Search the collection

Filter By

Object Type / Material
Geographic Location
Department
Date
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 8,167 results for giovanni-battista-piranesi
Sort by:
The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi  Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of four (Robison)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50
View through the Herculaneum Gate, Pompeii, Giovanni Battista Piranesi  Italian, Pen and brown ink over black chalk
Giovanni Battista Piranesi
1778
Veduta del Tempio di Giove Tonante, Giovanni Battista Piranesi  Italian, Engraving
Giovanni Battista Piranesi
1740s–60s
Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. I (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi), Giovanni Battista Piranesi  Italian, Etching
Giovanni Battista Piranesi
Francesco Piranesi
1778–80
Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. II (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi), Giovanni Battista Piranesi  Italian, Etching
Giovanni Battista Piranesi
Francesco Piranesi
1778–80
Prima Parte di Architettura, e Prospettive inventate, ed incise da Giambatista Piranesi Architetto Veneziano fra gli Arcadi Salcindio Tiseio; Lettere di Giustificazione a Milord Charlemont plates, which were adapted to appear in the Opere Varie; Opere Varie; Grotteschi; Carceri; Archi Trionfali, and Trofei di Ottaviano Augusto
, Giovanni Battista Piranesi  Italian, Etching
Giovanni Battista Piranesi
Francesco Piranesi
1761–1809
Plate 19: Part of the ancient Appian Way about three miles outside Porta S. Sebastiano, from "Alcune Vedute di Archi Trionfali ed altri monumenti inalzati da Romani parte de quali se veggono in Roma e parte per l'Italia" (Some Views of Triumphal Arches and other monuments erected by the Romans, some of which are in Rome and some elsewhere in Italy), Giovanni Battista Piranesi  Italian, Etching
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1748
Parte di ampio magnifico Porto all'uso degli antichi Romani, ove si scuopre l'interno della gran Piazza pel Comercio... (Part of a spacious and magnificent Harbor for the use of the ancient Romans opening onto a large market square...), from "Opere Varie di Archiettura, prospettive, grotteschi, antichità; inventate, ed incise da Giambattista Piranesi Architetto Veneziano" (Various Works of Architecture, perspectives, grotesques, and antiquities; designed and etched by Giambattista Piranesi, Venetian Architect), Giovanni Battista Piranesi  Italian, Etching, engraving, drypoint; second state of seven (Robison)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50
The Drawbridge, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi  Italian, Etching, engraving, scratching; first state of six (Robison)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50
The Skeletons, from "Grotteschi" (Grotesques), Giovanni Battista Piranesi  Italian, Etching with engraving, drypoint, and burnishing; second state of five (Robison)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1748
The Pier with a Lamp, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi  Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of seven (Robison)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50
The Arch with a Shell Ornament, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi  Italian, Etching, engraving, scratching, sulphur tint or open bite, drypoint; first state of seven (Robison)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50
The Well, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi  Italian, Etching, engraving, scratching, burnishing, lavis; first state of six (Robison)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50
Prisoners on a Projecting Platform, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi  Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of four (Robison)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50
The Smoking Fire, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi  Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of seven (Robison)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50
The Sawhorse, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi  Italian, Etching, engraving, sulphur tint or open bite, scratching
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50
Title Page, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi  Italian, Etching, engraving, sulphur tint or open bite; first state of nine (Robison)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50
The Gothic Arch, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi  Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of six Robison)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50
The Pier with Chains, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi  Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of six (Robison)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50
Interior view of St. Peter's Basilica in the Vatican, from "Vedute di Roma" (Roman Views), Giovanni Battista Piranesi  Italian, Etching; first state of four (Hind)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1748
View of St. Peter's Basilica and Piazza in the Vatican, from "Vedute di Roma" (Roman Views), Giovanni Battista Piranesi  Italian, Etching; first state of seven (Hind)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1748
The Triumphal Arch, from "Grotteschi" (Grotesques), Giovanni Battista Piranesi  Italian, Etching, engraving, drypoint, burnishing; first state of five (Robison)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1748
The Monumental Tablet, from "Grotteschi" (Grotesques), Giovanni Battista Piranesi  Italian, Etching, engraving, drypoint, scratching; second state of four (Robison)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1748
Plan of a spacious and magnificent College designed after the ancient gymnasia of the Greeks and the baths of the Romans..., from "Opere Varie di Architettura, prospettive, grotteschi, antichità; inventate, ed incise da Giambattista Piranesi Architetto Veneziano" (Various Works of Architecture, perspectives, grotesques and antiquities; designed and etched by Giambattista Piranesi, Venetian Architect), Giovanni Battista Piranesi  Italian, Etching, engraving, drypoint; second state of seven (Robison)
Giovanni Battista Piranesi
Giovanni Bouchard
1750
The Tomb of Nero, from "Grotteschi" (Grotesques), Giovanni Battista Piranesi  Italian, Etching, engraving, drypoint, scratching; second state of six (Robison)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1748
The Giant Wheel, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi  Italian, Etching, engraving; second state of eight (Robison)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50
The Staircase with Trophies, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi  Italian, Etching, engraving; first state of six (Robison)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50
The Grand Piazza, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi  Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of six (Robison)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50
Plate 1: Part of the Forum of Nerva (Parte del Foro di Nerva), from "Antichità Romane de' Tempi della Repubblica, e de' primi Imperatori", Giovanni Battista Piranesi  Italian, Etching
Giovanni Battista Piranesi
ca. 1748
Plate 3: Inscriptions on Antiquities outside Rome with Index of Plates, from "Antichità Romane de' Tempi della Repubblica, e de' primi Imperatori", Giovanni Battista Piranesi  Italian, Etching
Giovanni Battista Piranesi
ca. 1748
Plate 6: 1. Arch of Titus. 2. Villa Farnese. 3. Columns of the Temple of Jupiter Stator (the Supporter). 4. Arch of Septimus Severus. 5. Temple of Peace. (1. Arco di Tito in Roma. 2. Villa Farnese. 2. Colon.e. del Tem.o di G.ve St.re. 4. Ar.co di Set.o...), from "Antichità Romane de' Tempi della Repubblica, e de' primi Imperatori", Giovanni Battista Piranesi  Italian, Etching
Giovanni Battista Piranesi
ca. 1748
Plate 16: The Bridge at Rimini built by the Emperors Augustus and Tiberius (Ponte di Rimino fabbricato da Augusto e da Tiberio Imperatori), from "Antichità Romane fuori di Roma", Giovanni Battista Piranesi  Italian, Etching
Giovanni Battista Piranesi
ca. 1748
Title page from "Roman Antiquity of the Time of the Republic and the First Emperors" (Antichità Romane de' Tempi della Repubblica, e de' primi Imperatori), Giovanni Battista Piranesi  Italian, Etching
Giovanni Battista Piranesi
ca. 1748
The Arch of Septimius Severus (Arco di Severo, e Caracalla), Giovanni Battista Piranesi  Italian, Etching
Giovanni Battista Piranesi
ca. 1756
Remains of the Temple of Castor and Pollux . . . (Avanzo del Tempio di Castore e Polluce . . .), Giovanni Battista Piranesi  Italian, Etching
Giovanni Battista Piranesi
18th century
Seven columns of the Temple of Juturna with Corinthian capitals . . . (Sette colonne con capitelli corinti spettanti al Tempio di Giuturna . . .), Giovanni Battista Piranesi  Italian, Etching
Giovanni Battista Piranesi
18th century
Plate 28: Arch of Trajan in Ancona (Arco di Trajano in Ancona), from "Alcune Vedute di Archi Trionfali ed altri monumenti inalzati da Romani parte di quali se veggono in Roma e parte per l'Italia" (Some Views of Triumphal Arches and other monuments erected by the Romans, some of which are in Rome and some elsewhere in Italy), Giovanni Battista Piranesi  Italian, Etching
Giovanni Battista Piranesi
ca. 1748
Ancient Roman forum surrounded by porticoes, with loggias, some of which communicate with the Imperial Palace and others with the prisons... (Foro antico romano circondata da portici, con logge, alcune delle quali si uniscono al Palazzo Imperiale...), from "Prima Parte di Architettura, e Prospettive", Giovanni Battista Piranesi  Italian, Etching
Giovanni Battista Piranesi
ca. 1750
Ancient mausoleum erected for the ashes of a Roman Emperor (Mausoleo antico eretto per le ceneri d'un Imperadore Romano), from "Prima Parte di Architettura, e Prospettive", Giovanni Battista Piranesi  Italian, Etching
Giovanni Battista Piranesi
ca. 1750
Ancient Altar on which sacrifices were performed in antiquity, surrounded by other ruins (Ara antica sopra la quale si facevano anticamente i sagrifizi, con altre ruine all'intorno), from "Prima Parte di Architettura, e Prospettive", Giovanni Battista Piranesi  Italian, Etching
Giovanni Battista Piranesi
ca. 1750