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Plaque with the Crucifixion and the Holy Women at the Tomb, Elephant ivory, Carolingian
Plaque with the Crucifixion and the Holy Women at the Tomb
Carolingian
ca. 870
Embroidered Textile with Three Saints , Cotton; embroidered in gold wrapped thread and silk

Embroidered Textile with Three Saints

12th century
Diptych with Scenes of the Life of Christ and the Virgin, Saint Michael, John the Baptist, Thomas Becket, and the Trinity, Elephant ivory, German
Diptych with Scenes of the Life of Christ and the Virgin, Saint Michael, John the Baptist, Thomas Becket, and the Trinity
German
ca. 1350
Adoration of the Magi, Southern Germany or Austria Southern Germany or Austria, Tempera and gold and silver leaf on parchment, Southern German or Austrian
Adoration of the Magi
Southern Germany or Austria
ca. 1235–50
Manuscript Leaf with Dedication of a Book to the Virgin, Tempera on parchment, German
Manuscript Leaf with Dedication of a Book to the Virgin
German
ca. 1400
Illuminated Initial and Saint, Freeman Gage Delamotte British, Watercolor, pen and brown and red ink, and gold over graphite and gouache (bodycolor)
Illuminated Initial and Saint
Freeman Gage Delamotte
1830–62
Panel with Christ and Mary Magdalene, Elephant ivory, European (Medieval style)
Panel with Christ and Mary Magdalene
European (Medieval style)
19th century
Paten, Gilt copper and champlevé enamel, Italian, Umbria
Paten
Italian, Umbria
late 15th century
Medallion, St. George Slaying The Dragon, Boxwood, Slavic
Medallion, St. George Slaying The Dragon
Slavic
17th century
Leaf from a Gospel Book with Four Standing Evangelists, Tempera and ink on parchment, Armenian
Leaf from a Gospel Book with Four Standing Evangelists
Armenian
1290–1330
Leaf from a Beatus Manuscript: Seven Angels Hold the Cups of the Seven Last Plagues; The Hymn of the Lamb, Tempera, gold, and ink on parchment, Spanish
Leaf from a Beatus Manuscript: Seven Angels Hold the Cups of the Seven Last Plagues; The Hymn of the Lamb
Spanish
ca. 1180
Manuscript Illumination with Saint Lawrence in an Initial C, from a Gradual, Don Simone Camaldolese Italian, Florentine, Tempera, ink and gold on parchment, Italian
Manuscript Illumination with Saint Lawrence in an Initial C, from a Gradual
Don Simone Camaldolese
ca. 1380–90
Leaf from a Beatus Manuscript: the Lamb at the Foot of the Cross, Flanked by Two Angels; The Calling of Saint John with the Enthroned Christ flanked by Angels and a Man Holding a Book, Tempera, gold, and ink on parchment, Spanish
Leaf from a Beatus Manuscript: the Lamb at the Foot of the Cross, Flanked by Two Angels; The Calling of Saint John with the Enthroned Christ flanked by Angels and a Man Holding a Book
Spanish
ca. 1180
Plaque with Agnus Dei on a Cross between Emblems of the Four Evangelists, Elephant ivory, South Italian
Plaque with Agnus Dei on a Cross between Emblems of the Four Evangelists
South Italian
1000–1050
Manuscript Leaf with the Last Supper and the Washing of the Apostles’ Feet Leaf, from a Royal Psalter, Tempera and gold on parchment, British
Manuscript Leaf with the Last Supper and the Washing of the Apostles’ Feet Leaf, from a Royal Psalter
British
ca. 1250–70
Illuminated Initial "B", Freeman Gage Delamotte British, Watercolor and gold over graphite with touches of gouache (bodycolor)
Illuminated Initial "B"
Freeman Gage Delamotte
1830–62
Tusk Fragment with the Ascension, Ivory; carved
Tusk Fragment with the Ascension
720–970 Radiocarbon date, 95% probability
Gemellion with Coronation Scene, Champlevé enamel and gilded copper, French
Gemellion with Coronation Scene
French
ca. 1250–75
Diptych with Scenes from the Passion, Elephant ivory with iron hinges, French
Diptych with Scenes from the Passion
French
15th century
Roundel with Descent of the Damned, Dieric Bouts Netherlandish, Colorless glass, vitreous paint and silver stain, South Netherlandish
Roundel with Descent of the Damned
After a composition by workskhop of Dieric Bouts
ca. 1500–1510
Roundel with Christ as Savior of the World, Colorless glass, vitreous paint and silver stain, South Netherlandish
Roundel with Christ as Savior of the World
South Netherlandish
1520–30
Manuscript Illumination with Crucifixion in an Initial T, from a Missal, Tempera, ink and gold on parchment, French
Manuscript Illumination with Crucifixion in an Initial T, from a Missal
French
ca. 1400
Manuscript Leaf with the Annunciation from a Book of Hours, Jean Bourdichon French, Tempera and shell gold on parchment, French
Manuscript Leaf with the Annunciation from a Book of Hours
Jean Bourdichon
ca. 1485–90
Coronation of the Virgin, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera on wood, gold ground
Coronation of the Virgin
Giovanni di Paolo (Giovanni di Paolo di Grazia)
ca. 1455
Head of Dionysus (?) for attachment, possibly for a couch, ivory
Head of Dionysus (?) for attachment, possibly for a couch
332–30 BCE
Pendant, Mother of pearl with modern silver and red velvet mount, German
Pendant
German
15th century
Head of a Crozier with Saint Michael Slaying the Dragon, Gilded copper with champlevé enamel and glass paste, French
Head of a Crozier with Saint Michael Slaying the Dragon
French
1220–30
Two Medallions, Elephant ivory, pierced and painted, French
Two Medallions
French
ca. 1420
Badge or Harness Pendant, Copper, gold, enamel, Spanish
Badge or Harness Pendant
Spanish
14th century
Panel, Carved oak, French
Panel
French
first half 16th century
Dish with Abraham and Melchizedek, Hans of Landshut German, Free-blown glass with paint and metallic foils, South German
Dish with Abraham and Melchizedek
Hans of Landshut
1498
Roundel with Saint John on Patmos with Apocalyptic Vision, Dirck Vellert Netherlandish, Colorless glass, vitreous paint and silver stain, South Netherlandish
Roundel with Saint John on Patmos with Apocalyptic Vision
Style of Dirck Vellert
1520–30
Diptych with the Coronation of the Virgin and the Crucifixion, Elephant ivory with metal mounts, North French
Diptych with the Coronation of the Virgin and the Crucifixion
North French
ca. 1340–60
Angel, Wood, gilded and painted, German
Angel
German
ca. 1460–80
Last Judgment in an Initial C, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera and gold on parchment
Last Judgment in an Initial C
Lorenzo Monaco (Piero di Giovanni)
ca. 1406–7
Liturgical Cross with Christ and Four Holy Figures, Richardson Ellson & Co., Watercolor
Liturgical Cross with Christ and Four Holy Figures
Attributed to Richardson Ellson & Co.
second half 19th century
Letter P with the Legend of Saint Philip, Boxwood; later (18th century) embroidered silk pouch, Netherlandish
Letter P with the Legend of Saint Philip
Netherlandish
ca. 1500–before 1506
Liturgical Comb Fragment, Elephant ivory, German
Liturgical Comb Fragment
German
1180–1220
The Death of the Virgin (The Dormition), Tilman Heysacker German, Oak, German
The Death of the Virgin (The Dormition)
Workshop of Tilman Heysacker
late 15th century
Roundel with Adoration of the Magi, Colorless glass, vitreous paint and silver stain, German
Roundel with Adoration of the Magi
German
1480–90
Roundel with Joseph Presenting his father, Jacob, to the Pharoah (from a Series of the History of Joshua), Colorless glass, vitreous paint and silver stain, South Netherlandish
Roundel with Joseph Presenting his father, Jacob, to the Pharoah (from a Series of the History of Joshua)
South Netherlandish
1515–30
Crozier Head with Lamb of God, Elephant ivory, with traces of paint and gilding, silver pins, Sicilian or North Italian
Crozier Head with Lamb of God
Sicilian or North Italian
13th century

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