, called Lacroix
ca. 1761–63

La Crainte des Traits de l'Amour, Jean-Louis Lemoyne, Marble, French, Paris — La Crainte des Traits de l'Amour
Jean-Louis Lemoyne
1739–40

Drop-front secretary (Secrétaire en armoire), Jean Henri Riesener French, Oak veneered with ebony and 17th-century Japanese lacquer; interiors veneered with tulipwood, amaranth, holly, and ebonized holly; gilt-bronze mounts; marble top; velvet (not original), French, Paris — Drop-front secretary (Secrétaire en armoire)
Jean Henri Riesener
1783

Sabine Houdon (1787–1836), Jean Antoine Houdon French, White marble on gray marble socle, French, Paris — Sabine Houdon (1787–1836)
Jean Antoine Houdon
1788

Ugolino and His Sons, Jean-Baptiste Carpeaux French, Saint-Béat marble, French, Paris — Ugolino and His Sons
Jean-Baptiste Carpeaux
1865–67

Winter, Jean Antoine Houdon French, Bronze, French, Paris — Winter
Jean Antoine Houdon
1787

Soap Bubbles, Jean Siméon Chardin French, Oil on canvas — Soap Bubbles
Jean Siméon Chardin
ca. 1733–34