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Excursions Daguerriennes. Vues et monuments les plus remarquables du globe

1840s
Not on view
This print played an important role in popularizing the notion of the artist-daguerreotypist as trustworthy eyewitness. In March 1840, while Goupil-Fesquet and his teacher, Horace Vernet, were on a daguerreotype tour of Egypt and the Levant, a fake story circulated in the Parisian press claiming that Vernet had gained access to Muhammad ‘Ali’s harem. With this print and the accompanying text, Goupil-Fesquet aimed to prove, as "both ocular witness and daguerreotype operator," that they had seen only the guarded entrance.

Artwork Details

Object Information
  • Title: Excursions Daguerriennes. Vues et monuments les plus remarquables du globe
  • Artist: Noël-Marie-Paymal Lerebours (French, 1807–1873)
  • Date: 1840s
  • Medium: Etchings and aquatints
  • Dimensions: 10 13/16 × 15 1/2 × 2 3/16 in. (27.5 × 39.3 × 5.5 cm)
  • Classification: Books
  • Credit Line: Harris Brisbane Dick Fund, 1938
  • Object Number: 38.174
  • Curatorial Department: Photographs
More Artwork
Excursions Daguerriennes. Vues et monuments les plus remarquables du globe, Noël-Marie-Paymal Lerebours  French, Etchings, aquatints, lithographs, and photogravures after daguerreotypes
Noël-Marie-Paymal Lerebours
Armand-Hippolyte-Louis Fizeau
1840s
Ceramic Horn, Glazed pottery, French
French
late 18th or early 19th century
Osage Warrior, Charles Balthazar Julien Févret de Saint-Mémin  French, Watercolor and graphite on off-white wove paper, American
Charles Balthazar Julien Févret de Saint-Mémin
1805–7
The Fashions of London & Paris, Richard Philips  British, Illustrations: hand colored stipple engravings, etchings, aquatints
Publisher Richard Philips
1798–1810
The Connoisseur, Honoré Daumier  French, Pen and ink, wash, watercolor, lithographic crayon, and gouache over black chalk on wove paper
Honoré Daumier
ca. 1860–65

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