Search the collection

Filter By

Object Type / Material
Geographic Location
Department
Date
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
More than 10,000 results for William Say
Sort by:
The Duke of Wellington, William Say  British, Mezzotint
Multiple artists/makers
1828
Hybrid Amaryllis Regina Vittata, from Transactions of the Horticultural Society of London, vol. 5, pl. 15, William Say  British, Etching, aquatint and stipple on steel; color-printing with hand-coloring
Multiple artists/makers
1824
Multiple artists/makers
1826
Multiple artists/makers
1826
William Say
John Hoppner
18th–19th century
Juvenile Tricks, part V, plate 22 from "Liber Studiorum", Joseph Mallord William Turner  British, Etching and mezzotint; first state
Joseph Mallord William Turner
William Say
January 1, 1811
Coast of Yorkshire, Near Whitby, part V, plate 24 from "Liber Studiorum", Joseph Mallord William Turner  British, Etching and mezzotint; first state of four
Joseph Mallord William Turner
William Say
January 1, 1811
Windmill and  Lock, part VI, plate 27 from "Liber Studiorum", Joseph Mallord William Turner  British, Etching and mezzotint; first state of three
Joseph Mallord William Turner
William Say
June 1, 1811
Marine Dabblers, part VI, plate 29 from "Liber Studiorum", Joseph Mallord William Turner  British, Etching and mezzotint; first state of two
Joseph Mallord William Turner
William Say
June 1811
Near Blair Athol, Scotland, part VI, plate 30 from "Liber Studiorum", Joseph Mallord William Turner  British, Etching and mezzotint; first state of three
Joseph Mallord William Turner
William Say
June 1, 1811
Martello Towers near Bexhill, Sussex, part VII, plate 34 from "Liber Studiorum", Joseph Mallord William Turner  British, Etching and mezzotint; first state of four (Finberg)
Joseph Mallord William Turner
William Say
June 1811
Scene in the Campagna, part ViII, plate 38 from "Liber Studiorum", Joseph Mallord William Turner  British, Etching and mezzotint; first state of two (Finberg)
Joseph Mallord William Turner
William Say
February 1, 1812
Chain of Alps from Grenoble to Chamberi, part X, plate 49 from "Liber Studiorum", Joseph Mallord William Turner  British, Etching and mezzotint; first state of four
Joseph Mallord William Turner
William Say
May 23, 1812
Solitude, or The Reading Magdalen, part XI, plate 53 from "Liber Studiorum", Joseph Mallord William Turner  British, Etching and mezzotint; first state of seven (Finberg)
Joseph Mallord William Turner
William Say
May 12, 1814
The Tenth Plague of Egypt, part XII, plate 61 from "Liber Studiorum", Joseph Mallord William Turner  British, Etching and mezzotint; first state of four
Joseph Mallord William Turner
William Say
January 1, 1816
Isis, part XIV, plate 68 from "Liber Studiorum", Joseph Mallord William Turner  British, Etching and mezzotint; fifth state of five (Finberg)
Joseph Mallord William Turner
William Say
January 1, 1819
Juvenile Tricks (Liber Studiorum, part V, plate 22), Joseph Mallord William Turner  British, Etching and mezzotint; first state
Joseph Mallord William Turner
William Say
January 1, 1811
Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24), Joseph Mallord William Turner  British, Etching and mezzotint; second state of four
Joseph Mallord William Turner
William Say
January 1, 1811
Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24), Joseph Mallord William Turner  British, Etching and mezzotint; third state of four
Joseph Mallord William Turner
William Say
January 1, 1811
Solitude, or The Reading Magdalen (Liber Studiorum, part XI, plate 53), Joseph Mallord William Turner  British, Etching and mezzotint; first state of seven (Finberg)
Joseph Mallord William Turner
William Say
May 12, 1814
Apuleia in Search of Apuleius, unpublished plate from "Liber Studiorum", Joseph Mallord William Turner  British, Etching and mezzotint; engraver's proof b (Finberg)
Joseph Mallord William Turner
William Say
1813–23
Medal cabinet, William Vile  British, Mahogany with carved and applied decoration, British
William Vile
John Cobb
1760–61
Jubal and Miriam, William Jay Bolton, Stained glass window; vitreous glass paint, enamel paint, silver stain, American
William Jay Bolton
John Bolton
1843–48
Still Life—Violin and Music, William Michael Harnett  American, Oil on canvas, American
William Michael Harnett
1888
At the Seaside, William Merritt Chase  American, Oil on canvas, American
William Merritt Chase
ca. 1892
Bacchante and Infant Faun, Frederick William MacMonnies  American, Bronze, American
Frederick William MacMonnies
Thiébaut frères
1893–94, cast 1894
Creamer, William Haverstick  American, Silver, American
William Haverstick
William Haverstick Jr.
1800–1825
Multiple artists/makers
1842
Whalers, Joseph Mallord William Turner  British, Oil on canvas
Joseph Mallord William Turner
ca. 1845
New York, William Klein  American, Gelatin silver print
William Klein
1954
The Refusal of Time, William Kentridge  South African, Five-channel digital video installation, black-and-white and color, sound, 30 min.; steel megaphones, and a breathing machine (“elephant”)
William Kentridge
2012
A bibliography of early American art with special reference to the arts of design : books and periodicals in the Museum Library, William Clifford
William Clifford
Miss Helen J. Baker
1925
Remarks on forest scenery, and other woodland views, (relative chiefly to picturesque beauty) : Illustrated by the scenes of New-Forest in Hampshire, William Gilpin  British
William Gilpin
R. Blamire
1791
Remarks on forest scenery, and other woodland views, (relative chiefly to picturesque beauty) : Illustrated by the scenes of New-Forest in Hampshire, William Gilpin  British
William Gilpin
R. Blamire
1791
The analysis of beauty : written with a view of fixing the fluctuating ideas of taste, William Hogarth  British
William Hogarth
1753
Elevator panel from the Manhattan Building, Chicago, Illinois, William LeBaron Jenney, Cast iron, American
Multiple artists/makers
ca. 1889–91
Transactions of the Horticultural Society, London, vol. 5, Horticultural Society of London  British, Illustrations: etching, stipple and aquatint, color-printing, and hand-coloring
Multiple artists/makers
1824
The Quartette (Un quatuor), William Dannat  American, Oil on canvas, American
William Dannat
1884
John Adams Conant, William Dunlap  American, Oil on wood, American
William Dunlap
1829
Mrs. John Adams Conant, William Dunlap  American, Oil on wood, American
William Dunlap
1829