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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for possibly Italian or American

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Folding armchair, Walnut, possibly Italian or American — Folding armchair
possibly Italian or American
19th century

Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French — Armorial tazza
Italian
French
1499–1514

Chair Seat Cushion, Italian or Spanish Italian or Spanish, 17th century, Leather, tooled and painted, Italian or Spanish — Chair Seat Cushion
Italian or Spanish
17th century

Relief from a Pulpit with the Symbol of Saint Luke, Master Christophanus or Stephanus , and his Workshop Italian, Limestone with lead, Italian — Relief from a Pulpit with the Symbol of Saint Luke
Master Christophanus or Stephanus
ca. 1180

Folding armchair (sedia a Savonarola), Walnut, carved and incised; red silk cut velvet; linen., Italian (possibly) — Folding armchair (sedia a Savonarola)
Italian (possibly)
15th century (textile); 19th century (chair, with earlier parts)

Rapier, Steel, wood, iron, possibly Italian — Rapier
possibly Italian
ca. 1575–80

Messenger Badge and Shield, Iron, copper, bronze, gold, enamel, possibly Italian — Messenger Badge and Shield
possibly Italian
badge, 1400–1450; shield, ca. 1800

Bascinet, Steel, possibly Italian — Bascinet
possibly Italian
ca. 1325–50

Torch-bearing arm, Bronze, traces of gilding, Possibly Italian — Torch-bearing arm
Possibly Italian
late 16th century?

Hercules and Antaeus, Bronze, with red-brown natural patina, and remains of dark brown lacquer., possibly Italian — Hercules and Antaeus
possibly Italian
probably 19th century

Soprano Helicon in B-flat, Brass, nickel-silver, possibly Italian — Soprano Helicon in B-flat
possibly Italian
mid-19th century

Lidded saltcellar, Temne or Bullom artist(s), Ivory, Temne or Bullom — Lidded saltcellar
Temne or Bullom artist(s)
ca. 1490–1530

Christ bearing the cross, Ferdinando Tacca Italian, Bronze, Possibly Italian or English — Christ bearing the cross
Ferdinando Tacca
mid-17th century

Ewer in the Shape of a Sitting Dog, Italian , Milan, second half of the 16th century and, Rock crystal, cut on the wheel, enameled gold, rubies, and reverse-painted and gilded glass (verre églomisé)., Italian, Milan and German (Aachen) or French (Paris) — Ewer in the Shape of a Sitting Dog
Multiple artists/makers
second half 16th century and second half 19th century

Hampatong (figure), Ngadju or Ot Danum artist, Wood, pigment, Ngadju or Ot Danum — Hampatong (figure)
Ngadju or Ot Danum artist
19th–early 20th century

Covered Porringer, INK or IVK American, Silver, American — Covered Porringer
INK or IVK
1700–20

Pilgrim flask, Italian , Venetian, early 16th century, Colorless (slightly tan) nonlead glass. Blown, enameled, gilt., Italian (Venice) — Pilgrim flask
Italian
ca. 1500–1525

Dish (tondino), Italian , Gubbio, early 16th century, Maiolica (tin-glazed earthenware), Italian, Gubbio — Dish (tondino)
Italian
ca. 1530

Small octagonal table, Walnut, Italian or American — Small octagonal table
Italian or American
early 20th century (?)

Saltcellar, Blown pattern-molded non-lead glass, American, possibly — Saltcellar
American, possibly
1780–1825

Joint Stool, Cherry, American, possibly — Joint Stool
American, possibly
1725–50

Wine Glass, Blown pattern-molded lead glass, American, possibly — Wine Glass
American, possibly
1780–1825

Wine Glass, Free-blown lead glass, American, possibly — Wine Glass
American, possibly
18th century

Tankard, Thomas Milner or Miller American, Silver, American — Tankard
Thomas Milner or Miller
1735–45

Armorial jug (boccale), Maiolica (tin-glazed earthenware), Italian, possibly Florence or Faenza — Armorial jug (boccale)
Italian, possibly Florence or Faenza
late 15th century

Armorial jug (boccale), Maiolica (tin-glazed earthenware), Italian, possibly Florence or Faenza — Armorial jug (boccale)
Italian, possibly Florence or Faenza
ca. 1470–90

Clock case, Wood, painted and gilded, Italian, possibly Naples or Sicily — Clock case
Italian, possibly Naples or Sicily
17th century

Silver strigil (scraper), Silver, Possibly South Italian or Etruscan — Silver strigil (scraper)
Possibly South Italian or Etruscan
early 3rd century BCE

Tondo mirror frame, Italian, Siena, Poplar; carved, gilt; deep red-brown bole., Italian, Siena — Tondo mirror frame
Italian, Siena
ca. 1490–1500

Maiolica: Plate (tondino), Maiolica (tin-glazed earthenware), Italian, possibly Cafaggiolo — Maiolica: Plate (tondino)
Italian, possibly Cafaggiolo
ca. 1520

Candlestick (candeliere), Maiolica (tin-glazed earthenware), Italian, possibly Montelupo — Candlestick (candeliere)
Italian, possibly Montelupo
mid-17th century

Plate (piatto), Maiolica (tin-glazed earthenware), Italian, possibly Cafaggiolo — Plate (piatto)
Italian, possibly Cafaggiolo
1508

Cinquedea, Steel, gold, copper alloy, horn, brass, Italian, possibly Emilia — Cinquedea
Italian, possibly Emilia
ca. 1500

Oliphant (Hunting Horn), Ivory, copper alloy, possibly southern Italian — Oliphant (Hunting Horn)
possibly southern Italian
ca. 1200

Shield, Wood, leather, gesso, bole, paint, gold, Italian, possibly Bologna — Shield
Italian, possibly Bologna
ca. 1600

Cup-Hilted Rapier, Steel, iron, Italian, possibly Naples — Cup-Hilted Rapier
Italian, possibly Naples
ca. 1650–75

Parrying Dagger, Steel, iron, Italian, possibly Naples — Parrying Dagger
Italian, possibly Naples
ca. 1650–75

Armor of Giovanni Battista Bourbon del Monte (1541–1614), Steel, gold, textile, leather, Italian, possibly Brescia — Armor of Giovanni Battista Bourbon del Monte (1541–1614)
Italian, possibly Brescia
ca. 1590

Shaffron (Horse's Head Defense), Ambrogio de Osma Italian, Steel, Italian, possibly Brescia — Shaffron (Horse's Head Defense)
Ambrogio de Osma
ca. 1460–70

Cup-Hilted Rapier and Matching Parrying Dagger, Steel, iron, Italian, possibly Naples — Cup-Hilted Rapier and Matching Parrying Dagger
Italian, possibly Naples
ca. 1650–75